Crusade against Da Vinci Code has begun
When a film goes before the censors the usual result is that producers are asked to make changes to the images on screen, particularly if the film is of an adult or violent nature. Rarely, if ever, does a film’s soundtrack and score raise the eyebrows of the censors… until now. The producers of The Da Vinci Code, wanting their film to get a 12A rating in the UK, were flabbergasted to find that the BBFC were more than a little unhappy with the sound mix and the level of tension in Hans Zimmer’s score.
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