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Heard Hans Zimmer at Merriweather Post Pavilion. What a mind bowing performance.Hey Hybrid,<br><br>Will they ever release the track they pieced together for the 7 Minute IMAX Preview/Prologue?just commented on the WaterTower Music yt channel. (i waited a day lol!) <br><br>Hans and his team made me the best birthday present ever : )<br><br>i like seeing the "few notes" principle Hans explained in his Masterclass. this score takes it to a master high level.<br><br>i would like to say in passing that the experiment on Inferno (ambient music) can be felt through this score. and i love it!<br><br>thanks Hans, Lorne, Andrew, Benjamin, and anyone involved. thanks Hybrid Soldier, your fan website is the best!The rendition of What Are You Going To Do When You're Not Saving The World in the new Justice League trailer is pretty cool, at least it shows they have not forgotten this theme :-pMy one hope is that this doesn't mean Chris Nolan will be tying Zimmer's hands behind his back for future scores. If he wants to do that here, okay. I can get over one score. But I hope Nolan doesn't keep calling for this non-melodic approach.
That was one of my favorites, wish it was on the OST.Yeah, was also looking for that track.Nolan's liner notes, which explains a lot on the score :<br><br>"British people are raised on the story of Dunkirk. The events of the evacuation are sacred ground, not to be ventured onto without great care. Daunting for a filmmaker. But the things that place Dunkirk so firmly at the heart of a nation's self-image are the very qualities that make it one of the greatest stories in human history. Irresistible to a filmmaker.<br><br>This film required a remarkable creative team, and Hans Zimmer, as well as having been a valued member in the past, knows how to assemble his own great team. From our first meeting, where I described to the percussionist, Satnam Ramgotra, the unusual rhythmic structure of the script and how it needed to be amplified by the music, through the finishing touches applied by Lorne Balfe during our last weeks of mixing, the importance of teamwork was paramount. The process nicely echoed the circumstances of the events we were trying to honour- a triumph of communal effort, not individual heroism.<br><br>When I called Hans one night with a one word suggestion- "Nimrod", I wasn't sure he'd accept experimenting with an existing theme for the climax of the film. To my surprise, he knew just who to call to achieve the deconstruction of Elgar's monumental theme, a theme as beloved to the English as Dunkirk itself, often played at ceremonial occasions and funerals. It's a theme which (I never admitted to Hans) I am incapable of hearing without feeling the surprising weight of my father's coffin on my shoulder. Hans brought in Benjamin Wallfisch, who, in collaboration with the great music editor Alex Gibson and myself, fashioned a modern reworking that grows out of the sights and sounds of the movie- tapping the original's resonances without feeling unearned. Hans's brass accents complete the piece's power to move without sentimentalizing.<br><br>Hans went on to incorporate Elgar's theme elsewhere in the score, a score that on this album has been divided into cues, but which in the film plays as one long piece with a unifying and complex rhythmic and tonal structure. The structure of the screenplay itself builds upon the shepherd tone concepts I first explored with composer David Julyan in the soundtrack for "The Prestige", but here Zimmer's team (in particular Andy Page and Andrew Kawczynski) and I added a whole new rhythmical structure. This can't be fully represented on the album, but in the film it is able to integrate sound effects and even story structure into the very fabric of the music in a new and unique manner.<br><br>The rigid structure, to which we adamntly stuck, at times proved frustrating for the musicians, but they persevered and produced extraordinary cues based on unusual solutions (such as a recording of my watch that Hans and his team adapted into many different rhythmic voices). The disciplined procedural approach stopped the music for "Dunkirk" from ever resorting to arbitrary cinematic emotionalism, something Hans and I always felt was vital, given the inherent emotional heft of the real life events. This has been a long and hard journey, but I am proud of the final results, and hope that you will share my appreciation for the talent of the artists who worked so hard for so long on this score.<br><br>CHRISTOPHER NOLANI don't think emotion and melodies = Oscar worthy. Dunkirk's score fits in with the movie far better than Chappie.Saw the film again last night and there are a ton of great cues missing, especially from the first half of the film. It's a crime the cue when they carry the stretcher onto the ship wasn't included.
The answer is: Christopher Nolan ;-)It doesn't crossfade as much as, say, The Dark Knight Rises or Inception, but there is very rarely dead air. I haven't listened enough times to determine when it does and doesn't crossfade, but the tracks are, at least, very closely edited together.I Love Hans' stuff but this score didn't really do it for me. I don't see how people are repping this as Oscar worthy but trash something like CHAPPiEs score, something with actual emotion and melodies.This soundtrack will win an oscar . It's great to see Balfe back with Zimmer. Dream teamDoes anyone know whether the cd version actually has the cues crossfading into each other? Since in the film the score plays almost as an entire cue, it would have made sense if they did that. It sounds like some cues in the digital version end kind of awkwardly, like 'Impulse' and 'Home'. These cues fade out while there still seems to be some instrumentation progression going on. Hence the crossfade thought...
Oooh credits. I'm guessing from these it's going to be disqualified from entering Oscar nominations because<br>1. Use of a classical musical piece throughout<br>2. More than one guy is credited.<br><br>Anyway, that's how Hans always liked, crediting everyone.I have to agree on the soundtrack being mostly unlistenable...<br><br>This is nothing like Inception, or even Interstellar.<br><br>I seriously doubt there's going to be a big stink made about any track from this score the likes of "No Time For Caution" back in 14...<br><br>I tried...I tried real hard to find something to keep me interested in this score, but I personally couldn't find anything. Most of it is tension building noise. I'm sure it's great within the film, but outside the film? Not so much.<br><br>I guess Zimmer is on "retirement mode" now...He's slowing down and not wanting to produce the rockin stuff that he used to...I can't blame him, but still...This score sounds like a total experiment.Sorry bud...<br><br>Its not.Hi everyone, does anyone know the name of the music in the Dunkirk Trailer 1 at 01:30? It doesn't not seem to be in the score, I'm assuming it's not in the movie, I'm going to see it Sunday. If anyone knows the music or where to find it, please Comment, thanks!Tina had a lot of work to do here!
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 2017

  The Deep End (Composer)

  Cynthia (Composer)

  Next Door (Composer)


 2016

  The Charnel House (Composer)

  Dark Pledge (Composer)

  Great Plains (Composer)

  Satanic (Composer)


 2015

  Hemlock Grove (TV Series - Season 3) (Composer)

  Fatal Flip (TV) (Composer)

  Bad Asses On The Bayou (Composer)

  Miles Away (Short Film) (Composer)


 2014

  Pompeii (Additional Music)

  Ride Along (Co-Composer)

  Bad Asses (Composer)

  The Hungover Games (Composer)

  Dakota's Summer (Composer)

  The Brittany Murphy Story (Composer)


 2013

  Olympus Has Fallen (Additional Music)

  30 Nights Of Paranormal Activity With The Devil Inside The Girl With The Dragon Tattoo (Composer)

  Arrow (TV Series) (Season 2) (Additional Music)


 2012

  The Firm (TV Series) (Additional Music)

  The Scorpion King 3 - Battle For Redemption (V) (Additional Music)

  Fire With Fire (V) (Additional Music)

  Bad Ass (Composer)

  666 Park Avenue (TV Series) (Additional Music)

  Arrow (TV Series) (Season 1) (Additional Music)

  The Reef 2 - High Tide (Composer)


 2011

  Transformers - Dark Of The Moon (Additional Music)

  Hop (Additional Music)

  Fast Five (Additional Music)

  Immortals (Additional Music)

  Breaking Wind (Composer)

  Mortal Kombat (VG) (Composer)


 2010

  Law & Order - Los Angeles (TV Series) (Additional Music)

  Metal Gear Solid - Peace Walker (Additional Music)

  Skyline (Additional Arrangements)

  The 41 Year Old Virgin Who Knocked Up Sarah Marshall And Felt Superbad About It (Composer)

  The Pillars Of The Earth (TV Series) (Additional Music)

  Miami Medical (TV Series) (Additional Music)

  No Ordinary Family (TV Series) (Additional Music)


 2009

  FlashForward (TV Series) (Additional Music)

  Marvel Ultimate Alliance 2 - Fusion (VG) (Additional Music)

  Nora Roberts II Collection - Original Soundtrack (Additional Music)

  Obsessed (Additional Music)

  9 (Additional Music)


 2008

  Army Of Two (VG) (Additional Music)

  Eagle Eye (Arranger)

  Killer Movie (Composer)

  Mortal Kombat Vs. DC Universe (VG) (Composer)

  Open Season 2 (V) (Additional Music)

  Rambo (Additional Music)

  Urmel Voll In Fahrt (aka : Impy's Island 2) (Additional Music)


 2007

  Bachelor Party 2 - The Last Temptation (V) (Additional Music)

  Transformers - The Game (VG) (Additional Music)

  Blue Smoke (TV) (Additional Music)

  Command & Conquer 3 - Tiberium Wars (VG) (Additional Music)

  Position Music - Orchestral Series Advance Tracks (Composer)

  Shoot 'Em Up (Additional Music)

  Spider-Man 3 (VG) (Additional Music)


 2006

  Urmel Aus Dem Eis (aka : Impy's Island) (Additional Music)

  Justice (TV Series) (Additional Music)

  Need For Speed - Carbon (VG) (Additional Music)

  Six Degrees (TV Series) (Additional Music)


 2005

  3 Needles (Additional Music)

  Cell Call (Short Film) (Composer)

  Close To Home (TV Series) (Additional Music)

  Ordinary Miracles (TV) (Additional Music)

  Prison Break (TV Series - Season 1) (Arranger)

  SOCOM 3 U.S. Navy SEALs (VG) (Additional Music)

  The Matrix - Path Of Neo (VG) (Additional Music)

  Threshold (TV Series) (Additional Music)


 2004

  Detective (TV) (Additional Music)

  Rancid (Additional Music)

  The Hollow (V) (Composer)


 2003

  All Year Round With Katie Brown (TV Series) (Additional Music)

  Chappelle's Show (TV Series) (Additional Music)


 2002

  The Touch (Additional Music)


 2001

  Cover Wars (TV Series) (Composer)

  Lip Service (Additional Music)

  The Simpsons - Wrestling (VG) (Additional Music)


 2000

  Drone (Short Film) (Composer)

  Grouchyfriendly (Album) (Technical Staff)

  Just Deal (TV Series) (Additional Music)


 1998

  Bitten By Love (Short Film) (Composer)


 1997

  The Cyclist (Short Film) (Composer)

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Todd Haberman