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Well, it isn't..Truth or Dare additional credits:<br><br>I DON'T WANT TO PLAY<br><br>Matthew Margeson, Daniel James<br><br>SPRING BREAK PACKING<br><br>Matthew Margeson, Jason Soudah<br><br>THE GAME<br><br>Matthew Margeson<br><br>FOLLOW THE RULES<br><br>Matthew Margeson<br><br>BREAK OLIVIA'S HAND<br><br>Matthew Margeson, Daniel James<br><br>MARKIE'S DAD<br><br>Matthew Margeson<br><br>TYSON'S INTERVIEW<br><br>Matthew Margeson, Andrew Kawczynski, Daniel James<br><br>ROOFTOP TRUTH OR DARE<br><br>Matthew Margeson<br><br>INTRUDER<br><br>Matthew Margeson, Daniel James<br><br>OLIVIA AND LUCAS<br><br>Matthew Margeson<br><br>INEZ<br><br>Matthew Margeson<br><br>OLIVIA'S SECRET<br><br>Matthew Margeson<br><br>RETURN TO MISSION<br><br>Matthew Margeson<br><br>THE GAME WILL NEVER END<br><br>Matthew Margeson<br><br>Credits taken from GEMAyears agoWhen did this album come out?MOVIE CREDITS:<br><br>Music Composed And Conducted By<br>HARRY GREGSON - WILLIAMS<br><br>Additional Music By<br>STEPHANIE ECONOMOU<br><br>Music Edited By<br>BYFAR MUSIC, INC.<br><br>Orchestrated By<br>ALISTAIR KING<br><br>Score Recorded At<br>ABBEY ROAD STUDIOS<br><br>Score Recorded & Mixed By<br>PETER COBBIN<br><br>Record & Mix Editorial<br>KIRSTY WHALLEY<br><br>Score Mixed At<br>SWEET THUNDER STUDIO<br><br>Assistant Engineers<br>JOHN BARRETT<br>STEFANO CIVETTA<br><br>Assistant Music Editor<br>PAUL THOMASON<br><br>Digital Score Recordist<br>PAUL THOMASON<br><br>Score Production Supervisor<br>MONICA ZIERHUT<br><br>Music Preparation By<br>JILL STREATER<br><br>Orchestra Contractor<br>JENNY NENDICK<br>For<br>ISOBEL GRIFFITHS, LTD.<br><br>Choir & Whistlers<br>APOLLO VOICES<br><br>Acoustic Guitar & Ukulele<br>VIVIAN MILANOVA<br><br>Ethnic Flutes<br>CHARLES ADELPHIA<br><br>Bass<br>FRANCISCO OJEDA<br><br>Drum Programmer<br>SATNAM RAMGOTRA<br>
Honestly I am more annoyed that the soundtracks still put in endcredit songs despite them being the easiest to rip.Season 8 OST better have Jennys SongThat track is "Risen From Darkness" off the complete score.the zimmer info available on this site is always fun to read. thanks to hybrid and the rest for providing a fun place to discuss and review. if any fellow fans are interested in a run through of my entire physical Hans collection, check this out :)<br><br>https://www.youtube.com/watch?v=WsSQ6ohbFc8<br><br>I love it! <br>The Penguin March is perfect for Penguin based music!
Hello, does anyone know the name of the song played during scene in which Alfred and Bruce discuss rumors about bane in the batcave? Thanks in advancetread carefully hybrid might ban you for posting credits here lmaoThe only credit that I've found for Stephanie on this one is Shark Cage. It's literally the only cue with her name on it on both BMI and GEMA.Some Stephanie credits from GEMA:<br>BLOOD STAIN<br>CAR WRECK<br>CHICKEN COOP<br>EVA AND SANDO ARGUE<br>FIRST WAVES<br>LOONIE'S ACCIDENT<br>OLD SMOKEY<br>He said a few days ago on twitter that he was still working on it. What is making it take this long, I have no idea.
Maybe he's just busy working on other scores at the moment. You're better off just waiting for the sessions to leak at this point.Rabin has been touring with Jon Anderson and Rick Wakeman the last couple of years.what track is used in the trailerCan you explain which cue is from which movie??.....synthesizered
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  2018, June 04  updated by Hybrid Soldier
WIDOWS (TRAILER) - MUSIC BY HANS ZIMMER






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Iamtommie reply Replies: 0 || 2018-10-03 00:09:12
Soundtrack album will be released on 21st of November. There will be score & songs on the album

Kalman reply Replies: 14 || 2018-09-12 13:06:47
The reviews mention the score positively. Will there be a (CD) release?


Hybrid Soldier2018-09-12 13:11:19
Probably not, there's something 20 min tops of score in the whole film...


...2018-09-12 13:20:16
Damnit. Let's hope for a FYC like 12 Years a Slave


Mike2018-09-13 06:57:07
I can't say I get why Steve McQueen keeps getting Hans and has him write these 20 minute scores... I mean, I'm sure they're friends and they like working together. But if you're gonna get a composer like Zimmer, you should take advantage of his talent and have him write a score that makes a significant impact on the movie!


theGordo2018-09-13 08:01:32
@Mike It's all about music serving the film.


Anonymous2018-09-13 08:15:28
Or maybe it is just a favor-for-a-friend sort of marketing.


Hybrid Soldier2018-09-13 12:48:10
Why the hell would they add more music for the sake of "having more music" ?


If it needs 20 min, it's 20 min... I didn't hear that sort of comments when Hans wrote 35 min of Rain Man for a 2h+ movie, or 35 min of True Romance... Or the longest score ever, 6 minutes for The Boat That Rocked !!


Edmund Meinerts2018-09-13 13:05:39
To be fair, Hybrid, Hans was in a very different place in his career in 1988/1993 vs. now. :p

I think the question is not so much "why is there so little music in the movie" but rather "if you're going to have so little music in your movie, why bother splashing out the big bucks to get a massive name like Hans Zimmer when there are literally hundreds of other composers in Hollywood who would do as good a job for a tenth the budget?" ...other than marketing, that is. Maybe they figured they were going to get a lawsuit if they got some other composer to rip off Time throughout 12YAS and so dodged that bullet by asking Hans to do it himself?


...2018-09-13 15:33:41
Why not get Zimmer to do 20 minutes of music if you really like his music. It's a strange way to approach scoring. Anyone can write a 2 hour score as well so why is that any different.


mpolonest123 2018-09-13 16:10:59
And is Zimmerís pay always consistent? For big budget movies sure, the studios will obviously dump out the cash on him. But I canít imagine him costing as much for something like Freeheld or this, especially when there is only 30 minutes or so of music in the film. I also get the feeling these are the type of films he likes to work on.

And wasnít it Big Z who worked on Casi Divas for $1? Iím sure each situation is different.


Mephariel2018-09-13 17:35:21
I don't get the idea that you can't get Zimmer if you only want 20 minutes of music. If you like someone's style and you two collaborated together well, why not? The questions is, why would you get someone else unless you think the music is not going to work. Money is obviously not an issue since the studio approved it.


Ds2018-09-13 19:54:29
I agree that some films don't need more than 20 minutes. But to be honest, aside from auteuristic filmmaking with a lot of embarassing silences, most films with short scores just happen to use a lot of songs. No idea if it's the case of Widows, though. But if it's indeed the case, I'd agree that it's a pity to use pre-existing songs while you can have Zimmer himself creating awesome new music.


Mike2018-09-13 22:36:12
Eh, yeah, there can be a 20 minute score. I mean, I don't REALLY care. I just look forward to more of Hans' music when he's writing it, and it's a bit disappointing with scores like this one where we won't get much new music. Who knows! Maybe it'll be 20 minutes of really awesome music. Idk. Either way, having 20 minutes almost guarantees there won't be any kind of musical arc to this score.

And yeah, I get all the "it needs to serve the film" stuff. I pretty much agree with Edmund and Ds, though.


theGordo2018-09-15 14:16:26
Everything is as the director wants it... if its "awkward" silence, or old songs, or the new score... most of the times the director doesn't try to satisfy film score fans as his priority.


Kalman2018-10-02 17:33:28
There's a CD (pre-order) at amazon by Milan! :


https://www.amazon.com/Widows-OST-Various/dp/B07HQ7G91C/ref= sr_1_3?s=music&ie=UTF8&qid=1538494375&sr=1-3&keywords=widows +soundtrack

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