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It's 2018, everything is shittyLOL so they wanted a score with no themes...Just random stuff against action music....Makes sense.I know this is another random question, but does anyone know who composed the music for Pirates Of The Caribbean Online? There's an album cover that says:<br><br>Music by Hans Zimmer<br>Additional Tracks by New Ages and Amir Baghiri<br><br>But on IMDB it says the in-game music was done by a completely different team of composers. Anyone have any sources, or any validation on which is correct?You guys are hilarious.and that means, tom did the perfect job. they wanted a shitty score and tom delivered. i am sure they would have fired desplat, williams or whoever, just because they would have failed. the task was to compose a shitty score and tom did that. their problem, if nobody buys the soundtrack album or avoid to see the film, just because of a bad filmscore. for us it is great, because we save money.
The fact that the directors insisted on a shitty score doesn't absolve the score from being shitty.Go to JXL's Youtube channel and watch his latest video. He talks about the process of scoring the film. If you have a problem with the score, direct your criticism and complains at the director/producers/studio because JXL delivered the score they wanted. They wanted to stay away from themes and wanted an a very alternative score. If Tom didn't deliver that, they would've found someone else who would've done the job and you'll still complain that it doesn't sound how you wanted lol. <br><br>I've heard a couple of tracks which I liked a lot. <br><br>Stretcher Carry is avaibale on soundcloud. It' merely recreation but it's awesome almost like film version.How can I answer that ?<br><br><br>"At the moment ?" is my only true answer for you lol
Olive, if you think Brothers In Arms is nothing more than a RCP power anthem, then you're obviously missing something... To me it's one of the most brilliant action tracks of the last few years.Ola team ! <br>Maybe you do know Joe Kramer won't return to score Mission Impossible 6. And no one seems to know who will.<br>So here's my question : any chance to see someone from RC doing this ? <br><br>Thanks for reading me. Keep goin' your good job here, it's appreciated. :)<br>Wow. Pretty solid! It keeps the core track intact and, somehow, adds even more raw power into it. Thanks for sharing!@MrZimmerFan<br><br><Is better because there is variety and orchestration><br><br>It is not because a score is orchestrated that it is automatically superior to one half orchestrated and half electronic. My problem with JL is that it's a small score for a composer with as many facets as Elfman. The music is uninspired and (taking one or another track) ends as it begins, nothing catches yours ears beyond of the romantic moments and of the new interpretations of the themes for the heroes.<br><br>@mpolonest<br><br><I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force the classic themes.><br><br>Elfman had two paths: Ignore everything and do things his way or respect what Zimmer did and maintain the sound of previous films. What did he do? He made an uninspiring hybrid of both.<br><br>@HybridSoldier<br><br><Leagues above, and yet I doubt Ben will be able to write something like "Brothers In Arms" from Mad Max.><br><br>Everyone in RCP knows how to do a power anthem these days.<br><br>@Mephariel<br><br><I would not have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence.><br><br>Obviously not. It could be in smaller jobs and present some potential for years to come.<br>I think I just sharted myself. Thanks!
I'm surprised to have not seen more discussion of this score; I honestly think it represents some of the best music out of RCP in the past half-decade. Yeah, it still has the Journey to the Line / Time four-chord power anthem thing going on, but outside of those themes you have some really creative material that at times doesn't even feel stylistically RCP, and hell, even those structurally-simplistic themes are unusually well-orchestrated. And there's a real orchestra!Some of you may like this guy's cover of Brothers in Arms! Pretty epic, honestly. <br><br> com/watch?v=LCIY41hopq4This score has improved my mood on more than one occasion. Nancy Meyers needs to make another movie, so Hans can score it. lol.Hello great team of Hans Zimmer,<br><br>I was recently listening to "The Might of Rome" (Gladiator soundtrack) and I am craving to listen the long version of the piece around 2:38 - 2:48 (something like an oriental flute). Does it exist as a standalone composition? Is it inspired from some third party artist, if yes, can you please tell my which one?<br><br>Thanks!@Olive<br><br>Wallfisch's career unquestionably benefited from his involvement with Zimmer. He wouldn't have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence. Wallfisch is a very talented composer, but let's be honest here, his music doesn't immediately strikes anyone as a big action guy. Having Zimmer's name pushing you helps.

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  2016, November 20updated by Nicolas 
Composer Roundtable
6 Contenders on Film Music's Lack of Women, Working All-Nighters and How They'd Score the Election

Lesley Barber ('Manchester by the Sea'), Nicholas Britell ('Moonlight'), John Debney ('The Jungle Book'), Hauschka ('Lion'), Justin Hurwitz ('La La Land') and Hans Zimmer ('Hidden Figures') sat down for a discussion about their work process, the music that inspires them and why they never see their families (even working out of studios in their own homes!).

Read all the article HERE

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  2016, November 19updated by Nicolas 
Professor Hans Zimmer

Hans Zimmer, will lead an internet course in writing music for the movies through startup MasterClass.

Pre-enrollment for Zimmerís class, which will cost $90, opens Friday on the MasterClass website. The full class, slated to include more than 30 exclusive video lessons, will be available in January 2017.

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  2016, November 18updated by Nicolas 

European dates HERE

  2016, November 16updated by Nicolas 
The Havasi Symphonic Concert Show with Lebo M. and Lisa GERRARD

On the night of the 26th of November 2016, in Vienna, you will be able to come and see an amazing treat.

After a great success at Carnegie Hall, the HAVASI Symphonic Concert Show will be taking part in the Vienna Stadthalle on 26th November for their first performance in Austria. The epic musical journey unites over 100 artists on a stage: solo piano, a huge symphony orchestra and choir, gospel singers and world music soloists.

Havasi : "As a composer it's always very exciting for me to introduce my music in a new country. I'm thrilled to perform for the first time in Vienna with such legends as Lisa Gerrard and Lebo M."

Lisa Gerrard
will attend and perform the title song of GLADIATOR and a Havasi composition.

While, our good friend here at Grammy Award winner Lebo M. will captivate the audiences once more with a selection of his works with his lifetime long friend Hans Zimmer. For many it will be the first time to be able to enjoy live rendition of such powerful masterpieces chosen from POWER OF ONE, THE LION KING and TEARS OF THE SUN

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Stephane Vidali / Antas - Nicolas Cabarrou