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Random thought but this got me thinking about Zanelli's history with fantasy.<br><br>Whatever happened to his score for Delgo?  I know it's been accused of being super derivative of his other works anyways but still, it's weird to see a RCP score just drop off the face of the Earth like that.There's just something really charming about seeing a prototype for a famous future theme showing up in an old score.<br><br>Or in PotC's case, SCORES.The only ones I've seen properly confirmed are the cues Badelt had listed on his website. The issue with everything else is that there's certain themes that's been associated with certain people, but aren't credited for every appearance. Not to mention that I've never really seen much official credits elsewhere, so I take any that I've seen with a grain of salt.This comment was made before that was properly confirmed, so he was likely going to do it solo at the time.I thought Hans was collaborating with Faltermayer For Top Gun 2
From both ASCAP and GEMACan these be accessed anywhere?The dream is collapsing... :oHoly f*ck, just listened to "Too Many Notes..." and its containing pirates theme itself from Pirates of the caribbean'No Good About Goodbye' was never the intended song for QOS. It was composed after the film was completed using thematic material from the film for Shirley Bassey to perform on her, David Arnold produced album, 'The Performance'
Those files are just sitting there.<br><br>Undownloadable.<br><br>Taunting me.@Ds<br>Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br><br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br><br>I already discussed 300 and Pacific Rim.  Clearly deep scripts aren't what I'm aiming for here when I talk about good blockbusters.<br><br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br><br>300's a great example of this, though unfortunately a lot of Snyder's other work isn't, and Bay is close behind.  Their films get bogged with way too much obnoxious bullshit to make the odd sequence worth it.<br><br>The Scorponok sequence from TF1, the warehouse fight from BvS, that's real standout stuff.  Stuff that loses a lot of its luster when surrounded by two-and-a-half, or god forbid THREE, hours of self-serious pretense, lazy humor, and/or annoying characters.<br><br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br><br>They just aren't very good filmmakers on the whole, and need to learn to consolidate their efforts into something that brings out their best and subdues their worst.  Snyder in particular has SERIOUSLY misjudged where his talent is lately.Well, Steve, about the score, says he still working on it.<br><br>I can't wait.A snippet of the verse (at 0:49) also shows up occasionally in the score, in Somebody Wants to Kill You, the end of Greene and Camille, and Field Trip.Ist there any chance for concert in Poland during this tour?
How do I listen to this ?Hybrid, what about any credits for this score?Looking to travel to Berlin for the kickoff. Reckon the concert is in german instead in english?100% agree.<br><br>“You Know My Name”, “Skyfall”, “Goldfinger”, etc. all stand out because they embrace the grander aspects of 007. Having a calm and reflective Bond song can be just as effective though. I feel like “No Time to Die” is basically trying to do what “Writing on the Wall” tried but succeeding much better.I really like the song. It has, I think, a Bangkok Dangerous vibe at first, before the first lyrics. <br>I read some comments on youtube stating its a bad Bond song because its too calm. I disagree. Sure, its less punchy than You Know My Name, but some previous Bond songs, like Tomorrow Never Dies, had the same "mood". <br>This song, No Time to Die, would also have been a prefect choice for the movie Quantum of Solace, which had this melancholic tone. i espacially picture this music during the train bar scene in Quantum of solace, when Bond is drinking thinking about Vesper and the past.
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  2017, February 21updated by Hybrid Soldier 
THE FUTURE IS FEMALE - A CONCERT FOR WOMEN IN FILM





FIFConcertsAndEvents.com


Tickets Here...


Donate Here...

THE CONCERT

The Future Is Female : A Concert For Women In Film - presented by "FIF Concerts and Events Inc." - a non profit organization founded by Tori Letzler (composer & vocalist on projects like Girl Rising, Batman V Superman - Dawn Of Justice, Lights Out, Winter On Fire, Beyond 2 Souls among others), with the goal to encourage and inspire female composers.

The goal of this concert is to shed light on how many women are currently working in this industry, talented women who are often overlooked.

This concert features 10 up and coming female composers, all currently working in Film, TV, and Video Games. Each composer will be presenting an original work, performed by a 31 piece orchestra brought to us with the help of The Hollywood Chamber Orchestra, run by Mark Robertson and Noah Gladstone.

Now more than ever, it is important that we support these women! In order for the industry to welcome us as equals, we have to be welcomed as such by our peers. We need your help, to show that there is room for all of us to come together and create beautiful music to help tell stories and inspire.


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  2017, February 18updated by Nicolas 
We Need Your Help !



As we already asked you two years ago, we would really appreciate you to help composer Richard Harvey by voting for his beautiful Concerto Antico for it to reach once again the Classic FM Hall Of Fame.
Two Years ago, it worked and we really thank you for that !

To do so, just go to Classicfm.com then hit the following :

  1. VOTE NOW
  2. CHOOSE
  3. "Search Other Composers"
  4. search Richard Harvey
  5. Select Concerto Antico
  6. then a bit of Mozart/Beethoven or whatever you like (Zimmer ? :) )... You have to vote for three pieces..
    . Any order, except please put Antico first !


We are very grateful in advance ! Many thanks for sharing !


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  2017, February 15updated by Nicolas 
Planet Earth II Theme song Performed Live at the LATE SHOW

Yesterday, Hans Zimmer and his co-composers, Jacob Shea and Jasha Klebe of Bleeding Fingers Music, performed the BBC America theme of 'Planet Earth II.'





The dream team behind the scenes at The Late Show with Stephen Colbert ! Mike Gunton, Executive Producer of #PlanetEarth2,
with composers Jacob Shea, Hans Zimmer, Jasha Klebe and #BleedingFingers CEO Russell Emanuel !
Credit Photo : Bleeding fingers Music


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  2017, February 13updated by Nicolas 
At the GRAMMY Awards, Adele sang George Michael’s 1996 single “Fastlove,”
with an orchestral arrangement from Hans Zimmer




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  2017, February 13updated by Hybrid Soldier 
FILM.MUSIC.MEDIA ALL ACCESS - MARK MANCINA

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  2017, February 05updated by Nicolas 
New Trailer for GENIUS

Theme by Hans Zimmer, music by Lorne Balfe
Coming in April



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  2017, February 05updated by Nicolas 
The Little Prince's music wins an Annie Award

Hans Zimmer, Richard Harvey and vocalist Camille were honored with an Annie Award in the Outstanding Achievement, Music in an Animated Feature Production category for the music for The Little Prince. Director Mark Osborne accepted the award on the composers’ behalf at the awards ceremony at UCLA’s Royce Hall.
Read more at Filmmusicreporter.com



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