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I have a playlist on Spotify that I listen to while reading my books and I had “It’s Complicated” track from “The Holiday” movie and other tracks from this movie on that playlist and enjoyed listening to it very much. But it’s been a few months that it has become unavailable on Spotify and I don’t understand why since other albums are accessible from Hans Zimmer except for this album, there’s only one track available in The Holiday album. I’ve contacted the Spotify for help but they said it has nothing to do with Spotify. I really like that track and I’d be grateful if it became available again. Thank you for your amazing music!@Hybrid<br>Snyder said on Vero a while back that the score was fully complete. Did Tom record with an orchestra or was it just the demos?<br><br>I have a good feeling we’ll see Snyder’s vision sooner or later, it seems like the push from the fans/celebs has genuinely had an impact.Don't remove this page. The score itself is competent, and I think this page should stay up to remind us of the garbage fire this film doesn’t play chronologically?Anything New about the tracklist ?
Ramin's the only factor that's been consistent all throughout these shows whether its Game of Thrones or Westworld,he has constantly amazed every time.You're right Hybrid, remove this page, this abomination don't deserve a place here.No problem.Thanks so much!!!Nope, all you need is to go here:<br>https:// /repertory#ace
Stupid question, but do you have to pay to gain membership into ASCAP before seeing cue credits?Correct.Thanks! Just credits, though, I presume - no music files/sound?Dumb thing to rumour but okay...So Pinar Toprak didn't work on the Wonder Woman cue after all? That rumor was all over the place...
If the time ever comes ;(I should remove this page.<br><br>This infamy doesn't belong here. Love you Geoff but sorry... lol<br><br><br>I'll rather add the page for Zack Snyder's Justice League, when the time comes, hopefully...Composer credits for this:<br><br>Danny Elfman, T.J. Lindgren<br><br>BATMAN ON THE ROOF<br><br><br>Danny Elfman, Geoff Zanelli<br><br>THE AMAZON MOTHER BOX<br>ANTI-HERO'S THEME<br><br><br>Danny Elfman, Geoff Zanelli, T.J. Lindgren<br><br>THE TUNNEL FIGHT<br>THE FINAL BATTLE (John Williams)<br><br><br>Danny Elfman, Pinar Toprak<br><br>HIPPOLYTA'S ARROW<br>FRIENDS AND FOES (John Williams)<br><br><br>Danny Elfman (Hans Zimmer)<br><br>WONDER WOMAN RESCUEWhat about his last cover of "Wicked Games"? What a great surprise! Actually, all the themes are being updated every week. Ramin's stealing the show again!Greetings! I have a question regarding the placement of certain cues. Here, "Mycroft Is Nude" is placed where it plays in the film. However, on the sheets, it's shown as being after "Paris Bombing Investigation." Was the scene originally supposed to be later in the film? I'd be curious to know.

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  2007, May 02
Pirates of The Caribbean : At World's End EXTRACTS

  1. Drink Up Me Hearties Yo Ho
  2. Hoist the Colours (Solo)
  3. One Day
  4. Parlay

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Kaya reply Replies: 0 || 2007-05-02 00:00:00
I'm glad Parlay has that Morricone feel. These films are basically westerns at sea in my opinion.

thepirateobsessed reply Replies: 0 || 2007-05-02 00:00:00
Dirink up me Hearties Yo Ho is a good track with a nice feel, but What on Earth is with Parlay?!?!? This is an epic high seas adventure, not a spaghetti western! Hans Zimmer is a good composer, but I liked Klaus Badelt's work on COTBP far better.

shaadp reply Replies: 0 || 2007-05-02 00:00:00
Again, and for clarification...Hans was the brains behind curse of the black pearl...for legal reasons he could not put his name on the what you heard in COTBP was Zimmer. But as for these clips, I'm amazed. The man is a genius. He has constantly reinvented himself on each of the soundtrack installments. And let us not forget, he's been scoring 3 since August of 2005, before he began scoring Pirates 2. This one should be amazing. If 2 got nominated for a grammy, this one gets nominated hands down!

Kaya reply Replies: 0 || 2007-05-02 00:00:00
Zimmer didn't do the first Pirates because he promised Cruise and Zwick that he would focus on Last Samurai, that's why he shared the load with Klaus.

Kaya reply Replies: 0 || 2007-05-02 00:00:00
Also, in response to "thepirateobsessed". The track Davy Jones from Dead Man's Chest was a homage to Morricone's For A Few Dollars More. The music box and the organ were both used by Morricone almost in the same manner. In fact if you look at it, the Pirates trilogy is similar in tone and style to Leone's Man With No Name Trilogy. Not saying they were influnces or anything, but the Pirates films are basically westerns if you get down and compare genre archetypes.

Angela Liu reply Replies: 0 || 2007-05-02 00:00:00
It's sounding damned good so far. "One Day" appears to be a potent rearrangement of the Jack's Arrival cue -- the one when he first arrived in Port Royal on the leaky boat in the first movie, and in the second when he breaks out of his coffin. (Which leaves the question as to how his arrival scene -- if there should be one -- will play out in the third. I see a lot of potential for when he's in the Locker. ^_^) "Drink Up Me Hearties" is undeniably the ending theme; nice transition from the Jack's Arrival cue to the latest version of "He's A Pirate." I'm also pleased they've kept the end credits thematically-structured by finishing all three films with He's A Pirate -- gives off that sort of Star Wars Main Titles ending flair. ;) "Hoist The Colours" and "Parlay" certainly seem like radical departures from the conventional Pirates sound. I'm dying to hear the rest of Parlay; there seems to be a bit of the Far East influence in there. A variation of the new Singapore theme?

matteo from italy reply Replies: 0 || 2007-05-02 00:00:00
I can't Wait!!!!!!!!!!!!

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At World's End New Extracts