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That makes perfect sense and I fully agree with you :pScience & Religion on the OST is comprised of 4m25a Black Tongue part A and 6m38 God Save Us. Hope this helps!I was never extremely gung ho about any of the films, but I do agree that there feels like a bit of charm was missing from this one. Especially in the tidy way everything wrapped up. I also found the villain to be extremely forgettable, basically a lesser version of Drago. But hey, at least the visuals were great.<br><br>And I do partially agree on the score, although I think it is hard to give a fair opinion until the music has actually been released. But while HTTYD1 has all of the best highlights and HTTYD2 (my personal favorite) has the best narrative development, I feel like this one works as a solid score on it’s own. The weakest of the three but still a pretty good score, if that makes sense.Can someone please tell me which parts make Science & Religion and the rest of the Original Soundtrack release?I have to say I'm a little bit disappointed, movie wise and score wise. Although it's a very good score, it seems like all the highlights are when old themes come back. I'll definitely have to check it on album to see if this impression holds up, maybe it's only because I'm overly familiar with those themes, and new ones still have to grow on me (like with litterally every Powell release).<br><br>As for the movie, it felt like the charm and beautiful story of #1 have partly been replaced by poor jokes and loads of explosive action. There are moving moments here and there, but overall it left me quite cold.
Assuming McQ changing up the crew for newer installments applies to the composers too, I'd certainly like to see someone else take the mantle. Would be interesting to see David Arnold tackle a different sort of spy film, or John Ottman taking a stab at it.<br><br>Though if anyone were to return, it'll likely be Balfe, just from all the buzz Fallout got. Would love to see Kraemer again, but the supposed BTS issues make that unlikely.You seriously mean to tell me "Light The Fuse" isn't fun or creative in the slightest? Probably is my favorite rendition of theme regarding just the films. III was certainly dull, but GP proved Gia had a voice for the series.<br><br>Balfe does do some cool things with The Plot, but I fail to see how his renditions of the main theme add anything new. Even the epic choir gets mostly dialed out in the final film. They're perfectly solid, but nothing that I'd say is great.I don't know if it's just me but the music doesn't sound as amazing to me like it did for HTTYD 1 & 2, granted i've only listened to the previews but i did the same for 1 & 2 and it got me hyped. I hope I'm wrongSo having seen the film I can say that this is tonally the most mature score of the series. The old themes all get their moment to shine, but surprisingly are used far less than the previous 2. There also seem to be some temped moments, with one scene using portions of “Battle of the Bewilderbeast” and so on. It will be interesting to see what is missing from the album.<br><br>In terms of new stuff, both “The Hidden World” cue and the “Fury Love Theme” are obviously the standouts. Especially in the way they develop throughout. And without spoiling anything, there are some beautiful choral moments in the last 15 minutes. As for the villain material, there wasn’t really anything distinctive that I picked up, which might change with a few listens.As everyone has said for the billionth time, NO. These are all unofficial fan-made edits or rips.
Is this cd of the complete score available for purchase somewhere?I loved it a lot like you and was searching and searching with no result for a long time.... and know what? Did not forget about it UNTIL NOW!!! It was in a change room at my fitness studio when I heard a very faint sound and was tunderstruck!!! The melody I was looking for for so long!!! And Shazam helped me out: it is a song from the christians from 1995 or so, called: Words! You‘re welcome :-)))and tracklist<br><br>Pictures. Visit the official movie website for more information.<br><br>Here’s the album track list:<br><br><br> <br>1. Serenity<br>2. The Beast<br>3. Suit<br>4. Karen<br>5. Baker Dill<br>6. Patrick<br>7. Memory<br>8. Deliver Me From Temptation<br>9. He Wants Justice<br>10. Girl at the Bridge<br>11. I Am the Rules<br>12. Plymouth Island<br>13. I Remember You<br>14. Catch That Fish<br>15. How We See It<br>16. Creator<br>17. Justice<br>18. Alternate Reality<br>19. It’s Dad<br><br>Saying Balfe has no imagination is beyond stupid. Take a listen at some of his work on animated movies (Home, or his work on KFP2-3), it's definitely not to work of someone without imagination.<br><br>On Fallout in particular, I honestly think he makes the best use of the classic themes in the series. That's maybe not "imaginative", as these themes aren't his, but it's definitely clever and not something every composer can do. Even an experienced guy like Michael Giacchino had 2 stabs at this franchise, and yet failed not only to give a memorable score, but also failed in using these classic themes in such a fun way.JohnWilliams Started out or rather got more into the realm of composing being doing Tv SHows
Meistermind - what’s wrong with being a TV composer ?<br><br>You sound like those idiots on Film music forum that think they know so much .The keyboard comment is exactly the nonsense said.<br><br>Fallout is one of the best action films ever in my opinion with a brilliant soundtrack.<br><br>Balfe is what in the 80s you might have called a TV composer. He has skills to get the job done but no imagination on anything. There'll be a few live bongos in the next film, a lot of supposedly live brass that sounds exactly like my keyboard, and no imagination. <br><br>That's the seemingly Chris Nolan way they want to go here. But if McQuarrie and Cruise are sticking to their mandate on making every film different, well how about (they are not going to go full Lathimos whatever), trying the Jeremy Dyson way, and go for Frank Ilfman. How about being more creative, Mansell has burned his bridges but still does excellent music but how about Richter, he can do anything, or even a Murray Gold. If you hire a pointless HZ flunkie, we'll get someone good, This used to be fine, but now with these dingdongs it is increasingly difficult<br>Balfe did produce both !!!!!!!!!!so ofcause they would sound related <br>Fallout was an excellent film and great soundtrackIn my opinion this soundtrack is very different than the others.<br>Six films and five composers, with a different styles and this soundtrack is very different.<br>For me it's a great soundtrack but the sound is too similar at the dark Knight and Dunkirk.Have to agree about Balfe and Fallout being the best mission score.would be interesting to see what he would do with bond or even Star Wars.<br>There seems to be comments on twitter that Balfe will be doing the score live at the The Royal Albert Hall.anyone know ?
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  2018, June 04  updated by Hybrid Soldier
WIDOWS (TRAILER) - MUSIC BY HANS ZIMMER






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Iamtommie reply Replies: 0 || 2018-10-03 00:09:12
Soundtrack album will be released on 21st of November. There will be score & songs on the album

Kalman reply Replies: 14 || 2018-09-12 13:06:47
The reviews mention the score positively. Will there be a (CD) release?


Hybrid Soldier2018-09-12 13:11:19
Probably not, there's something 20 min tops of score in the whole film...


...2018-09-12 13:20:16
Damnit. Let's hope for a FYC like 12 Years a Slave


Mike2018-09-13 06:57:07
I can't say I get why Steve McQueen keeps getting Hans and has him write these 20 minute scores... I mean, I'm sure they're friends and they like working together. But if you're gonna get a composer like Zimmer, you should take advantage of his talent and have him write a score that makes a significant impact on the movie!


theGordo2018-09-13 08:01:32
@Mike It's all about music serving the film.


Anonymous2018-09-13 08:15:28
Or maybe it is just a favor-for-a-friend sort of marketing.


Hybrid Soldier2018-09-13 12:48:10
Why the hell would they add more music for the sake of "having more music" ?


If it needs 20 min, it's 20 min... I didn't hear that sort of comments when Hans wrote 35 min of Rain Man for a 2h+ movie, or 35 min of True Romance... Or the longest score ever, 6 minutes for The Boat That Rocked !!


Edmund Meinerts2018-09-13 13:05:39
To be fair, Hybrid, Hans was in a very different place in his career in 1988/1993 vs. now. :p

I think the question is not so much "why is there so little music in the movie" but rather "if you're going to have so little music in your movie, why bother splashing out the big bucks to get a massive name like Hans Zimmer when there are literally hundreds of other composers in Hollywood who would do as good a job for a tenth the budget?" ...other than marketing, that is. Maybe they figured they were going to get a lawsuit if they got some other composer to rip off Time throughout 12YAS and so dodged that bullet by asking Hans to do it himself?


...2018-09-13 15:33:41
Why not get Zimmer to do 20 minutes of music if you really like his music. It's a strange way to approach scoring. Anyone can write a 2 hour score as well so why is that any different.


mpolonest123 2018-09-13 16:10:59
And is Zimmer’s pay always consistent? For big budget movies sure, the studios will obviously dump out the cash on him. But I can’t imagine him costing as much for something like Freeheld or this, especially when there is only 30 minutes or so of music in the film. I also get the feeling these are the type of films he likes to work on.

And wasn’t it Big Z who worked on Casi Divas for $1? I’m sure each situation is different.


Mephariel2018-09-13 17:35:21
I don't get the idea that you can't get Zimmer if you only want 20 minutes of music. If you like someone's style and you two collaborated together well, why not? The questions is, why would you get someone else unless you think the music is not going to work. Money is obviously not an issue since the studio approved it.


Ds2018-09-13 19:54:29
I agree that some films don't need more than 20 minutes. But to be honest, aside from auteuristic filmmaking with a lot of embarassing silences, most films with short scores just happen to use a lot of songs. No idea if it's the case of Widows, though. But if it's indeed the case, I'd agree that it's a pity to use pre-existing songs while you can have Zimmer himself creating awesome new music.


Mike2018-09-13 22:36:12
Eh, yeah, there can be a 20 minute score. I mean, I don't REALLY care. I just look forward to more of Hans' music when he's writing it, and it's a bit disappointing with scores like this one where we won't get much new music. Who knows! Maybe it'll be 20 minutes of really awesome music. Idk. Either way, having 20 minutes almost guarantees there won't be any kind of musical arc to this score.

And yeah, I get all the "it needs to serve the film" stuff. I pretty much agree with Edmund and Ds, though.


theGordo2018-09-15 14:16:26
Everything is as the director wants it... if its "awkward" silence, or old songs, or the new score... most of the times the director doesn't try to satisfy film score fans as his priority.


Kalman2018-10-02 17:33:28
There's a CD (pre-order) at amazon by Milan! :


https://www.amazon.com/Widows-OST-Various/dp/B07HQ7G91C/ref= sr_1_3?s=music&ie=UTF8&qid=1538494375&sr=1-3&keywords=widows +soundtrack

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