Q&A: Hans Zimmer on scoring ‘The Da Vinci Code’
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Hans Zimmer’s studio is dark red. The deep wood panels, flowing thick velvet curtains and the plush couch seem more fit for an 18th-century castle than a building in Santa Monica, Calif.

Zimmer sits at his desk – complete with piano keyboard and numerous computers, and coffee. He spins in his chair. He’s excited and overworked. He just finished scoring ‘The Da Vinci Code’ – a project that consumed two years of his life. And now he is knee deep in ‘Pirates of the Caribbean: Dead Man’s Chest.’

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