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Sounds like a Zimmer version of the Top Gun Anthem to me. Whoever did it, it works!me who seldom watch any of these superhero movies and remakes went and saw the new aladdin last weekend.<br><br>based on my own experience of that remake i have come to the conclusion that maybe some of the reviewers are stuck-up and not open-minded? i did enjoy the new takes on some of the songs. the new movie felt like that. a new different movie to me. <br><br>i decided that i will go and watch these movies for myself now. and i would not watch (or listen to original scores) in advance to build up expectation. i will go and enjoy my time and the songs.<br><br>that's all &#175;\_(&#12484;)_/&#175; you can't please everyone.To be honest. I love the bonus score tracks, nut those remixes are a wazte of disc soace in my opinion. I would've rather have 20 extra minutes of score.<br><br>Let the Complete Score come!For everyone that's heard it, is the Deluxe Edition worth a double dip?@Hybrid is this the combination of FYC promotional score + official release by LLL?
Use your hybrid skills to unravel the mysteries of the score.Cuesheet is blank.oh yes please, including Balfe - dont start yelling, Im just really curious who did whatFinally! It would be nice to have composers credits@DT<br>Disney definitely tries to put quality into their projects, which is why I admire them. As youve said, WDAS and Pixar are both churning out some excellent and original films. Even Marvel, despite its formula and flaws, tries new things with the films and stick closely to the source material. <br><br>The problem with the remakes is that they seem to be nothing more than cash-grabs that prey on nostalgia. If you are going to retell a beloved story at least try something different and exciting, instead of trying to copy/paste what everyone has seen.
This is where I wish we could edit our comments.<br><br>Not only do you have WDAS doing mostly-new movies (I hesitate to say 'original') but you have Pixar doing them as well. Toy Story 4 was their last sequel for the foreseeable future, with them even eschewing the popular option of doing an Inside Out sequel for original projects.I feel like people are overreacting in a way that suggests these remakes have far more power than they actually do. The studio that makes them is separate from every other studio. WDAS is still creating new content and will be for many, many years to come, long after the remakes have had their heyday.<br><br>If anything, the proliferation of superhero films is far more likely to drown out originality on that front: there are multiple studios doing it.Order I went with for the album<br><br>Everything I Need (Film Version)<br>Arthur		<br>Home Invasion (Bonus Track)<br>It Wasn't Meant To Be<br>Permission To Come Aboard<br>Ask the&#8239;Sea (Bonus Track)<br>Atlantean Soldiers<br>Ahab Waves (Bonus Track)<br>Saving Pops (Bonus Track)	Soundtrack	0	1<br>Swimming Lessons	<br>Kingdom of Atlantis<br>The Legend of Atlan	<br>The Ring of Fire	<br>What Does That Even Mean?Soundtrack	0	<br>Obligation (Bonus Track)	<br>Dunes (Bonus Track)	<br>Map In a Bottle<br>Mera&#8239;Montage	<br>The Black Manta	<br>Trench Engaged (From Kingdom of the Trench)	Soundtrack	0	<br>Reunited		<br>What Could Be Greater Than a King?<br>Suited and Booted		<br>Between Land and Sea		<br>He Commands the Sea	<br>Ocean To Ocean (feat. Rhea)	<br>Everything I Need		<br>Suited & Booted (Our Empire Remix)<br>The Black Manta (feat. Jim Davies) [Future Funk Squad Remix]<br>Atlantean Soldiers (Glen Nicholls 'March In Formation' Remix)	<br>Kingdom of Atlantis (Glen Nicholls 'Escape to Atlantis' Remix)Same here. The cue I want the most is We Strike First.@Edmund<br>I cant agree enough. These remakes suffer from the issue of being inferior to the original source material, mainly because they rely so heavily on copying the originals so heavily. Im not necessarily against Disney updating their classics if they are willing to do new takes on the material. Take Jungle Book for example; they were able to do something fresh with the concept while keeping elements of the animated film. Even Maleficent, which Im not crazy about, tried something new. <br><br>Another BIG issue Ive noticed is the fact that they lean towards hiring actors who cannot sing, or at least cannot sing on the level required. Emma Watson, Will Smith, Chiwetel Ejiofor, etc.
Best shot <br>It wasnt meant to be<br>Home invasion<br>Ahab waves (0:39-end)<br>Permission to come aboard?<br>Ask the sea<br>Ahab waves (0:00-0:38)<br>Saving pops<br>Swimming lessons<br>Kingdom of atlantis<br>Legend of atlan<br>Ring of fire<br>What does that even mean?<br>Ocean to ocean<br>Obligation<br>Dunes<br>Map in a bottle<br>Black manta<br>Mera montage<br>Between land and sea<br>Trench engaged<br>What could be greater than a king?<br>Suited and booted<br>He commands the sea<br>Reunited<br>Everything i need<br><br>"Arthur" and "Atlantean Soldiers" are probably suitesJust want shrike death cue!I feel as though Menken did a bit more to differentiate his 2017 Beauty and the Beast from the 1991 one. The major pieces like "Prologue" and "Transformation" were left relatively intact but otherwise the rewrite was a bit more substantial than what Zimmer and crew did here. Compare the final battle music from the original (which consists to a large degree of upbeat instrumental versions of "Be Our Guest") to the remake (which is largely serious, straightforward orchestral action music). I haven't heard his new Aladdin so I'm not sure what the old:new ratio was there.<br><br>I'm not necessarily complaining, this is basically what I expected the score would be from the moment it was announced. The problem lies deeper, with the entire premise of these pointless remakes that allow very little wiggle room for freshness or creativity. Of course, I have no doubt this movie will make north of a billion dollars and give the Disney execs further license to print money. Maybe by the time they've remade every single film in their vault enough time will have passed that they can just start from the beginning again and nobody need ever be subject to the indignity of an original story ever again.It's a variation of the theme Anthem from the first Top Gun film by Harold Faltermeyer.whats the name of the song being played in this trailer?<br>is it available online
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  2019, February 27  updated by Hybrid Soldier
DARK PHOENIX TRAILER - MUSIC BY HANS ZIMMER






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Geoker reply Replies: 1 || 2019-05-24 22:03:27
Several clips of the film are on YT. With some music. Sounds like 90's score from HZ. Too bad the directing seems to come from an age movies didn't exist...


JamesT2019-05-26 03:33:38
I think we are all in for a nice surprise...

George reply Replies: 1 || 2019-05-06 20:55:22
Hybrid, any news or insight on this one? Should we be expecting something iconic like a MOS, or something more similar to Widows? Really hoping Hans can create some great themes and that he put in effort to this one rather than just focus more on the Lion King remake.

Im definitely excited for both... but since this will be more original music Im hoping HZ pulled out all the stops for this and that something special will come out as a result.

Please give us some hope, hybrid ;)


Mephariel2019-05-07 05:39:34
Tina Guo performed for this score. Other than that, I haven't heard a thing.

Mephariel reply Replies: 4 || 2019-03-03 09:30:32
Hybrid, any idea which part of this trailer contains Zimmer's music? Also, is he completely finished with the score?


Hybrid Soldier2019-03-03 11:58:43
Not sure the trailer contains any...

And I don't think he's done with it yet...


curba2019-03-03 21:12:48
I don't think Hans going to write a score like that. Because trailer music is not good enough.


Mephariel2019-03-03 22:09:37
Curba, I actually agree. I thought the music in the trailer is not bad, but pretty generic.


JamesT2019-04-25 09:47:20
Final trailer is out, looks GREAT. The shuttle spinning reminds me of Interstellar/docking/NTFC. Trailer music is by Audiomachine.

https://youtu.be/azvR__GRQic

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DARK PHOENIX TRAILER - MUSIC BY HANS ZIMMER