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The development of the music in season 2 is great.<br>Love the Westworld suite, a lot of Person of Interest in this cue :)<br>Listening With A Million Ears In the West :)Mike, I definitely agree with you. I think that Cornfield Chase is an excellent example of Zimmer's diversity in music. It shows that He can compose themes that are adventurous and light-hearted rather than being so dark, which is quite different from a lot of his works including his other collaborations with Nolan.So everybody talks about No Time for Caution, and that is a great cue, but I think an underappreciated track from this score is Cornfield Chase. It sounds so whimsical and uplifting. It captures the wonder and fun of childhood really well. The fact that it's so driven by the pipe organ makes it even better. I love how Hans incorporated the organ into most of the tracks.Does Paul Mounsey secretly compose everything??? He seems to be involved in so many scores.
Hi guys. Do you know who will compose the score of wonder woman 1984 ? Rupert again ? Or hans ?General Kenobi!Isolated score is coming:<br><br>https://twitter.com/chrismcquarrie/status/103052206820136140 9?s=19I hope the site hasnít gotten in any trouble for posting the lists :-(I haven't in a long time, you'll notice...
@Hybrid I don't get it. You usually post lists anyway when stuff like this happens. Why is it such a big deal when someone else does it?"it must have been deleted."<br><br>Yes. Stop this please.true...Guess a sessions leak of a score that was already 90 minutes long on the original album isn't worth getting super excited for...Is it me or does the main theme sound a lot like Hannibal? No doubt Zanelliís stamp on the score...
Hybrid, did Zimmer composed any of the music in the second trailer? <br><br>Interesting that nobody's mentioned the sessions leak. Pretty sure I posted a cue list but it must have been deleted.@mephariel<br>None of the styles work for me really. Most of the score comes across as a pastiche of ideas from other Zimmer scores where they were better developed (Gladiator, The Rock, Crimson Tide, etc.) and Even the action is kind of hit or miss. I just donít find it to be an interesting score honestly.@kiki: delete inferno for me aswell......and a very good solo Balfe cue, at that. That theme and Hans' Moriarty theme are the most engaging ideas of these movies, to me. <br><br>Hey, while I'm here, any word on Hans doing the third movie?
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 Sunna Wehrmeijer
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Top CD:

 2013

  The Trail (Composer)

  Syrup (Additional Music)

  Sapphire Strange (Short Film) (Composer)

  After Earth (Technical Score Advisor)


 2012

  The Bourne Legacy (Technical Score Advisor)

  Prometheus (Additional Music)

  The Grey (Additional Music)

  Folklore (Composer)

  Echoes (Composer)

  Atlantis - The Last Days Of Kaptara (ProTools Engineer)


 2011

  Chicago Mirage (Short Film) (Composer)

  Poolboy - Drowning Out The Fury (Additional Music)

  Cinema Is Everywhere (Documentary) (Orchestrator)

  The Rum Diary (Music Preparation)

  Summer Song (Additional Music)


 2010

  Robin Hood (Additional Music)

  When In Rome (Score Coordinator)

  The Groove Complex (Score Coordinator)


 2009

  Monsters Vs Aliens (VG) (Music Assistant)

  Creation (Score Coordinator)

  Drag Me To Hell (Score Coordinator)

  Arie Kater - De Kater Komt Later (Documentary) (Composer)


 2008

  Body Of Work (Short Film) (Composer)

  Karma - Crime . Passion . Reincarnation (Composer)


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Sunna Wehrmeijer