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Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and GŲransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with GŲransson than Balfe.
I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who Iíve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNHís themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 things
Sure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about itTrue, but he didnít really get credit for The Lone Ranger or any of the Pirates films other than #5... those are billed strictly as HZ scores. I would say Christopher Robin likely was a result of the success of his Pirates score, and Timothy Green wasnít really a Disney tentpole release. Maleficent isnít a Marvel or Star Wars level tentpole, but it is still a blockbuster film that I think heíll do an awesome job with.@Mephariel - youíre right. However Interstellar and Inception, musically speaking, are simple scores. They are moving, beautiful, and masterpieces, but still simple. Which is great! <br><br>But if we are wanting Zimmer to return to a type of music, Iíd much rather prefer something along the lines of Pirates, The Rock, The Last Samurai, Crimson Tide, etc. Tonally, of course it would be more modern and new, but melodically a return to those forms would be a dream come true.
Geoff has done several other Disney projects besides Pirates 5.  (All Pirates movies since the first, Lone Ranger, Christopher Robin, Odd Life of Timothy Green). And I have to say that I would rather JNH return for the sequel, as that would allow him to expand on his fantastic score for the first film.@George<br><br>To be fair, Interstellar is a genuine masterpiece score and maybe one my favorite score of all time, but I am not sure when Nolan will allow Zimmer to return to that type of scoring. <br><br>Hell, Time is my favorite cue ever, but again, I am not sure if Nolan is interested in that kind of music anymore.  <br><br>I guess we will see with Tenet. And yes, I absolutely think GŲransson can be a future star in the making and if anyone is allow write his or her own "Time" cultural moment, it may as well be him.@mephariel @mpolonest123 - glad Iím not the only one whoís more excited for those compared to cold and dark Nolan/Zimmer scores. Iím kinda over those to be honest.And if Iím completely honest, Iím more excited by WW84, Spongebob, Top Gun, and Dark Phoenix than another potential Nolan collab.@mephariel <br>I can definitely see that, especially with King Arthur and Spiderverse. I do think his music adds a lot to the films he scores (Steve Jobs and Man From Uncle being two great examples) where he consistently switches up styles and tones to keep things fresh. Maybe not the strongest theme writer but I do love his approaches.
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  2018, June 10  updated by Hybrid Soldier
BATTLEFIELD V - MUSIC COMPOSED BY HANS ZIMMER & LORNE BALFE
(BASED ON ORIGINAL BATTLEFIELD THEME BY JOEL ERICKSSON)







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Agent reply Replies: 0 || 2018-10-19 18:52:39
Any confirmation about Zimmer and Balfe working on the score? Or they just did the trailer music?

Mike (OTM) reply Replies: 6 || 2018-06-28 19:05:14
Do we have confirmation that Hans and Lorne are working on this game, or did they just randomly do the trailer?


Soroush2018-08-06 21:18:49
Haven't found any updates yet


Mike2018-08-06 22:07:17
Yeah, it's strange, lol. I can't imagine they'd just do a trailer if they're not composing for the game.


ThePhantasm2018-08-07 00:44:38
I messaged Lorne and he said he's not working on it


ThePhantasm2018-08-07 00:48:40
Then again, he had a recent interview where he said he was working on a pretty big game that everyone knew releasing this year. I know it's not black ops 4. It could be this or Just Cause 4 but just cause is not a big game sooooo


Omar2018-08-07 02:12:23
Lorne was talking about Fifa


Mike 2018-08-07 03:02:51
Not working on it, huh? I wonder why EA got Hans and Lorne to arrange the Battlefield theme then. It's not even a particularly distinctive version of it.

Algren reply Replies: 0 || 2018-07-26 18:13:55
There are some Themes on youtube from the Alpha version (themes #1 - #4) and they're beyond amazing. Very lovely emotional orchestral pieces. Wow.. really can't wait to hear it all

Soroush reply Replies: 3 || 2018-06-12 19:36:18
I can't wait to hear Hans' own theme for this game. Hans and Lorne did a great job with Call of Duty MW2. No doubt this is also going to be an epic one.


1232018-06-13 14:07:43
According to Lorne, they are not scoring the whole game


George2018-06-13 21:46:00
Unless heís toying with us like he did with mission impossible lol. Maybe he doesnít know itís public?


Mike (OTM)2018-06-13 21:49:11
I notice the game isnít listed on Hans or Lorneís pages here. And Iíve found nothing official about their involvement online.

Backbiter reply Replies: 0 || 2018-06-12 20:05:39
Wow, I can't wait for this.

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Dimitris Krommidas reply Replies: 0 || 2018-06-12 14:34:12
Can't wait for the score. Johan Soderqvist's scores for Battlefield 1 and the DLC's were also epic.

Mike (OTM) reply Replies: 0 || 2018-06-11 01:55:07
This one surprises me, to be honest. HZ doesn't usually do projects that have a pre-existing theme attached. He's done it, but not often.

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BATTLEFIELD V - MUSIC COMPOSED BY HANS ZIMMER & LORNE BALFE