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I'm tired to be best for editing with each scene with the Bourne legacy complete score and a complete score will be on YouTube.Today, I just finished ripping with the Bourne legacy complete score, but there a few SFX tracks, but mostly with the motorcycle chase scene. Complete Score runtime (As Heard In Film): 89min 30sec.Isolated score is coming:<br><br>https://twitter.com/chrismcquarrie/status/103052206820136140 9?s=19I hope the site hasnít gotten in any trouble for posting the lists :-(I haven't in a long time, you'll notice...
@Hybrid I don't get it. You usually post lists anyway when stuff like this happens. Why is it such a big deal when someone else does it?"it must have been deleted."<br><br>Yes. Stop this please.true...Guess a sessions leak of a score that was already 90 minutes long on the original album isn't worth getting super excited for...Is it me or does the main theme sound a lot like Hannibal? No doubt Zanelliís stamp on the score...
Hybrid, did Zimmer composed any of the music in the second trailer? <br><br>Interesting that nobody's mentioned the sessions leak. Pretty sure I posted a cue list but it must have been deleted.@mephariel<br>None of the styles work for me really. Most of the score comes across as a pastiche of ideas from other Zimmer scores where they were better developed (Gladiator, The Rock, Crimson Tide, etc.) and Even the action is kind of hit or miss. I just donít find it to be an interesting score honestly.@kiki: delete inferno for me aswell......and a very good solo Balfe cue, at that. That theme and Hans' Moriarty theme are the most engaging ideas of these movies, to me. <br><br>Hey, while I'm here, any word on Hans doing the third movie?
i would delete Dunkirk immediately from that library. That's the WORST score ever written from any composer out there. This isn't even a score or film music. Just pure sound effects.No, "Psychological Recovery" is scored to picture, a bunch of cues put together from the climax of the film. IIRC the first three minutes or so are a solo Balfe cue actually.Nope, not a suite, a mix of about 4/5 cues.M:I2 is definitely a polarizing score. But I have to say, this is the first time I heard the criticism stylistically bland refer to this score. Because for most people who dislike the score, they think the score is too stylish.love this score. hasn't grown on me. was listening to it on my commute today. do you guys know if the track "psychological recovery" is the "suite" that came first. and then other cues developed from it? thanks
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 Gregg Silk
      
Top CD:

 2005

  House Of D (Assistant Music Mixer)


 2004

  Shrek 2 (Assistant Score Engineer)


 2003

  Sinbad - Legend Of The Seven Seas (Assistant Score Engineer)

  Veronica Guerin (Score Recordist)

  The Last Samurai (Assistant Score Engineer)

  Matchstick Men (Assistant Score Engineer)

  The Texas Chainsaw Massacre (Assistant Score Engineer)

  Pirates Of The Caribbean - The Curse Of The Black Pearl (Assistant Score Engineer)


 2002

  Spirit - Stallion Of The Cimarron (Technical Score Engineer)

  The Ring (Assistant Score Mixer)

  Live From Baghdad (TV) (Assistant Score Engineer)

  The Adventures Of Pluto Nash (Technical Score Advisor)


 2001

  Spy Game (Assistant Score Engineer)

  Riding In Cars With Boys (Assistant Score Engineer)

  Pearl Harbor (Additional Engineering)

  Just Visiting (Technical Score Engineer)

  The Pledge (Assistant Score Engineer)

  Black Hawk Down (Assistant Score Engineer)

  Evolution (Technical Score Engineer)

  Shrek (Assistant Score Engineer)

  Hannibal (Technical Score Engineer)


 2000

  An Everlasting Piece (Assistant Score Engineer)

  Mission - Impossible 2 (Assistant Score Engineer)

  The Road To El Dorado (Assistant Score Engineer)

  Gladiator (Assistant Score Engineer)


 1999

  Chill Factor (Music Recording Assistant)


 1998

  The Replacement Killers (Score Recordist)

  The Prince Of Egypt (Assistant Score Mixer)

  The Thin Red Line (ProTools Engineer)

  Armageddon (Music Engineer)

  Antz (Assistant Score Mixer)

  Endurance (Score Recordist)

  With Friends Like These... (Assistant Score Engineer)

  The Last Days (Documentary) (Score Recordist)


 1997

  As Good As It Gets (Assistant Score Engineer)

  Smilla's Sense Of Snow (Additional Recordings)

  The Peacemaker (Assistant Score Engineer)


 1996

  White Squall (Music Recording Assistant)

  Twister (Assistant Score Engineer)

  The Rock (Music Recording Assistant)

  The Fan (Music Recording Assistant)

  Broken Arrow (Score Technical Assistant)

  Moll Flanders (Assistant Score Engineer)

  Muppet Treasure Island (Music Recording Assistant)


 1995

  Crimson Tide (Assistant Score Engineer)

  Nine Months (Assistant Score Engineer)

  Something To Talk About (Assistant Score Engineer)

  Money Train (Assistant Score Engineer)


 1994

  Drop Zone (Score Technical Assistant)


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