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I think what Lorne wrote for the last 30 min of the movie is way better than what ended in the movie... Lorne tried to elevate what was going on on screen, but it was probably too "bold" for the taste of production... They wanted to keep as "kow key" as possible but to me it made the ending of the film fall super flat...
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<br>In the end there isn't that much Lorne in the film (most of the "Moon" reel is Lorne though, that big 4 notes motif appearing during the moon landing and then takeoff). Ironically most of the droning you're all complaining about is not that much Lorne... lol
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<br>I really hope Lorne will put out as much music as possible, even all the unused parts, which are the more interesting ones !Taking in the movie now after having seen it. The cinematography is brilliant, and there are some interesting concepts that really will have you thinking long after walking out of the theater. Still, I couldn’t help but feel like the film dragged throughout. Coupled with the voiceover the movie has a very ‘Terence Malick-y’, “Thin Red Line” feel throughout.<br><br>I’m definitely not familiar with Max Richter so I can’t comment on what he might have written, but Balfe’s broad-chord style is pretty recognizable throughout. There are also some interesting electronic pieces used throughout, possibly might be Balfe but hard to say as of now. The rest of the music is pretty contemplative, ranging from slow/emotional string pieces to more ambient droning.Well, I heard only Balfe's "Prayer" and Richter's "To the stars"... All I can say is we need to wait for the full release, hear both composers and only then talk about who better coped with this. (and watch the movie of course)<br>I don't think Balfe is a bad composer. He does pretty good as an additional composer but not as a leading (mostly). The only soundtrack that I consider the best to date in his solo career is "M:I-Fallout" and "Assassin's Creed III". (imo)<br>Who knows what will be this time. But for now I like Richter's track more.I'm just waiting for Gemini Man, that (i hope) would be funI love that cue.
So I created a page for it, move away from Ghost In The Shell !! :PI wonder if this track is the one causing consternation: Nils Frahm: 'Says' https://www.youtube.com/watch?v=dIwwjy4slI8<br><br>It sounds a bit like what Richter and Balfe could produce, but it is much more artistic than Balfe and much more synth-based than Richter. Frahm is credited for additional music.Not writing negative comments about Balfe for the purpose of writing negative comments - ie. trolling - but for the fact that Balfe does not seem to take film composition seriously. Goldsmith had a similar pace in the 1990s that equates to contemporary Balfe, but he managed to produce fantastic scores like Air Force One in a few weeks (yes, with some help from McNeeely). Balfe simply does not seem to have those skills so he resorts to cliches and drony nonsense. I await to be proven wrong. That Balfe track is not half-bad so I do maintain a general sense of expectation for this.Not any more lame than the Balfe cueLorne says it will be released and insists it’s not a GITS situation.
That's been standard in certain cases, though considerably less nowadays with how complicated these situations have become.<br><br>Having heard both tracks posted, both give me little on their own. I'm sure they work better in the context of the film, and we might see better tracks unveiled eventually.He deserve better.Hans and Lorne like twins. Lorne has a very good personality. I still don't understand why some people are still writing bad comments to Lorne?Probably... lolSo is this how it’s gonna be? Official release for Richter and leaks by Balfe :(Lorne posted a track from Ad Astra on his YouTube channel
Thank you. And i suppose "Need You Busting My Balls - End Credits" title would correspond to ASCAP "Need You Busting My Balls" + "RUSH END CREDITS", while "Just Married" to "RUSH MAIN ON END"?That’s literally the best part of the score though. But it’s typical Richter (Miss Sloane, Black Mirror: Nosedive).Hunt Drunken Weirdness is barely a cue actually, it's just a patch up of sound designs by Mel...<br><br>Italian Party is a name I made up for a cue that's not used in the movie ! :)In ASCAP there is a cue "HUNT DRUNKEN WEIRDNESS" - is this by a chance an alias to "Italian Party", which is absent in ASCAP. Though there are different credits Zimmer/Wesson vs Zimmer/Klebe.https://open.spotify.com/ track/2UcUL4jytfVpW0jSXi3Ggi?si=ETyixI67R5u9AOU1YuClPw<br><br>very lame the cue from Max...
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 Composers
Adam PetersAndrew KawczynskiAndrew RaiherAtli ÖrvarssonBenjamin WallfischBlake NeelyBobby Tahouri
Brandon CampbellBryce JacobsBTChristopher CarmichaelChristopher WillisDaft PunkDaniel Rojas
Dave HoldenDavid BuckleyDavid FlemingDominic LewisDon HarperGeoff ZanelliGermaine Franco
Guillaume RousselHans ZimmerHarry Gregson-WilliamsHeitor PereiraHenning LohnerHenry JackmanIan Honeyman
Jacob SheaJames Newton HowardJames S. LevineJasha KlebeJeff RonaJim DooleyJohn Powell
John Van TongerenJustin BurnettKazimir BoyleKlaus BadeltLorne BalfeMarc StreitenfeldMark Mancina
Mark YaegerMatthew MargesonMichael A. LevineMichael Glenn WilliamsNathan StornettaNathan WhiteheadNick Glennie-Smith
Paul LinfordRamin DjawadiRichard HarveyRupert Gregson-WilliamsShirley WalkerStanley MyersStephen Barton
Steve JablonskySteve MazzaroSven FaulconerTodd HabermanTom Holkenborg (Junkie XL)Trevor MorrisTrevor Rabin
 Arrangers
Aljoscha ChristenhußAndrew ChristieAndy PageAnthony LledoAnthony WillisAntonio AndradeAntonio Di Iorio
Bart HendricksonBatu SenerBeth CaucciChristian HaltenChristian VorlanderChristopher WardClaudio Olachea
Clay DuncanCzarina RussellDave MetzgerDieter HartmannEd BullerEmad BorjianEric Whitacre
Evan JollyGary DworetskyGraham PreskettHalli CautheryJames McKee SmithJames RobersonJason Soudah
Jay FloodJeff MorrowJillian AboodJoel J. RichardJohn Jennings BoydJohn SponslerJon Aschalew
Kevin BlumenfeldLuke RichardsMax ArujMel WessonMichael John MolloMichael TullerMichael Yezerski
Nick DelaplaneNoah SorotaP.J. HankePatrick CassidyPaul MounseyPeter G. AdamsPhill Boucher
Pieter A. SchlosserQueenie LiRob SimonRyeland AllisonSophia MorizetSteffen ThumStephanie Economou
Stephen HiltonStephen LipsonStephen PeroneSteve DavisSteven M. SternStuart Michael ThomasSunna Wehrmeijer
Thomas FarnonTJ LindgrenTobias MarbergerToby ChuTom GireTom HoweWolfram De Marco
Zak McNeil
 Orchestrators / Conductors
Alastair KingBruce FowlerCarl RydlundConrad PopeDerrick WerléEd NeumeisterElizabeth Finch
Fiachra TrenchGavin GreenawayJennifer HammondJoan MartorellJohannes VogelJohn Ashton ThomasKevin Kaska
Ladd McIntoshMartin GellnerMike EinzigerOscar SenenPenka KounevaRick GiovinazzoStephen Coleman
Suzette MoriartyWalt Fowler
 Musicians / Performers / Soloists
Aleksey IgudesmanAnn Marie SimpsonBob DaspitCraig EastmanFrank RicottiGary KettelHilda (Thórhildur) Örvarsdóttir
Johnny MarrJuan Garcia-Herreros
AKA Snow Owl
Lebo M.Lisa GerrardLisbeth ScottLuis JardimMarie Mela Spaemann
Martin TillmanMary ScullyMichael BrookOfra HazaPedro EustachePete HaycockPeter Gregson
Pharrell WilliamsSatnam RamgotraTina GuoTony ClarkeTori LetzlerTristan SchulzeWill Greig
Yolanda Charles
 Technical Staff
Abhay ManusmareAdam SmalleyAisyah ZulkarnainAl ClayAlan MeyersonAlex BelcherAndrew Zack
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Chris CrakerChristian WengerChuck ChoiClaude LetessierCosta KotselasCynthia ParkDaniel Kresco
Daniel PinderDavid Paul DornDrew JordanEmma BurnhamForest ChristensonFrank J. GarciaGreg Vines
Gregg SilkHoward ScarrJack DolmanJake SchaeferJeff BiggersJochen SchildJohn Traunwieser
John Witt ChapmanJon MonroeJörg HüttnerJoshua LynchJulian PastorelliKatia Lewin JablonskyKelly Johnson
Kevin GlobermanLaura PerlmanLori CastroMalcolm LukerMark WherryMatt WardMaverick Dugger
Melissa MuikMeri GavinMichael StevensMoanike'ala NakamotoMonica SonandNathaniel KunkelOmer Benyamin
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