FILM CREDITS
Music by Henry Jackman & Alex Belcher
Music Supervisor: Jason Markey
Music Editor: Felipe Pacheco
Temp Music Editors: Christopher Brooks, Jason Tregoe Newman & Ben Holiday
Additional Music by Maverick Dugger
Score Technical Engineer: John Paul Lefebvre
Music Production Services: Matthew Kusell Justmann
Score Mixed by Chris Fogel
Additional Mixing by John Chapman
Orchestra Contractor: Lucy Whalley for Isobel Griffiths Ltd
Conductor: Gavin Grenaway
Orchestra Leader: Everton Nelson
Digital Score Recordist: Chris Barrett
Orchestrations by Stephen Coleman & Andrew Kinney
Booth Reader: John Ashton Thomas
Librarian: Jill Streater Music
Score Recorded at Abbey Road Studios, London
Scoring Stage Engineers: Nick Wollage & John Barrett
Assistant Scoring Engineers: Daniel Hayden & Andy Maxwell
Scoring Stage Manager: Fiona Gillott
Music Legal & Clearances: Christine Bergren & Alexa Collazo
Music Coordinators: Lauren Danielak & Meredith McBee
02 – Radio Chatter (1:44)
03 – Mosto’s (1:45)
04 – Cocaine Shootout (3:24)
05 – Speed Cam (1:31)
06 – Aftermath (1:45)
07 – Hawk (2:50)
08 – Chinatown (0:42)
09 – That Leaves Manhattan (2:06)
10 – Meet The Preps (2:13)
11 – Pan Am Club (2:03)
12 – Close The Island (3:04)
13 – Thumb Drives (3:47)
14 – See You In Miami (2:36)
15 – Guys Like Me (3:52)
16 – Bring Him In Alive (1:43)
17 – Hostage (0:58)
18 – Coolhand (2:44)
19 – Foot Chase (4:35)
20 – Grand Central (2:40)
21 – Look The Devil In The Eye (3:14)
22 – Epilogue (2:57)
Couldn't agree more Edmund. He's got both the orchestra and synths (and his great guitar usage) down very well. Similar to HGW IMO.
He's also a very interesting interviewee (that accent always seems to help).
Which scores have had electronic elements edited off of the official releases? And do the missing elements appear in the complete scores/sessions?
Jackman has always been my favorite of his "generation" of RC composers (in which I also include Balfe, Djawadi, Örvarsson, Margeson and Streitenfeld – the ones who broke out about a decade ago). I think he's the best orchestral writer other than Powell and I always appreciate the clean, organic sound of his scores – like with Powell's scores, Jackman's orchestra always sounds real and clearly distinct from the electronics, unlike Balfe and Zimmer himself who use samples a lot more and blur things in the middle. That's true even of scores of his I don't like, such as Winter Soldier.
I do wish he'd stop stripping the electronics off of tracks for his album releases though. That seems like a strange way to address the criticisms he got for Winter Soldier – kind of missing the point.
I like this score!!!
Henry is very good in my opinion. I always liked his scores even when others didn't.
And I'm really excited for Jumanji: The Next Level!!!