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Both of these redesigns are great!@Everan your cover is really nice, I like it!!Made this one myself, if anyone's interested.<br>https: //www.flickr.com/photos/everan-shepard/ 44212313235No, just a rip from the film...DOA Dead Or Alive complete score is here on YouTube today!
Harry and Harry on the same stage with Lorne was so cool.Wish they would perform more together.It made gaming cool I thoughtFor reals. I felt so bad for Rupert that this was all that was offered to represent his score. looks like someone hustled a quick redesign though https://twitter.com/MikhahThomas/status/1071501461215956992Speaking of bad covers...I did and it was amazing.Lorne also had other composers from games on stage also.They all looked like they were having fun and Lorne did an amazing montage of the best games .Did anyone watch the games show last night ? Zimmer , Harry Gregson-Williams and Lorne Balfe all performing !!!!!!
Grammy nomination!!Saw the film few days ago. Score is one of the best things in the film. Indeed a mix of BvS en Mad Max, only more orchestral.  Can't wait to listen to it again.Main Title is probably 1M01. Hope it helps! =)I’m still looking for piano sheet music for this. Anybody have a suggestion?Not a bad score, if not particularly striking. Really seems to have slipped under the radar.
I’m pleasantly surprised. The whole thing has a very “classic Hollywood” fantasy type feel to it, with Holkenborg’s usual percussion and strings overlaid. The mixing is still a bit too harsh and overproduced, but I’m loving what I hear so far. Here’s hoping the rest stays consistently strong...On repeat listens, it sounds like if someone tossed Fury Road into a blender with Wagner's Ride of the Valkyries and Michael Giacchino's Medal of Honor scores. A surprisingly good combination, if you ask me.Didn't have enough music I think.Consider me pleasantly surprised....This sounds amazing. <br>https: //www.youtube.com/watch?v=Rc6U4zYppks
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  2018, July 25  updated by Hybrid Soldier
BAFTA CONVERSATION WITH HANS ZIMMER






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David Wolf reply Replies: 0 || 2018-09-03 06:24:35
I watched Interstellar for the 6th time. It's the score that makes it. It is hypnotic. I almost never leave comments online, however, for this I had to make an exception. Well done Mr. Zimmer.

George reply Replies: 1 || 2018-07-26 02:02:10
Not gonna lie, to me, he came off more pretentious in this interview than ever before. Tommy, the interviewer, was asking really good questions and we kept getting the same old rehashed stories he’s always told. Would’ve loved to here more specifics on the actual craft and recording and ideas behind these scores rather than the typical broad spectrum stories we’ve all heard before. Oh well. I love Hans and would love to get another classic here soon!


Mike (OTM)2018-07-29 04:17:45
I don't think he seemed pretentious, but I was rolling my eyes at the same stories....BRAAHHHHHM was in the Inception script....Interstellar was a letter about his son...Lion King was for his daughter and father....The only thing I hadn't heard before was his comment about wanting to make Don Giovanni seem larger than life, like he felt when he was a kid. And his story about "Stay" from Interstellar not being finished, but it fit anyway.

But yeah. I do wish Hans would talk about the ideas behind individual scenes more often than he does.

Mike (OTM) reply Replies: 0 || 2018-07-26 01:09:17
It's fascinating to me that Hans says he hasn't listened to "Am I Not Merciful?" since the film had been made. It never got used in concerts in the last 18 years?

Dimitris Krommidas reply Replies: 0 || 2018-07-25 20:54:22
Thanks! Always great to hear the legend talk about his work.

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BAFTA CONVERSATION WITH HANS ZIMMER