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Steve is just trying to spend a little time with his family i think, he's not as busy as he used to be but i think it's cause he chooses that. Film Composing is an insanely time consuming job. I like Balfe a lot though.Huh. I like Jablosnky, but I really liked the 13 Hours score, so it's hard for me to complain.Maybe, Bay thinks Balfe is better than Jablonsky in terms of military tones and music.Balfe is doing Michael Bays next movie !!! What’s happened with Jablonsky?Review widows: It's also scored by Hans Zimmer, which means it is immediately in the running for best score of the year...
Blah Blah Blah...<br><br>Play's over, Shakespeare.Meta is right though...Hope it gets fixed, I love listening to the suites you add to scores here.Nope.<br><br><br>Even if it wouldn't have helped, I guess ! lolArticle 13?
Audio is down unfortunately.<br><br>Legal reasons... Nothing to do with Hans or any composer who have always been very supportive.<br><br>Maybe it'll return, maybe not...@Knight, it's not just you.Hybrid, all over the site there are no longer music extracts to listen to. For me at least, is it a universal thing?Please oh please oh please for the love of God make the sheet music for Women of Ireland available to the masses!!! <br>Thanks.
Little HZ interview about a few things...i thought it was gonna be the 28thNow there is rumours, the score can be released in 23th Septemberhey guys i just found this soundtrack and i am in love with it, hans zimmer was sooooooooooooo cute in this filmWatched the movie again last night.....and Wow! I forgot how great the score was. It's ridiculous where we are now in terms of film music.....As people say: Where are the themes, where is the melody? Where is the emotion? At this point, scores like Remember the Titans are like an extinct species. <br><br>And it's not just me......I listen to interviews and podcasts where more and more people from the industry say the exact same thing: film music is just not the same. It's like filmmakers are afraid to use actual themes now. I really wonder what is the real reason for that. Is it because the younger generation likes music that's all over the place? Like that dubstep thing, or whatever the hell kids call it....Or it's all a deliberate thing coming from the composers world? Wish we knew the answer......
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 Peter Oso Snell
      
Top CD:

 2018

  The Meg (Music Editor)

  The Predator (Music Editor)


 2017

  Pirates Of The Caribbean - Dead Men Tell No Tales (Music Editor)


 2015

  Point Break (Music Editor)


 2013

  The Lone Ranger (Music Editor)


 2011

  Rango (Music Editor)

  Kung Fu Panda 2 (Assistant Music Editor)

  Sherlock Holmes - A Game Of Shadows (Music Editor)


 2010

  Clash Of The Titans (Music Editor)

  The Pacific (TV Series) (Technical Music Assistant)

  Megamind (Music Editor)

  Inception (Assistant Music Editor)


 2009

  Angels & Demons (Sequencer Programmer)

  Monsters Vs Aliens (Assistant Music Editor)

  Sherlock Holmes (Music Editor)

  Transformers - Revenge Of The Fallen (Assistant Music Editor)


 2008

  Babylon A.D. (Sound Engineer)

  Casi Divas (Score Coordinator)

  Iron Man (Technical Score Engineer)

  Kung Fu Panda (Assistant Music Editor)

  Madagascar - Escape 2 Africa (Technical Score Engineer)

  The Burning Plain (Technical Score Engineer)

  The Dark Knight (Technical Score Engineer)

  Frost/Nixon (Technical Score Engineer)

  Running The Sahara (Documentary) (Technical Music Assistant)

  Kung Fu Panda - Secrets Of The Furious Five (Short Film) (Assistant Music Editor)


 2007

  Bee Movie (Technical Score Engineer)

  Pirates Of The Caribbean - At World's End (Technical Music Assistant)

  The Simpsons Movie (Technical Score Engineer)

  Transformers (Technical Score Advisor)

  The Simpsons Game (VG) (Technical Score Engineer)


 2006

  Pirates Of The Caribbean - Dead Man's Chest (Technical Music Assistant)

  The Holiday (Technical Score Engineer)


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Peter Oso Snell