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Just listen Bloodshot OST again and I like it better than for the first time. Yes there is a lot of sounddesign elements, but quiet and melodic moments are good at some parts. My favorite track is "Bloodshot". For me this work, despite all the problems, is far better than Spencer Confidential.<br><br>There is extremely need of new Sci-Fi (not like Bloodshot, lol) or Fantasy project for Steve to work on. I'm fairly certain that he could provide amazing music for this genres, but for some reason.<br>Also, I've listened a few tracks from his "Keanu" score (posted on his new website) and it's wonderful, hope there will be a full release sometime. This one reminds me of another genre where Steve is good - comedy and parody movies - "Your Highness", "Pain and Gain", "Sims 3" (yes, it's a game score but it has that comedy atmosphere I'm talking about) all are really great scores for its genre.<br><br>For me "Eternals" from Marvel could be a good movie for Steve to work. And honestly, I would like to see what he could brings to "Godzilla vs Kong" crossover more than Junkie XL.<br><br>At least I hope that Katsuhiro Otomo would like to work with Steve again on his new anime project "Orbital Era", truly a dream-project.Yes, the sound mixing in the movie is bad, you can't listen the music properly, is buried under a lot of sound effects.<br><br>It was one of those situations where 'the music is trying to overlook the thunderous sound effects',I do kinda prefer the 2014 score over the KOTM score, but McCreary's work does deserve more love than just being called a 'retreat of the original theme'.<br>It also deserved to be heard more, but the movie's sound mixing was terrible.Wasn't expecting to see someone else here for the same reason. Really hoping those two soundtracks return, they're great for studying music.Are Steve Jablonsky and Rupert Greyson-Williams still apart of RCP or they went solo too?
I wouldn't disagree that Godzilla KOTM is a good score since it works very well for the movie and by itself. I'm just saying that Junkie XL can bring something new and interesting to the franchise which hasn't been done before.Before someone jump, i will said in this kind of movies, change a composer is very common, don't say i don't want McCreary will be back, only i prefer other people try other things.<br><br>Like i said, i listen very OFTEN the three scores in this movies, and i love each style (as for the movies... well, prefer G14 and KSI over KOTM)@Moggyman<br><br>If you think that all McCreary did was modernize the Godzilla theme, you clearly haven't listend to the score.<br>He indeed used and modernized the themes for Godzilla & Mothra.<br>Besides that he wrote new themes for Rodan, Ghidorah, Monarch, The Russel Family and a theme he called the Ancient theme.<br><br>Besides this, he used the orchestra, choir, soloist and specialty instruments in the best way they can be used.<br><br>His score was one of the best blockbuster and orchestral scores of the last couple of years, in my opinion.<br><br>Until I hear Holkenborg's score I can't really comment on if it will be good. But at the moment I am sad McCreary isn't coming back. But I am very curious what Holkenborg will doI disagree, the McCreary's score in that movie is really, really good... but I put this, as myself i listen very often the other two: G14 and Skull Island, also really, really good, can't put a score over another because one composer uses a theme (a very mytical one, if you are a movie monster fan), specially in that franchise.<br><br>Yes, Ifukube create a wonderful theme (and the original movie have a really tough score to listen isolated of the movie), but other composer make a wonderful themes (and polaraising), like Otani (which his score for GMK is FULL electronic, but really good) or Oshima (great theme, maybe the inspiration for Desplat's theme), even the most forgotten Reijiro Koroku create a terrific theme for the character in 1984Bear McCreary is a good composer but all he did for Godzilla KOTM was modernize the original Godzilla theme, which isnt super creative. Junkie, on the other hand, may give us a really creative score based on his eagerness to do the project.
Yeah besides the massive disappointment that is the movie Godzilla: King of the Monsters, the even bigger disappointment is that Bear McCreary won't be back for more.you fool.... its impossible ! everybody knows that there is only one batman theme.... (joke)In a recent interview, Junkie mentioned that he's bringing back themes for Superman and Wonder Woman, while everything else is new. I wonder if he's gonna make a new Batman theme.It's true, there is completely different team from composer to director in crossover :)But the film was particularly bad...<br><br>So I rather have a whole other team do something ELSE lol...
Yeah... McCreary's score is one of the best from last year so I'd rather have him again.I open to ANY composer in this movies.<br><br>To answer the question, YES, i'm ready<br><br>Specially to a guy, who loves G14, KSi and KOTMNo way. After what Bear McCreary did on King of the Monsters last year I definitely want him back.Atli still has his studio at Remote but mostly works from home in Iceland.<br><br>Guillaume game back to settle to Remote a couple of years ago (before he was splitting time between RCP & France).<br><br>Heitor still is at RCP as far as I know, haven't heard anything in a while.<br><br>Nathan Stornetta left Remote in 2015 (against Hans' will !! :)) cause he didn't fancy much that whole Hollywood business. He is home in Switzerland doing his own projects, but also touring with Hans...Atli Örvarsson, Heitor Pereira, Guillaume Roussel and Nathan Stornetta ?
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 Slamm Andrews
      
Top CD:

 2017

  The Last Face (Additional Engineering)


 2015

  Minions (Music Editor)


 2014

  Penguins Of Madagascar (Music Editor)

  Blackwood (Music Scoring Mixer)


 2013

  Despicable Me 2 (Music Editor)

  Salinger (Documentary) (Music Scoring Mixer)


 2012

  The 84th Academy Awards (TV Show) (Music Recording Engineer)

  The Sweeney (Music Scoring Mixer)

  Madagascar 3 - Europe's Most Wanted (Music Editor)


 2011

  Cowboys & Aliens (Music Engineer)

  The Dilemma (Music Scoring Mixer)

  Rango (Additional Recordings)

  X-Men - First Class (Digital Score Recordist)

  Kung Fu Panda 2 (Assistant Music Editor)

  Pirates Of The Caribbean - On Stranger Tides (Score Recordist)


 2010

  Megamind (Music Scoring Mixer)


 2009

  Curious George 2 - Follow That Monkey (V) (Music Editor)

  Call Of Duty - Modern Warfare 2 (VG) (Additional Engineering)

  Angels & Demons (Additional Recordings)


 2008

  Babylon A.D. (Score Recordist)

  Iron Man (Additional Recordings)

  Kung Fu Panda (Additional Recordings)

  Running The Sahara (Documentary) (Music Scoring Mixer)

  Madagascar - Escape 2 Africa (Additional Recordings)

  Vantage Point (Score Recordist)


 2007

  Blind Dating (Music Scoring Mixer)

  Disturbia (Music Editor)

  My Winter Storm (Music Scoring Mixer)

  The Simpsons Movie (Music Scoring Mixer)

  Transformers (ProTools Engineer)

  Pirates Of The Caribbean - At World's End (Score Recordist)


 2006

  Ask The Dust (Music Scoring Mixer)

  Curious George (Music Editor)

  Over The Hedge (Music Editor)

  Pirates Of The Caribbean - Dead Man's Chest (Additional Recordings)

  Solace (Short Film) (Music Scoring Mixer)

  The Holiday (ProTools Engineer)


 2005

  Domino (Music Scoring Mixer)


 2004

  Admissions (Music Scoring Mixer)

  Rancid (Music Scoring Mixer)

  Shark Tale (Music Editor)

  Spanglish (Additional Recordings)

  Thunderbirds (Music Scoring Mixer)


 2003

  Sinbad - Legend Of The Seven Seas (Additional Music Recordist)

  Matchstick Men (Score Recordist)

  Pirates Of The Caribbean - The Curse Of The Black Pearl (Music Scoring Mixer)

  Something's Gotta Give (Music Scoring Mixer)

  The Last Samurai (Score Recordist)

  Tears Of The Sun (Music Editor)

  Johnny English (ProTools Engineer)


 2002

  Spirit - Stallion Of The Cimarron (Music Editor)

  Solaris (Music Scoring Mixer)

  The Ring (Music Scoring Mixer)


 2001

  Hannibal (Score Recordist)

  Invincible (Music Scoring Mixer)

  Pearl Harbor (Additional Recordings)

  Riding In Cars With Boys (Music Scoring Mixer)

  Shrek (Additional Recordings)

  The Pledge (Music Scoring Mixer)


 2000

  An Everlasting Piece (Music Scoring Mixer)

  Gladiator (Additional Recordings)

  Mission - Impossible 2 (Additional Recordings)

  The Road To El Dorado (Additional Engineering)

  Grouchyfriendly (Album) (Music Recording Assistant)


 1999

  Chill Factor (Music Recording Assistant)

  The Match (Music Recording Engineer)


 1998

  Bride Of Chucky (Music Scoring Mixer)

  Endurance (Sound Engineer)

  The Prince Of Egypt (Music Engineer)

  The Thin Red Line (Sound Engineer)


 1997

  Smilla's Sense Of Snow (Additional Recordings)


 1996

  The Fan (Music Recording Assistant)

  Muppet Treasure Island (Music Recording Assistant)

  The Whole Wide World (Music Scoring Mixer)

  Broken Arrow (Music Scoring Mixer)


 1995

  Crimson Tide (Assistant Score Engineer)

  Nine Months (Assistant Score Engineer)

  Something To Talk About (Assistant Score Engineer)


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