12 Strong – Project Details

2018
12 STRONG, 2018, Directed by Nicolai Fuglsig

FILM CREDITS

Music by Lorne Balfe

Music Supervisor: Jonathan Watkins
Score Produced by Lorne Balfe & Max Aruj
Music Production Coordinator: Queenie Li
Orchestra Recorded at Bratislava Symphony Orchestra
Conductor: David Hernando Rico
Orchestrator: Shane Rutherfoord-Jones
Music Editor: Richard Ziegler
Score Technical Assistants: Max Aruj & Steffen Thum
Score Mixed by John Chapman
Score Mixed at Remote Control Productions

12 Strong

12 Strong

2018 70'52
Release date : 01/12/2017
BOOKLET CREDITS

Original Score by Lorne Balfe

Music Production Coordinator: Queenie Li
Score Produced by Lorne Balfe & Max Aruj
Score Technical Assistants: Max Aruj & Steffen Thum
Music Editor: Richard Ziegler
Orchestrator: Shane Rutherfoord-Jones
Score Mixer: John Chapman
Conductor: David Hernando Rico
Score Recorded at Bratislava Symphony Orchestra
Score Mixed at Remote Control Productions
Album Mastered by Stephen Marsh at Marsh Mastering

Soundtrack Album Produced by Lorne Balfe
Executive Album Producers: Jerry Bruckheimer, Molly Smith, Thad Luckinbill, Trent Luckinbill, Ellen H. Schwartz & Chad Oman
Executive in Charge of WaterTower Music: Jason Linn
Music Supervisor: Jonathan Watkins
Music Business Affairs Executives: Ray Gonzalez & Ari Taitz

Lorne Balfe would like to thank:
Jerry Bruckheimer, Nicolai Fuglsig, Lisa Lassek, Molly Smith, Thad Luckinbill, Trent Luckinbill, Jonathan Watkins, Richard Ziegler, Jake Kozarec, Max Aruj, Steffen Thum, Queenie Li, The Black Label Team, the WaterTower Music Team, David & Eva Balfe, & Nina & Rufus Balfe.

Thanks to: 
Pete Axelrad, Maria Belli, Paul Broucek, Rocco Carrozza, Kerrylyn Genetive, Joe Kara, Kevin Kertes, Lisa Margolis, Genevieve Morris & Robert Zick.

01 – Generations (2:06) 
02 – 20,000 Feet Above (3:01) 
03 – Soldier’s Wife (5:06) 
04 – Waiting For Dostum (3:05) 
05 – Drop Bombs (7:25) 
06 – Writing Letters (2:41) 
07 – Dostum’s Cave (5:15) 
08 – First Attack (3:27) 
09 – 12 Strong (3:02) 
10 – Fight Like You Ride (3:12) 
11 – Ambush (4:18) 
12 – Prayers (4:37) 
13 – Warlord (3:35) 
14 – Najib (3:00) 
15 – The Tangi Gap Assault (2:53) 
16 – EVAC (3:29) 
17 – Rescue (3:45) 
18 – Handshake (2:27) 
19 – Special Forces (4:21) 

10 Comments

  1. SOME DUDE August 11, 2022 at 6:01 pm - Reply

    12 Strong has a complete score that could do with Project Details and an Album Assembly

    • StĂ©phane H. August 11, 2022 at 6:24 pm - Reply

      I already said I won’t do it it with Lorne.

    • Felix August 11, 2022 at 9:05 pm - Reply

      Because its to much? Lol

  2. MrZimmerFan February 25, 2018 at 9:56 pm - Reply

    Geostorm is fun, with a nostalgic nods to the old MV scores.

    And much better than 12 Strong

  3. Pete February 24, 2018 at 11:16 am - Reply

    Glad you caught it Rockhound. Think the others were too wound up to notice !!i was trying to be funny.

  4. Pete February 24, 2018 at 3:48 am - Reply

    No need for petty cursing .

    We can discuss the soundtrack instead !

    Forgotten is cool track.It’s definitely one of Bay’s best movies. Wish he would make more drama based film obvious with some action. Can’t cope with more robots ! The ending of the film is so emotional and this track gave goosebumps at the end. Did sound very similar to the end of The Last Knight

  5. Mike February 23, 2018 at 1:59 pm - Reply

    Edmund give it a rest .We all get the point that you don’t think Balfe is great but go away and listen to How To Train Your Dragon on loop.You come off very childish.Therenis nothing wrong with the argument about the Emmys either.You May not like it because it shows you thoughts are in the minority……thankfully.most importantly ——/ Happy Birthday Meastro

  6. Edmund Meinerts February 13, 2018 at 12:28 pm - Reply

    I love how black and white these fanboy minds are. Some of us don't think the sun shines out of Lorne Balfe's every orifice and suddenly that makes us haters. *shrug*

  7. Olive February 4, 2018 at 9:31 pm - Reply

    At first I also thought it was PR, but then reflecting on the role of Balfe in Zimmer scores after 2008 (with TDK), I see that people have always directed some expectation to Lorne's involvement in Zimmer scores and even credit a part of their success to his "Phantom Hand" (in the end he was Zimmer's most enduring assistant, losing only to NGS, who worked with him his entire life in the most different roles). Considering all this is a bit normal to see some people rooting for him every time his name is announced to do something. That's nothing new. One part of the public reserves a certain curiosity about the newest composer who came out from under Zimmer's wings. Many of them had very high expectations about Geoff's PoTC 5 and WW by RGW. And that feeling was shared on the most different internet discussion sites.

    But corroborating that this is about PR… xD

    The user names are a little similar…

  8. AntosMusic78 February 4, 2018 at 4:45 pm - Reply

    Wonder if they are using Brian Tyler . What happened with Joe Kraemer?

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