
It is often forgot that by developing this technological approach he also provided a roadway for creatives the world over with dreams of orchestral compositions to realise them without years of theoretical study.
Spitfire Audio are delighted and honoured to present a series of products produced by Hans Zimmer and his diamond class team of grammy winning engineers, musicians and technicians. Where Hans Zimmer’s style approach to sonic creation is often copied or emulated we’re proud to present to the world at large HZ’s definitive take on his trailblazing approach to cinematic percussion production. Herein lies not an emulation or synthesis of his approach, but a recreation. The same studio, musicians, instruments, signal chain and talented engineers, sitting alongside a decade of experience, innovation and refinement overseen in every detail by Hans himself. The same excrutiating attention to detail, perfection but most importantly the endless choice for tweakability and customisation you’d expect of the greatest of sound-smiths.
More informations here : http://www.spitfireaudio.com/novemberannouncement.html

Saying that Zimmer's orchestral parts aren't synthy and Tyler's are is completely the wrong way around.