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CD or LP release?Why is Lorne Balfe not nominated for a Grammy for Ad Astra ?To my understanding, James never worked for Hans or Remote Control. They’re simply friends and have collaborated on a few projects. Powell (and Gregson-Williams) used to work at Remote Control before moving on to his own studio/endeavors. <br><br>BUT, I am equally as excited for James to return to Disney Animation. Very excited for this and Jungle Cruise.I guess James Newton Howard doesn't count as a Remote Control composer anymore (and yet John Powell does? I don't get it), but anyway, he's scoring Disney Animation Studios' Raya and the Last Dragon. After his epic trilogy of Dinosaur, Atlantis, and Treasure Planet, I welcome his return to the studio!Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun Shot
Movie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats trueCan't think of a more meaningless and laughable award than the Oscar.an oscar for this one? nahh...<br>maybe he gets a nomination for dune or bondMaybe WW1984
damn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOLYeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photoHah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.
Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.I like the tracksWow!!!
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 2020

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 2018

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 2017

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 2016

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 2015

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 2014

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 2013

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 2012

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 2011

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 2010

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 2009

  X-Men Origins - Wolverine (Orchestrator)

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 2008

  Beverly Hills Chihuahua (Orchestrator)

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  The Chronicles Of Narnia - Prince Caspian (Orchestrator)


 2007

  Call Of Duty 4 - Modern Warfare (VG) (Orchestrator)

  The Number 23 (Orchestrator)

  Gone Baby Gone (Orchestrator)

  Shrek The Third (Orchestrator)


 2006

  Deja Vu (Orchestrator)

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 2005

  Into The West (TV Series) (Orchestrator)

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  The Chronicles Of Narnia - The Lion, The Witch & the Wardrobe (Orchestrator)


 2004

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 2003

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 2002

  K-19 - The Widowmaker (Orchestrator)

  Spirit - Stallion Of The Cimarron (Orchestrator)

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  The Adventures Of Pluto Nash (Orchestrator)

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 2001

  Evolution (Orchestrator)

  Hannibal (Additional Orchestrator)

  Invincible (Orchestrator)

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 2000

  Gladiator (Orchestrator)

  Rugrats In Paris - The Movie (Orchestrator)

  The Adventures Of Rocky & Bullwinkle (Orchestrator)

  The Road To El Dorado (Orchestrator)

  The Tigger Movie (Orchestrator)

  Chicken Run (Orchestrator)


 1999

  Drop Dead Gorgeous (Orchestrator)

  Music of the Heart (Orchestrator)


 1998

  Almost Heroes (Orchestrator)

  Antz (Orchestrator)

  Armageddon (Orchestrator)

  Enemy Of The State (Orchestrator)

  The Man In The Iron Mask (Orchestrator)

  The Prince Of Egypt (Orchestrator)

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  The Thin Red Line (Orchestrator)

  Endurance (Orchestrator)

  With Friends Like These... (Orchestrator)

  The Lion King II - Simba's Pride (V) (Orchestrator)


 1997

  As Good As It Gets (Orchestrator)

  Con Air (Orchestrator)

  Face/Off (Orchestrator)

  Home Alone 3 (Orchestrator)

  The 6th Man (Orchestrator)

  The Borrowers (Orchestrator)

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  Smilla's Sense Of Snow (Orchestrator)


 1996

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 1995

  Crimson Tide (Orchestrator)

  Nine Months (Orchestrator)

  Something To Talk About (Orchestrator)

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 1994

  I'll Do Anything (Orchestrator)

  Speed (Orchestrator)

  The Lion King (Orchestrator)

  Renaissance Man (Orchestrator)


 1993

  Short Cuts (Orchestrator)


 1992

  Toys (Orchestrator)

  A League Of Their Own (Orchestrator)


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