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Best chance Junkie XL will ever have to score a masterpiece. Hope he do one this right.According to Film Music Reporter Junkie will score Mortal Engines. <br><br>http: //filmmusicreporter.com/2018/06/18/junkie-xl-scoring-mortal- engines-movie-adaptation/There wasn't really any hype for the movie, it didn't seem like people were all that interested in a Han Solo origin story. Plus it's only been half a year since Last Jedi came out and broke the internet. Unlike Marvel, Star Wars doesn't seem immune to franchise fatigue.<br><br>A shame. Hope nobody is stupid enough to think Powell was to blame.Hi guys. Dose anybody know why solo faild in box office ?Search for "filmtracks".
Sorry, just found it.Tried that, couldn't find an author named Clemmensen who reviewed it. (I don't know where to look I haven't seen this guy's reviews before).Should be easy to find with google...Seriously guys, what site is he on? I want to see this review, but I don't know where it is.I know woodwinds, with few exception, have been completely abandoned by RCP, but man would it be nice if Steve fit woodwinds into the small scale family scenes. He's great with them, but for whatever reason he doesn't seem to be able to use them unless it's an animation, The Sims or IDEA specifically, or fantasy (even then The Last Witch Hunter had no woodwinds). They add so much to the soundscape and make any score so much richer. <br><br>I'm listening to the Lord of the Rings Trilogy again currently, and god, they'd be nothing without all of those flutes and clarinets. Even when the main instrument is brass or string, the addition of woodwinds is so cleverly implemented by Shore, and they not only blend, but they actively enhance the sound. <br><br>Of course I'd also love Steve to continue using choir. He even seems to be getting better with it, with Transformers 5's use of it resembling the Halo franchise in a number of ways. It would be a wonderful surprise though if he went back to woodwinds eventually. I'm definitely not of the belief that they can't be used in a modern day setting either (Silence of the Lambs and the Spider-Man scores use them particularly well).
Steve is a very accommodating composer. So it's really up to the director's vision. With Bay, you know you gonna hear some of the best stuff Steve has to offer and that's because they share the same "musical ear".<br><br>When he's scoring Peter Berg movies, Steve often relies on sound design and his scores for those movies are not really melodic. The few exceptions aside, Berg likes sound design scores. And he likes to experiment A LOT (example: the MRI machine sound that was incorporated in the Battleship score. Bold choice!).<br><br>Where does the director of Skyscraper stand in all of this?<br><br>Personally, I think this score will be "in the middle". Little sound design there, little melodic cue over here.... : ) I don't expect power anthems, simply because - as big as the movie is - it's not "Michael Bay big". I do hope for a little choir work though. Steve is great with choir.The Solo review does look quite good.<br><br>Clemmensen comes across pretty badly in many of his reviews. Even some of the positive ones. He has some very strong preconceptions about certain things that sometimes lead him to say some reasonably aggravating stuff.<br><br>Interestingly, he stays almost reasonable in his A World's End review. I wouldn't point to that one as his most typical negative review.Additional information<br>Posted date 2016<br><br>but, It was sold for two years.<br><br>Hello Hans.<br><br>May i ask you a question?<br><br>The piano sheet is now on sale, so that your music is now in the market for commercial purposes. It is sold at $ 10, although I do not know whether or not the seller arranged the piano music directly. Please check with us for the availability of other music.<br><br>Please refer to this site: htta://www.yes24.com/24/goods/28085649<br><br>(South Korea book store.)<br><br>Book Introduction :<br>It is the piano music which made the best 22 songs. New Age, movies, games, animations, etc., can be seen in various genres, and each sheet of music is directly attached to the author's QR code video.<br><br>If there is no problem, please respond.<br><br>Have a good day.He’s definitely not a bad reviewer, and his writing style is pretty sharp. The obvious problem is that he has a strong bias against Zimmer. Most of his recent Zimmer reviews are less spent talking about themes and more so the “issues” with his current style.
'At World's End' is possibly one of his greatest 'missteps' for sure, but he is a mostly reasonable guy when reviewing, and simply has a taste that doesn't accomodate a lot of the more modern sounding scores, which I think is ok, since we all have our preferences. His 'Solo' review is a must read for any fan of the score though. :DIf you want to understand why he's persona non grata, just go and check out his review of Hans Zimmer's masterpiece At World's End, it sums up pretty nicely the guy's mental issues :p<br><br>But his other reviews are mostly OK and that Solo one is indeed very good, worth a read.Who is he and why is he a persona non grata? ô_OHow dare you mention his name ??<br><br>I should erase that post... :PWhat site are his reviews on again? Not really sure where to look.
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 2018

  Peter Rabbit (Orchestrator)

  Solo - A Star Wars Story (Orchestrator)


 2017

  Ferdinand (Orchestrator)

  Thor - Ragnarok (Orchestrator)


 2016

  Captain America - Civil War (Orchestrator)

  Jason Bourne (Orchestrator)


 2015

  Mortdecai (Additional Orchestrator)

  Pan (Supervising Orchestrator)

  Gamba (Orchestrator)


 2014

  Rio 2 (Orchestrator)

  X-Men - Days Of Future Past (Orchestrator)

  How To Train Your Dragon 2 (Supervising Orchestrator)


 2013

  The Secret Life Of Walter Mitty (Orchestrator)

  Turbo (Orchestrator)

  Free Birds (Additional Orchestrator)


 2012

  The Bourne Legacy (Orchestrator)

  Wreck-It Ralph (Orchestrator)

  Ice Age - Continental Drift (Supervising Orchestrator)

  Dr. Seuss' The Lorax (Orchestrator)


 2011

  Winnie The Pooh (Orchestrator)

  Puss In Boots (Orchestrator)

  X-Men - First Class (Orchestrator)

  Kung Fu Panda 2 (Supervising Orchestrator)

  Happy Feet Two (Orchestrator)

  Mars Needs Moms (Supervising Orchestrator)

  Rio (Orchestrator)


 2010

  Green Zone (Orchestrator)

  Fair Game (Supervising Orchestrator)

  The Last Airbender (Orchestrator)

  How To Train Your Dragon (Supervising Orchestrator)

  Knight And Day (Supervising Orchestrator)


 2009

  Night At The Museum - Battle Of The Smithsonian (Orchestrator)

  Ice Age - Dawn Of The Dinosaurs (Orchestrator)


 2008

  Hancock (Additional Music)

  Kung Fu Panda (Additional Music)

  Stop-Loss (Additional Arrangements)

  Jumper (Additional Music)

  The X Files - I Want To Believe (Orchestrator)

  Tropic Thunder (Orchestrator)

  Bolt (Additional Music)

  Dr. Seuss' Horton Hears A Who! (Additional Music)


 2007

  Beowulf (Orchestrator)

  Blades Of Glory (Orchestrator)

  Fantastic Four - Rise Of The Silver Surfer (Orchestrator)

  Fred Claus (Orchestrator)

  The Bourne Ultimatum (Additional Music)

  P.S. I Love You (Additional Music)

  TMNT (Arranger)


 2006

  United 93 (Orchestrator)

  Coast (TV Series Documentary) (Composer)

  Everyone's Hero (Orchestrator)

  Happy Feet (Additional Music)

  Superman Returns (Orchestrator)

  The Ant Bully (Orchestrator)

  We Are Marshall (Orchestrator)

  Working Lunch (TV News) (Composer)

  Zoom (Orchestrator)

  X-Men - The Last Stand (Additional Music)

  Ice Age - The Meltdown (Additional Music)


 2005

  Robots (Additional Music)

  Mr. & Mrs. Smith (Additional Music)


 2004

  The Bourne Supremacy (Additional Music)


 2003

  Agent Cody Banks (Additional Music)

  The Italian Job (Additional Music)

  Paycheck (Additional Music)


 2002

  The Adventures Of Pluto Nash (Additional Music)


 2001

  Rat Race (Additional Music)


 1999

  Real Life (TV Series Documentary) (Composer)


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John Ashton Thomas