NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Sounds like 13 Hours was in temp!!!!Just saw the Movie few Hours ago and this is a really Great step back to the First one ! Like the fact that it's like in First one optimus vs megatron and Not some galvatron and his City-eatin ship stuff. When Classic themes Kicks in it feels like 2007 in the Cinema and it is much Fun! A Great direction and I Hope that we get Even more Original stuff in the next one ! <br>Go and See tranformers 5 especially of You saw the First one as a Child or if You just like it and enjoy the Music and Fun of it and don't throw it in the trash like many critics Are doin it ! <br>Yes I totaly Agree with You ! It just don't make Sense Even if musicians would get payed again they would Not lose  Money. As I Said there Are many Bad Scores out there that got played by musicians and orchestra and the fact that there Are still on iTunes and so on Shows that Even These Not so good Scores Are paying out so as You Said it is just unlogical !Love it too. Great track, very sweet, very tender. I really love the part from 2:49 utill the end.Yup, you're right about the Autobots theme. I liked the fact that they paid an homage to the first score. Could be wrong, but I don't think we got that in the last two movies. It's like they wanted to distance themselves from the first two scores. Which, to be honest, was something I didn't like. So I'm definitely glad that there are few bits from the first score in "The Last Knight". It was great to hear it all while watching the movie itself.
No, what @MrZimmerFan meant is Hans took the idea of Jablosky and not that he developed it. Ramin was also inspired on this piece for another one of Game of Thrones.Thank god they did an additional intro in the Interstellar section with heavy organ, just like in the movie. I kind of missed this the previous year, and brought me right back to when I saw Interstellar Live in London.. And with the addition of the Wonder Woman theme, this was the best show ever. Hope he does another tour somewhere in the near future!To me the business case is very unlogical! A limitation of copies makes no sense, because you avoid higher revenues. The damage has already been done, because the TF3 movie is 6 years old and Warner Bros.Music has already lost higher revenues. But even other scores like "Black Hawk down" from Hans Zimmer are not featured in iTunes, but I could buy an analogue copy (CD) in a store.<br><br>@Hybrid Soldier: Where do you have your informations from? Is Steve answering on facebook or is this a quote from an interview?Why is Hans uncredited? I'll take it that Bumblebee/AllSpark are Steve's themes then.Not at all! ; ) That's one of my favorite tracks as well. I would also throw in the major chord progressions of the Trident theme in "Power of the Sea" and the INSANE electric cello statement of Salazar's theme at 3:00 in "Kill the Sparrow". Great workout tracks!
Nop, Hans took the idea from All Spark<br><br>;PReally ? Bumblebee is from Hans ?!?Its funny to read that allot of people think the music is for them, it is not and never will be. The person that has to like and approve the music is the director BAY. The music has to reflect what he wants it too, not what any of you want lol. <br><br>We are lucky we get music releases, luckyHans Zimmer (cf. Rush main theme)Yea But it isn't like they would lost Money with such a Giant Score like the TF3 one. Well I still Hope that we will get it one day :)
@meta I'm feeling the same way. TF movies have always been flawed but very enjoyable for me thanks to Michael Bay's trademark. But this one... is so bad not even Michael Bay can save it. I really don't know what the screenwriters did in their "collaboration room"... but for sure they didn't collaborate a lot, because this "story" is probably the most disjointed mess I've ever seen.<br><br>The saving grace for me was the track "We Have To Go", which plays entirely without cut, that whole scene was pretty bad-ass.@Ds: Actually I prefer Ender's Game (also released by Varese Sarabande) over P&G (but the movie is cool)Pain and Gain is not a bad score, actually it's maybe better than the TF scores, in its own genre.<br><br>But it's entirely electronic so I guess there are no musicians to pay!<br><br>Also, maybe a lot of releases have the same deal as TF3 and TF4, but so few people buy them, they remain for sale forever because the maximum allowed number of sales is never reached...I must be the biggest weirdo in all of film score history, because the highlight of DMTNT for me was "I've Come With the Butcher's Bill." It resonated instrumentally, most notably that badass cello (?) at around the 2:35 mark, it was the perfect blend of old and new themes, and best of all, it sounded like a swashbuckling theme. As much as I loved the  action cues in the first three, I sometimes felt that they resembled a Latin hell choir more than a traditional pirate piece, especially AWE. It's good listening, but sometimes it sounded more like Gregorian Chanters of the Caribbean. :P <br>I seriously blast Butcher's Bill out loud on the highway, I love it so much.one more question. Who wrote the Bumblebee theme?
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





 Mel Wesson
Website     Media  
Top CD:

 2016

  Miss Peregrine's Home For Peculiar Children (Ambient Music Design)

  Hans Zimmer Live On Tour (Shows) (Musician)

  Inferno (Synth Programmer)


 2015

  Terminator Genisys (Ambient Music Design)


 2014

  Titanfall (VG) (Ambient Music Design)

  Hans Zimmer Revealed & Friends (Shows) (Musician)

  KPM - Superheroes (Production Music) (Co-Composer)

  KPM - Tension Suspension (Production Music) (Co-Composer)


 2013

  Olympus Has Fallen (Additional Music)

  The Secret Life Of Walter Mitty (Ambient Music Design)

  Pacific Rim (Additional Arrangements)

  Vikings (TV Series - Season 1) (Ambient Music Design)

  Bates Motel (TV Series) (Ambient Music Design)

  Dracula (TV Series) (Ambient Music Design)

  Captain Phillips (Ambient Music Design)

  Brave Miss World (Documentary) (Additional Music)

  Rush (Ambient Music Design)


 2012

  Snow White & The Huntsman (Ambient Music Design)

  The Bourne Legacy (Ambient Music Design)

  The Dark Knight Rises (Ambient Music Design)


 2011

  Green Lantern (Ambient Music Design)

  Season Of The Witch (Ambient Music Design)

  Sherlock Holmes - A Game Of Shadows (Ambient Music Design)


 2010

  The Tourist (Ambient Music Design)

  Inception (Ambient Music Design)


 2009

  inFamous (VG) (Composer)

  Angels & Demons (Ambient Music Design)


 2008

  The Happening (Additional Music)

  Frost/Nixon (Ambient Music Design)

  The Dark Knight (Ambient Music Design)


 2007

  Position Music - Orchestral Series Volume 2 (Additional Music)

  My Winter Storm (Ambient Music Design)

  Michael Clayton (Ambient Music Design)

  Electroland (Short Film) (Composer)

  Transformers (Ambient Music Design)

  Pirates Of The Caribbean - At World's End (Ambient Music Design)


 2006

  The Da Vinci Code (Ambient Music Design)

  Lady In The Water (Ambient Music Design)

  Freedomland (Additional Music)

  Blood Diamond (Ambient Music Design)

  The Texas Chainsaw Massacre - The Beginning (Ambient Music Design)

  Pirates Of The Caribbean - Dead Man's Chest (Ambient Music Design)


 2005

  The Interpreter (Music Programmer)

  Batman Begins (Additional Music)

  King Kong (Additional Music)

  The Ring Two (Ambient Music Design)

  The Island (Additional Music)


 2004

  King Arthur (Additional Arrangements)

  Thunderbirds (Additional Arrangements)

  Man On Fire (Additional Arrangements)


 2003

  The Rundown (Additional Arrangements)

  Shrek 4-D (Short Film) (Additional Arrangements)

  Tears Of The Sun (Ambient Music Design)

  Matchstick Men (Ambient Music Design)

  Bad Boys II (Additional Music)

  The Texas Chainsaw Massacre (Ambient Music Design)

  Pirates Of The Caribbean - The Curse Of The Black Pearl (Ambient Music Design)


 2002

  Spirit - Stallion Of The Cimarron (Additional Arrangements)

  Phone Booth (Music Programmer)

  Beat The Devil (Short Film) (Additional Arrangements)


 2001

  Hannibal (Ambient Music Design)

  Black Hawk Down (Ambient Music Design)


 2000

  Mission - Impossible 2 (Additional Music)


 1989

  Paperhouse (Synth Programmer)

  Diamond Skulls (Additional Music Programmer)


 1988

  Track 29 (Arranger)

  A World Apart (Arranger)

  The Love I Lost (Album) (Synth Programmer)


 1987

  Wish You Were Here (Arranger)

  Terminal Exposure (Additional Music)


 1985

  Out Of The Darkest Night (Album) (Synth Programmer)


 HANS-ZIMMER.com 2001-2017 OST 
Mel Wesson