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I don't expect Lorne to make a masterpiece with each movie, but it is true that most of her films are action candies, and I can't understand how she can deliver 6 underground and then make His dark materials. It seems that within Lorne there are a thousand different composers. And I don't know what to expect from Lorne again.Can't help noticing not one, but two Zimmer titles in here.... Tracks 14 and 16. lol.What is most disappointing is that this is a Michael Bay movie with a score being so bad. Historically his movies have fantastic scores by either Hans, Steve Jablonsky, and even Lorne Balfe. But this is hands down the worst Michael Bay score I’ve ever heard. <br><br>It’s functional, yes, but nothing compared to 13 Hours, any of the Transformers movies, The Rock, Pearl Harbor, etc. I definitely had high hopes for another good “power anthem” score... and the only cues that are any good are just Time ripoffs.<br><br>Highly disappointing.Again, if we have to expect every piece of work of one composer is have to be as good like his others pieces of work, that's pretty underwhelming and impossible.<br><br>Yeah, 6 Underground is not a good score by any means (neither Gemini Man, but is far more listenable), but works perfectly in the hiperbolic movie.I expected a lot from this score, and the truth is that it left me cold. Honestly, I think it is Bay's fault, Balfe has shown that he is capable of doing everything, but here it gives the feeling of being covered. Again, Balfe must focus on fewer projects and the projects he accepts are of quality.
There are speculations about the track "Til Death Do Us Part "as being composed by Brandon Campbell. Can anyone confirm whether it was Djawadi or Campbell who composed it?Come to Portugal again.> which ones are listenable<br>all of the ones I listed are the melodic/orchestral moments in the score not counting Memories and Beautiful Sunday.<br>Listen to Haunt the Living, Thrones, A Million Battles or One, But Not Done and tell me that the score is a travesty.Knight - okay, let us know which ones of these tracks are even listenable? Hyperbolic nonsense defines this score, but I do not blame Balfe - this would have been what Bay wanted. Such a shame to see his artistic credibility reduced to this after the stellar work on His Dark Materials and acceptable material on Gemini Man,.Maybe try using your ears or brain next time before spewing out more hyperbolic nonsense.
Ok tracks? Easy. About half the score is some decent anthemic tracks<br><br>Ghosts<br>Haunt the Living<br>I Am the Danger<br>You Can Change the World<br>Thrones<br>A Million Battles<br>One, But Not DoneOh wow, Balfe's had a potentially too productive year. I am still convinced if he took more time to compose His Dark Materials, it would be a classic on the level of Shore. Now, it is fine and impressive. <br><br>But what the fuck. I know Bay is a lucrative customer and you have to do what he wants but this 'score' is a travesty that will be buried soon. Seriously. This is the worst of the worst, I ask anyone on this site to name one track that is 'ok', there's an ethical limit, Balfe, Baby!Do not forget LisboaThanks for sharing the tracklist :)Sooooooooooo excited for the film and the score!<br><br>
I got the real tracklist, and is supposed to be 19 tracks from the score. Can wait to hear the score and see the movie tomorrow<br><br>1.Point of Extraction 2:24<br>2.Ghosts 3:22<br>3.Welcome To Florence 3:54 <br>4.Lose The Chopper 1:54<br>5.Haunt The Living 2:06<br>6.One Rule 2:07<br>7.I Am The Danger 3:17<br>8.You Can Change The World 2:15<br>9.Thrones 3:22<br>10.Memories 1:58<br>11.Beautiful Sunday 1:17<br>12.The Past 0:51<br>13.Shit Ton Of Blood 2:35<br>14.Leave No Man Behind 1:50<br>15.A Million Battles 4:18<br>16.Day Of The Dead 4:08<br>17.Sabotage 3:16<br>18.Live Or Die 1:56<br>19.One, But Not Done 3:08Visit Ukraine!Ho visto il concerto a Berlino The World of Hans Zimmer il 29 aprile 2018. Vorrei vedere lui con la sua orchestra a Napoli.A Napoli non &#232; possibile?sound clips<br><br>https:// music.apple.com/nz/album/6-underground -music-from-the-netflix-film/ 1490017912
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  2014, June 27updated by Hybrid Soldier 
TOMORROWLAND 2014 INTRODUCTION (Music by Hans Zimmer)



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  2014, June 24updated by Antas 
Just love this version...



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  2014, June 09updated by Antas 
The MasterPiece presents music by Hans Zimmer and Thomas Bergersen



From Thomas Bergersen :
The amazing multi talented Ciprian Costin is a blessing to the epic music community. His relentless and passionate work brings us another concert in Romania, this time featuring music by Hans Zimmer and myself. June 28th! The concert is FREE! Please help spread the word and make this a success, so we can do more concerts in the future! Thank you!

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  2014, June 04updated by Hybrid Soldier 
Hans Zimmer to Compose Title Theme for History’s "Sons of Liberty"



Hans Zimmer has been tapped to compose the title theme for History’s upcoming mini-series Sons of Liberty. The show is created by Stephen David (The Men Who Built America, The World Wars) & David C. White and stars Ben Barns, Henry Thomas, Michael Raymond James, Rafe Spall, Ryan Eggold, Marton Csokas, Emily Berrington and Dean Norris. The series follows a defiant and radical group of young men – John Adams, Sam Adams, Paul Revere, John Hancock and Joseph Warren – as they band together in secrecy to change the course of history and make America a nation. Kari Skogland (Boardwalk Empire) is directing the six-parter and David is also executive producing the project with Matthew Gross (Across the Universe, Body of Proof), Russ McCarroll and Elaine Frontain Bryant. Zimmer has previously co-scored History’s The Bible. Sons of Liberty is currently in pre-production and is expected to premiere in 2015.
Source : http://filmmusicreporter.com

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