Lorne Balfe
Composer
Steve Mazzaro
Additional Music
Clay Duncan
Music Programmer
Michael Tuller
Music Programmer
Hans Zimmer
Executive Score Producer
Oscar Senen
Orchestrator
Joan Martorell
Additional Orchestrator
Peter Gregson
Musician
Al Clay
Music Scoring Mixer
Steffen Thum
Technical Score Engineer
Max Aruj
Technical Score Engineer
Thomas Farnon
Technical Staff
Cynthia Park
Assistant to Hans ZIMMER
Kelly Johnson
Music Production Coordinator
Drew Jordan
Samples Coordinator
Raul Vega
Samples Coordinator
Taurees Habib
Samples Coordinator
Jill Streater
Music Preparation
Mark Wherry
Digital Instrument Design
Steven Kofsky
Music Production Services
Shalini Singh
Studio Manager
FILM CREDITS
Music by Lorne Balfe
Executive Music Producer: Hans Zimmer
Supervising Music Editor: Alex Gibson
Music Editor: Lee Scott
Assistant Music Editor: Nate Underkuffler
Music Production Services: Steven Kofsky
Score Production Coordinator: Kelly Johnson
Technical Score Engineers: Max Aruj & Steffen Thum
Electronic Music Programming: Clay Duncan, Kevin Lamb & Michael Tuller
Digital Instrument Design: Mark Wherry
Synth Programming: Lorne Balfe & Hans Zimmer
Score Recorded by Geoff Foster
Score Music Mixer: Al Clay
Orchestrator: Oscar Senen
Assistant Orchestrator: Joan Martorell
Orchestra Contractor: Gareth Griffiths
Music Preparation: Jill Streater, Global Music Service
Booth Reader: Thomas Farnon
Score Recorded at Lyndhust Hall, Air Studios, London
Studio Manager for Air Studios: Alison Burton
Digital Recordist: Chris Barrett
Recording Assistants: Adam Miller & Tom Leach
Orchestra Score Performed by Chamber Orchestra of London
Orchestra Conducted by Robert Ziegler
Orchestra Leader: Laura Samuel
Electric Cello: Peter Gregson
Solo Trumpets: Dan Newell & Jason Evans
Score Mix Assistant: Alvin Wee
Score Technical Assistants: Joseph Cho & Sydney Harrison
Studio Manager for Remote Control Productions: Shalini Singh
Assistant to Mr. Zimmer: Cynthia Park
Sampling Team: Taurees Habib, Raul Vega & Drew Jordan
Score Mixed at Remote Control Productions, Santa Monica, CA
Music by Lorne Balfe
Score Produced by Lorne Balfe & Alex Gibson
Executive Music Producer: Hans Zimmer
Supervising Music Editor: Alex Gibson
Music Editors: Lee Scott & Nate Underkuffler
Music Production Services: Steven Kofsky
Score Production Coordinator: Kelly Johnson
Technical Score Engineers: Max Aruj & Steffen Thum
Electronic Music Programming: Clay Duncan, Kevin Lamb & Michael Tuller
Digital Instrument Design: Mark Wherry
Orchestrator: Oscar Senen
Assistant Orchestrator: Joan Martorell
Orchestra Conducted by Robert Ziegler
Synth Programming: Lorne Balfe & Hans Zimmer
Electric Cello: Peter Gregson
Score Recorded at Lyndhurst Hall, Air Studios, London
Score Mixed by Al Clay
Score Mix Assistant: Alvin Wee
Score Recorded by Geoff Foster
Digital Recordist: Chris Barrett
Score Technical Assistants: Joseph Cho & Sydney Harrison
Studio Manager for Remote Control Productions: Shalini Singh
Assistant to Hans Zimmer: Cynthia Park
Orchestra Contractor: Gareth Griffiths, The Chamber Orchestra of London
Music Preparation: Jill Streater
Booth Reader: Thomas Farnon
Sampling Team: Taurees Habib, Raul Vega & Drew Jordan
Score Mixed at Remote Control Productions, Santa Monica, CA
02 – Welcome To Benghazi (6:31)
03 – Downtime’s The Worst (1:45)
04 – Burn Them Out (2:45)
05 – Calling Home (4:18)
06 – Engage Direct (4:02)
07 – The Last Resort (3:20)
08 – All The Gods (4:42)
09 – The Teams (3:32)
10 – Forgotten (9:11)
11 – All The Hells (3:49)
12 – Going Home (2:17)
13 – 13 Hours (2:09)


what song from OST plays in this teaser?
https://www.youtube.com/watch?v=iQf-hA_is3s
Knight, can you post it below?
Packing is the HZ cue.
Opening
Airport
Roadblock
Enter Annex
Jack Shown Annex
Treehouse Memory
Pre Bazaar
Bazaar
Drive to Outpost
Outpost Is No Embassy
Buy Back
Meeting the Mayor
Meet Sean Smith
Morning Breaks
Outpost Raided
GRS Gears Up Pt 1
GRS Gears Up Pt 2
Burn Them Out Pt 1
Burn Them Out Pt 2
Are These Friendlies?
Car Source
Up the Street #1
Up the Street #2
They’re Coming Back
Shootout / Go Left
DS Car Chase
Getting Back to Annex Pt 1
Getting Back to Annex Pt 2
Preparations
Getting Ready Pt 1
Getting Ready Pt 2
First Wave Off the Tower
Spotters Take a Break
Glen Held Up / Chief in Office Pt 1
Glen Held Up / Chief in Office Pt 2
Rooftop Conversations
Zombieland
Order Is to Shoot Pt 1
Order Is to Shoot Pt 2
Calling for Help
Guys Talk Pt 1
Guys Talk Pt 2
Glen on the Way
2012 Alamo Bullshit Pt 1
2012 Alamo Bullshit Pt 2
Not Going Yet
Mortar
Photo
Casualties
Oz in ER
Jambo
Packing
Leaving Annex
Getting Aboard Plane
We Get to Go Home
End Credit Suite
Packing? I haven’t watched the film in ages, what scene is that if you don’t mind me asking?
It’s a very simple ambient cue near the end of the movie
Knight, do you have numbers for them?
I know only 5m29 is Preparations
Already said earlier that I don’t have slates for them :)
1M1 Opening
1M2 Airport
1M3 Roadblock
1M4 Enter Annex
1M5
1M1 Opening
1M2 Airport
1M3 Roadblock
1M4 Enter Annex
1M5 Jack Shown Annex
1M6 Treehouse Memory
2M7 Pre Bazaar
2M8 Bazaar
2M9 Drive to Outpost
2M10/11 Outpost is No Embassy
2M12 Buy Back
2M14 Meeting the Mayor
3M15 Meet Shawn Smith
3M16 Morning Breaks
3M19 Outpost Raided
3M20A Gears Up Pt.1
3M20B Gears Up Pt.2
3M21 Burn Them Out
4M25 They’re Coming Back
4M26 Shootout/Go Left
5M29 Preparations
5M31 First Wave Off the Tower
6M32
6M33 Rooftop Conversations
6M35A Order is to Shoot Pt.1
6M35B Order is to Shoot Pt.2
6M36 Calling for Help
6M39A Guys Talk Pt.1
6M39B Guys Talk Pt.2
7M41 2012 Alamo Bullshit Pt.2
7M43 Mortar
7M44 Photo
7M45 Casualties
7M46 Oz in ER
7M47 Jambo
7M48 Leaving Annex
7M49 Getting Aboard Plane
Lorne is a mixed bag for me but 13 Hours is my favorite of his scores by a long shot… Having Hans produce doesn’t hurt. :) Terminator benefited from HZ too.
Recording, I was kinda expecting you to post exactly those tracks in exactly that order…
Since there is “expanded score” floating around