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;)I'm guessing, based on the credits, that Williams worked on "Dice and Roll" directly?He is.i don't doubt it, he and the director are good frineds and fans of each other, also they worked together on Annabelle so I'm willing to bet money he's the composer which is AWESOMEWallfisch just Retweeted the Shazam! trailer. Does that mean he is scoring it then? Hybrid can you say anything about this?
On Millers water planet, those ticking noises happen every 1.25 seconds. Each tick you hear is a while day passing on Earth.@MikeOTM<br>Youíre absolutely right. Powell did an awesome job of staying within the musical sandbox of the SW musical universe but also was able to bring something fresh and original to the overall sound, something Star Wars really needs right now.Sweet. I've gotta say, this score surprised me in a good way. I've always loved Powell, but if you told me two years ago he'd write a Star Wars score, I'd have been hesitant about it. But Solo is really, really solid, even without the John Williams main theme. In fact, I like what Powell does with the JW theme better than the theme as JW wrote it.Wowww so many solo Powell!His part is not in the OST release...
No Paul Mounsey credits?Credits added !
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<br>I didn't credit here JW for every arrangements of his theme & old SW themes that can be heard throughout the score.MoS, TASM2Badelt's "Solomon"?<br><br>This must be the "famous" Dark Knight reference that the "critics" are talking about.I could have sworn I had heard the Solomon theme and some of the same<br>Chords that Kraemer had used...<br>My mistake lol<br><br>And Balfe does seem like a genuinely nice person. Hell he even takes the time to put out unreleased music, not something most composers do. <br>That is exactly why I hate when people take personal jabs at composers (usually at Junkie XL for some reason). Itís fine to not like the music, everyone has different tastes, but donít criticize a composer for writing what he was asked to write.
I agree! He actually invited me to come to a recording session in London for this film, man it killed me that I couldnít afford to go. But I was so thankful he even thought to ask! Top notch guy.Say what you want about Balfe but he's a really nice guy, and always answers my questions on FB and others on twitter.I believe him as I didn't hear anything from Kraemer.I asked Balfe on Facebook if he used any of Kraemers theme and he said noI Know, Hybrid, just sayin' that i a fan of Benjamin Wallfisch's music Scores since lights Out to Blade Runner 2049 and i say this is another excelent Work from Wallfisch
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 Melissa Muik
      
Top CD:

 2017

  The Last Face (Music Editor)

  Wonder Woman (Music Editor)


 2016

  Batman V Superman - Dawn Of Justice (Music Editor)


 2014

  300 - Rise Of An Empire (Music Editor)

  The Amazing Spider-Man 2 (Music Editor)


 2013

  Man Of Steel (Music Editor)


 2011

  Pirates Of The Caribbean - On Stranger Tides (Score Producer)


 2008

  Beverly Hills Chihuahua (Music Editor)

  Step Up 2 - The Streets (Music Editor)


 2007

  Pirates Of The Caribbean - At World's End (Score Producer)


 2006

  Pirates Of The Caribbean - Dead Man's Chest (Music Editor)


 2005

  Madagascar (Score Producer)

  The Weather Man (Music Editor)


 2004

  Shark Tale (Music Editor)

  Spanglish (Music Editor)


 2003

  Tears Of The Sun (Technical Score Advisor)

  Matchstick Men (Musician)

  Pirates Of The Caribbean - The Curse Of The Black Pearl (Assistant Music Editor)

  Something's Gotta Give (Technical Score Advisor)

  The Last Samurai (Music Consultant)

  The Texas Chainsaw Massacre (Score Recordist)


 2002

  Live From Baghdad (TV) (Score Recordist)

  Spirit - Stallion Of The Cimarron (Technical Score Advisor)


 2001

  Black Hawk Down (Assistant to Hans ZIMMER)


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Melissa Muik