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Hey man, I'm sure you already know this, but you are awesome! I just watched your Vanity Fair video from two years ago. Your take on life and your music is amazing, keep up the good work!I do really like benjamin wallfisch's new score for the invisible man, which is release today in cinema. I'm a fan of wallfisch's film score since lights out and including other film scores, but i begin to hear the score in spotify & youtube and i do like the score with the full orchestra & electronic music within the film music and there are two themes for the film but there are most motif, like mr.zimmerfan says. <br><br>I just hope that this page can released the soundtrack details of The Invisible man soon and this score is good.The Invisible Man, would be one of the most dark, hard-hearing scores by Wallfisch, by far, multiple people will hate this score -i know, is difficult listening horror scores-, but when is good, is good.<br><br>If you love Lights Out, the two ITs, speacially, A Cure for Wellness, The Invisible Man is for you: dark, unpleasing (the theme for Elisabeth Moss' character is a beautiful melodie, example in 'Denouement', constantly accosed -rightly word- with the sounds of the Invisible Man, he has not theme, more motif and tremendously agresive sound desing, you can here listen in 'Attack') and very Hermann-esque (the score was only recorded with string orchestra, say by Wallfisch).<br><br>Like i said before, is not a score for everyone, but if you love Wallfisch's writing for horror, this one is for youNow, i believe, is one of the best (i was more enganging with this one more than Solo, wich i still found good, but not the best from Powell, sorry) scores written by Powell, still, not has tremendous as the HTTYD trilogy, but one of the most incredible, beautiful and heart-warming scores written by him.<br><br>Powell found himself comfortable with this style of americana/folk (Wake the Girls, is a such good start the album) and combining it with his action/adventure style of writing ('Snowy Climb', the incredible -one of the best cues of the album- 'Buck Takes the Lead', 'Ice Rescue'), but when it comes the emotional -not discover nothing new-, man, Powell is fricking good: 'We Carry Love', 'Finding Bears and Love in the Woods' or 'Come Say Goodbye'.<br><br>One of the best scores of 2020, by far.I found myself more entertaining by this one (after multiple listenings) than with Skyscraper, but not more than TLK or TMNT and TLWH.<br><br>The themes are there, very simplistic, but effective (the melodie for RST twisted in 'Harting', for example or the more melodic and peaceful theme in 'KT'), and yes, the sound design, but in the defense of Jab, he is far more rhytmic than others attepmting it (the element of horror hearing in 'Martin Axe' or the percussive twisted agressive in 'The Tunnel') or the more echoing 'The Island' guitar riffs in 'Ray Garrison', even he reutilizes the percussive timing Decepcticon theme for the motif (i think) for Bloodshot.<br><br>Maybe, i gave him more credit, but in his defense, i was expecting something more electronic (plenty electronic are here), but is more orchestral and melodic i was expecting.
Sadly this one failed to impress in any way for me. I felt like falling asleep for much of this album. Overall too simplistic, ugly, and cliched with very difficult to pin down thematic material, as the melodies are so minimalist.To whom it may concern...<br><br>Is it possible to download or in any other way purchase the Hannibal (Expanded) score somewhere? I have the original motion picture soundtrack, but would LOVE to have them both..<br><br>Best regards<br><br>Nicholas10 and 16 are missing from the store pack.Most probablyI am not a hybrid, i will try to give my opinion. I think, music in 5 season will come out when and 6 season. But I really want to be wrong!!! :)
It's very sad...(((The 'Allentown Brothers' track is pretty damn awesome (find it on YouTube). It's like a mix between gothic Elfman, Desperate Housewives and Transformers. I love it.<br><br>It's one of those scores that people don't talk about much but it's actually pretty cool. <br><br>An awesome venue would be the Opera House in Odessa.Want this so bad!!!Does anyone have a breakdown of this with the official score album?<br>
Hats off to Batu Sener for working on many of the score's best cues though!It all comes to personal preference I think. Personally Iíve moved on from collecting cdís (or anything really) and would rather have everything digital simply to utilize space. <br><br>That being said, I completely understand the appeals of having physical media, it would be sad to see that go away for the people who really love it.It's not only to appreciate the work, its to have something "real" in your hands, for your music collection. I don't like only to have a digital music archive. Of course, i rip all the cds i own to WAV and MP3. But i want to have them in my physical music collection.These day, sure. But we usually get news of the next one by the time he's finished wrapping up the current one.Powell only does 1 score a year.

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  2007, August 13

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Andrea Rohrs reply Replies: 0 || 2007-08-30 00:00:00
I think the theme "The Kraken" from POC2 is the most exciting modern orchestral music I have ever heard. I have to play it at least once a day. It would be great to see the orchestra playing this theme (also the choir). I think more young people would enjoy watching the members of the orchestra if they were dressed more informally.

Mark reply Replies: 0 || 2007-08-29 00:00:00
vey good interviews. I'm definitely looking forward to hearing the score to the dark knight. Hans you are the man. Just keep doing what your doing.

Caeden O'Riordan reply Replies: 0 || 2007-08-23 00:00:00
Watching various movies over the years, I've had a bit of an interest in Hans' work. When the "Da Vinci Code" came out, I was particularly captivated by Chevaliers De Sangreal. I rushed out to buy the CD for this song alone. It has now become my favorite "modern" classical song, and I find it very soothing, uplifting, and peaceful to say the least. I wish Hans many more years of success.

Teo reply Replies: 0 || 2007-08-15 00:00:00
"I hope so. That's the idea. Look, I don't want to have to reinvent myself all the time. I expect those other bastards to go and reinvent themselves."

Well said Hans. It's strange how Hans tries to reinvent himself so many times and HAS done so, and all most can think about is "The Rock". Geez biases can make one really blind. (and deaf too)

Kaya reply Replies: 0 || 2007-08-15 00:00:00
Silva Screen is doing that re-recording of the themes. From what he said it sounds like it will include different variations of themes.

Per reply Replies: 0 || 2007-08-14 00:00:00
I got excited too when I read your comment about an epabded box set of the Pirates scores...

However, when I read the interview, from what i understand it, it will only be a re-recording of themes from the films, and no expanded releases of the original scores, unfortunately :(

Kaya reply Replies: 0 || 2007-08-14 00:00:00
Very excited that he confirmed an expanded box set of the Pirates scores. VERY EXCITED! I want that Parachute cue so badly! As well as the film version of The Kraken. Can't wait for that.

Hybrid Soldier reply Replies: 0 || 2007-08-14 00:00:00
In France Spider-Pig is in french... :-)

"Spider-cochon, Spider-cochon ! Il peut marcher au plafond !"


Levente reply Replies: 0 || 2007-08-14 00:00:00
Now I understand why the choir sang Spider Pig in German in a previous movie. Tough I would have loved to hear in my own language, Hungarian.

Devon Byers reply Replies: 0 || 2007-08-14 00:00:00
Thanks for the interview! I really like the one with ComingSoon. Hans is so charismatic lol. Looking forward to Batman of course. And hearing that cue Spider-pig in German was funny, Spanish would've been cool to hear too.© 2001-2018 OST 
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