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Composer credits !@spectre<br><br>She has a theme! Search for "Rachael's Song"!I agree. It is the most beautiful theme of the previous film and one of the biggest in Vangelis' career.I feel like there should have been a proper theme for Rachael. She was a really important character in both movies and it would have been nice to hear a sad melancholic melody for in her in some kind of Flashback or dream sequence for Deckard.$$$$$$ the soundtrack is FANTASTIC
Same here, I want to re-live the whole film through score and there is so much more we havent heard yet. Keeping my fingers crossed.Just listen to all of it !!!! It’s a great classic soundtrack with cool electronics and great tunes- balfe is the topListen all the score and make the list yourself with the best moments for you, guy! Lolcan anybody recommend the absolute best themes on this score to me please!No he is not. It's just the musical palette created for all the futuristic scifi films that are inspired by what Vangelis did in 1982.
Balfe is doing a Reddit interview in 2 hours time . Hopefully we can get to the bottom of Why he replaced Pinar and Clint Mansell on Ghost in The ShellI totally agree with you. I was let down when I first heard the album. It's great but it's a selection of the score. I feel like they could've done a better job crafting the album. <br>Hell, something experimental like releasing the music as it is as a long (digital) track would've been interesting. <br><br>I think what made it difficult for them is how the tempo changes all the time, which might have resulted in an unpleasant listening experience (I think that might have been their point of view). For example, in the movie, the tempo of the cue "Home" changes a lot and some layers are taken out while the album version has a constant tempo.<br><br>Unfortunately, the number of people who noticed how unsatisfying this release is, is quite small, so there won't be anything official. Once again, we have to wait for leaks or bootlegs.also seems very like ghost in the shell. Did Balfe also help out on this score ?I can hear it<br>'Her Eyes were Green' gave me a heavy Arrival-vibe for example<br>Am I the Only one that feels Johánn Johánnsson touch everywere along this score?<br>Truly is the Vangelis reminiscense in each song, but the style is more near to Johánnsson than Wallfisch and of course Zimmer.<br>Could be Denis Villeneuve's suggestion, or maybe Benjamin has study Villeneuve last works, but is unquestionable that 2049 score sounds very Johánnsson.<br><br>Many people these days talking bad about 2049 score (No melodies, No Vangelis, All ambiance...), but the reality is that this work has perfect match with the rest of the film.<br><br>2049 is different to the original Blade Runner. Yes it has the same world and feeling, but is another director's vision, and the music follows (perfectly) the same way.
OK, there seems to be a regular edition at amazon and other retailers with the same content (2 CD) for a cheaper price than the limited one. It's nonsense. Will the record label pay me back a couple of bucks? I don't think it is ethical business at all.Saw the film last night and the music score was really good . Big and epic . It is how more scores shouldYou're right, matthew, but i'd said everyone here is used to this kind of album release with HZ/RCP, like The Thin Red Line or Inception with a lot of suites and not so much of the actual movie score. Personally i don't mind because I know the full score will be release some day and I really enjoy suites. However, I'm afraid there is nothing else to do that wait.<br><br>ps : i think Hans or RCP has no right to publish a full score (even they own), it's up to the studio--If they decide to release a proper FYC hopefully that will contain the film order/versions/unreleased/etc. <br><br>But I do agree, this is one of those scores that is tremendously improved by the film flow. Honestly I never understood the thinking behind putting out an album if you aren’t going to use the full 79 minutes it allows. Especially when you are missing cues which are vastly different from what’s presented. Why “Escape From Ship” or “No Time For Caution” weren’t there to begin with confuses me.Love Ocean Bloom. Hybrid, no release date yet for the album? The first episode is coming out in a week.
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 Marc Streitenfeld
      
Top CD:

 2015

  Hand Of God (TV Series) (Composer)

  Poltergeist (Composer)


 2014

  After The Fall (Composer)


 2012

  The Grey (Composer)

  Prometheus (Composer)

  Killing Them Softly (Composer)


 2010

  Welcome To The Rileys (Composer)

  Robin Hood (Composer)


 2008

  Body Of Lies (Composer)


 2007

  American Gangster (Composer)


 2006

  A Good Year (Composer)


 2005

  Kingdom Of Heaven (Music Supervisor)

  Tristan + Isolde (Music Consultant)


 2003

  Matchstick Men (Music Supervisor)

  The Last Samurai (Music Editor)

  Veronica Guerin (Music Editor)


 2002

  Phone Booth (Music Editor)


 2001

  Black Hawk Down (Music Editor)

  Hannibal (Music Editor)

  Angel Eyes (Song Editor)

  The Pledge (Music Editor)


 2000

  Gladiator (Technical Score Advisor)

  Mission - Impossible 2 (Music Editor)


 1998

  Possums (Additional Music)

  The Prince Of Egypt (Technical Score Advisor)

  The Thin Red Line (Technical Score Advisor)


 1997

  As Good As It Gets (Technical Score Advisor)

  Smilla's Sense Of Snow (Additional Recordings)

  The Peacemaker (Music Recording Engineer)

  Face/Off (Technical Support)


 1996

  Broken Arrow (Assistant to Hans ZIMMER)

  The Rock (Additional Engineering)

  The Preacher's Wife (Assistant to Hans ZIMMER)

  Muppet Treasure Island (Assistant to Hans ZIMMER)

  The Fan (Additional Engineering)


 1995

  Beyond Rangoon (Assistant to Hans ZIMMER)

  Two Deaths (Assistant to Hans ZIMMER)

  Crimson Tide (Assistant to Hans ZIMMER)

  Nine Months (Assistant to Hans ZIMMER)

  Something To Talk About (Assistant to Hans ZIMMER)


 1994

  Drop Zone (Assistant to Hans ZIMMER)


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