NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Seems like Scala & Kolacny Brothers.In what way is it "obvious", exactly, that Djawadi had more influence on that Training cue than Zimmer? It's basically just a statement of Zimmer's theme, and doesn't really sound notably "Djawadi-esque" to me in any way.Thanks for the credits updateA bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.
Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is Balfe
I hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.
@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about it
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





 Thomas Broderick
      
Top CD:

 2013

  Salinger (Documentary) (Musician)


 2011

  The Dilemma (Musician)

  Crysis 2 (VG) (Technical Score Engineer)

  Rango (Technical Score Engineer)

  Kung Fu Panda 2 (Technical Score Engineer)

  Pirates Of The Caribbean - On Stranger Tides (Technical Score Advisor)

  Sherlock Holmes - A Game Of Shadows (Technical Score Engineer)


 2010

  How Do You Know (Sequencer Programmer)

  Inception (Technical Score Engineer)


 2009

  Angels & Demons (Sequencer Programmer)

  Call Of Duty - Modern Warfare 2 (VG) (Additional Arrangements)

  It's Complicated (Music Engineer)

  Sherlock Holmes (Technical Score Engineer)


 2008

  Babylon A.D. (ProTools Engineer)

  Iron Man (Technical Score Engineer)

  Frost/Nixon (Technical Score Engineer)

  Kung Fu Panda (Technical Score Engineer)

  Madagascar - Escape 2 Africa (Technical Score Engineer)

  The Burning Plain (Technical Score Engineer)

  The Dark Knight (Sequencer Programmer)

  Vantage Point (ProTools Engineer)


 2007

  Bee Movie (Technical Score Engineer)

  Pirates Of The Caribbean - At World's End (Technical Score Advisor)

  The Simpsons Movie (Technical Score Engineer)

  The Simpsons Game (VG) (Technical Score Engineer)


 2006

  The Da Vinci Code (Technical Score Engineer)

  Pirates Of The Caribbean - Dead Man's Chest (Technical Music Assistant)

  The Holiday (Technical Score Engineer)


 2005

  Madagascar (Technical Score Engineer)

  The Weather Man (Technical Music Assistant)

  Wallace & Gromit - The Curse Of The Were-Rabbit (Technical Music Assistant)

  The Ring Two (Assistant To Composer)

  Der Kleine Eisbär 2 - Die Geheimnisvolle Insel (Technical Music Assistant)


 2004

  Shark Tale (Technical Score Engineer)

  Spanglish (Technical Score Engineer)

  Admissions (Assistant Score Engineer)

  Thunderbirds (Score Technical Assistant)

  Lauras Stern (Score Technical Assistant)


 2003

  Headache (Short Film) (Composer)

  Pirates Of The Caribbean - The Curse Of The Black Pearl (Music Production Services)

  Tears Of The Sun (Music Production Services)

  The Texas Chainsaw Massacre (Music Production Services)


 2002

  Spirit - Stallion Of The Cimarron (Music Production Services)


 2001

  Black Hawk Down (Music Production Services)

  I Am Sam (Music Production Services)

  Just Visiting (Technical Score Engineer)

  Evolution (Music Production Services)


 2000

  An Everlasting Piece (Music Production Services)

  Gladiator (Studio Manager)

  The Road To El Dorado (Music Production Services)


 1998

  The Prince Of Egypt (Music Production Services)

  The Thin Red Line (Music Production Services)


 1997

  The Peacemaker (Assistant to Hans ZIMMER)


 HANS-ZIMMER.com© 2001-2018 OST 
Thomas Broderick