A CURE FOR WELLNESS, 2017, Directed by Gore Verbinski
FILM CREDITS
Music by Benjamin Wallfisch
Music Clearance & Legal: Christine Bergren
Music Editors: Carlton Kaller & Ken Karman
Score Co-Producer: Chris Craker
Orchestations: David Krystal & Benjamin Wallfisch
Additional Orchestrations: Matt Dunkley
Orchestra: The Chamber Orchestra of London
Orchestra Contractor: Gareth Griffiths
Score Coordinator: Darrell Alexander
Choirs: Crouch End Festival Chorus & Trinity School Boys Choir
Orchestra Conductor: Gavin Greenaway
Choir Conductors: David Temple & Ben Parry
Featured Vocals: Mary Laey
Boy Treble Solos: Sebastian Exall
Basso Profuno: Zigmars Grasis
Violin Solos: Tom Bowes
Guitars: Owen Gurry
Music Recorded by Jake Jackson
ProTools Recordist: Gordon Davidson
Assistant Engineers: Matt Jones & Connor Hughes
Music Preparation by Jill Streater, Global Music Services
Music Mixed by Alan Meyerson & Benjamin Wallfisch
Music Mix Assistant: Forest Christenson
Score Technical Assistant: Max Sandler
Music Recorded at Abbey Road Studios, London
Music Mixed at Remote Control Productions, Santa Monica
"Ribbons"
Composed by Hans Zimmer
Arranged by Benjamin Wallfisch
Performed by the Chamber Orchestra of London
Conducted by Gavin Greenaway
ALBUM ASSEMBLY
Hannah & Volmer : 7m79A End Roller Part 1 + 7m79B End Roller Part 2
Nobody Ever Leaves : 2m18 Deer Crash
Bicycle : 4m38 Bike To Town
The Rite : 6m71-7m72A The Rite + 7m72B Ribbons + 7m72C Ballroom + 7m73B OS Orchestra
Feuerwalzer : 7m75 Fire Waltz (Edited)
Magnificent, Isn't It? : 7m76 Magnificent, Isn't It?
Actually I'm Feeling Much Better : 7m77 Actually I'm Feeling Much Better + 7m78 Main On Ends
Clearly He's Lost His Mind : 1m4B The Boardroom + 1m3 Heart Attack
Our Thoughts Exactly : 1m5 Train - Helicopter Shot
Volmer Institut : 3m21A Exploring The Spa
Terrible Darkness : 4m35 A Terrible Darkness (Edited) + 5m53 Drive! + 6m63 Pool & Stairs (Edited)
Lipstick : 4m44A Lipstick + 5m46 Bar Fight (Edited)
Waiting : 3m26 Waiting
Zutritt Verboten : 5m51 Embryonic Chamber (Edited)
There's Nothing Wrong With You People : 6m66 Zombies
Lockhart's Letter : 6m58-59 Lockhart's Letter - Uncast (Edited)
Volmer's Lab : 6m61 ALT Volmer's Lab
I Wanna Be Sedated : Trailer Music
Benjamin Wallfisch
1m2 Morris (0:19)
Benjamin Wallfisch
1m3 Heart Attack (1:11)
Benjamin Wallfisch
1m4A Pembroke’s Letter (1:38)
Benjamin Wallfisch
1m4B The Boardroom (1:16)
Benjamin Wallfisch
1m4C Someone More Senior (0:28)
Benjamin Wallfisch
1m5 Train – Helicopter Shot (1:04)
Benjamin Wallfisch
1m11-12 Drive To Castle – Arrival (2:53)
Benjamin Wallfisch
2m18 Deer Crash (1:49)
Benjamin Wallfisch
2m18 RMX Deer Crash (1:51)
Benjamin Wallfisch
2m19 Mother Crematorium (1:32)
Benjamin Wallfisch
2m23 Ambition (1:52)
Benjamin Wallfisch
2m23 Ambition v3 (1:47)
Benjamin Wallfisch
3m21A Exploring The Spa (3:04)
Benjamin Wallfisch
3m21B Steam Room (2:37)
Benjamin Wallfisch
3m26 Waiting (0:56)
Benjamin Wallfisch
3m28 Nosebleed Bend (0:48)
Benjamin Wallfisch
3m30 Urine Sample (1:02)
Benjamin Wallfisch
3m31 v23 Isolation Tank (3:02)
Benjamin Wallfisch
3m32 Bridge Flashback (1:17)
Benjamin Wallfisch
3m34 Caretaker Gurney (1:53)
Benjamin Wallfisch
4m35 A Terrible Darkness (2:20)
Benjamin Wallfisch
4m36 Hannah Pond (1:00)
Benjamin Wallfisch
4m38 Bike To Town (2:00)
Benjamin Wallfisch
4m43A v2 Tampon Part 1 (0:24)
Benjamin Wallfisch
4m43B Tampon Part 2 (0:28)
Benjamin Wallfisch
4m44A Lipstick (2:36)
Benjamin Wallfisch
4m44B Cow Foetus (0:49)
Benjamin Wallfisch
5m46 Bar Fight (3:37)
Benjamin Wallfisch
5m47A-B Hannah’s Bedroom – Nightmare (2:28)
Benjamin Wallfisch
5m48 Tooth Pull (1:08)
Benjamin Wallfisch
5m59 Lower Corridors (0:47)
Benjamin Wallfisch
5m51 Embryonic Chamber (4:20)
Benjamin Wallfisch
5m53 Drive! (0:26)
Benjamin Wallfisch
5m54 Constabulary (3:38)
Benjamin Wallfisch
5m54 SWEETENER Constabulary (Alternate) (0:19)
Benjamin Wallfisch
5m54B He’s A Patient (1:00)
Benjamin Wallfisch
6m55 Toilet Eels (0:58)
Benjamin Wallfisch
6m58-59 Lockhart’s Letter – Uncast (2:33)
Benjamin Wallfisch
6m60 Underground (1:40)
Benjamin Wallfisch
6m61 Volmer’s Lab (4:13)
Benjamin Wallfisch
6m61 ALT Volmer’s Lab (3:32)
Benjamin Wallfisch
6m63 Pool & Stairs (1:56)
Benjamin Wallfisch
6m64 v30 Grotto Fight (2:22)
Benjamin Wallfisch
6m66 Zombies (1:26)
Benjamin Wallfisch
6m69-70 Blue Dress – Volmer’s Vitamins (1:38)
Benjamin Wallfisch
6m71-7m72A The Rite (2:29)
Benjamin Wallfisch
7m72B Ribbons (0:27)
Hans Zimmer, Benjamin Wallfisch
7m72C Ballroom (0:45)
Benjamin Wallfisch
7m73A Where You Began (4:02)
Benjamin Wallfisch
7m73B OS Orchestra (0:38)
Benjamin Wallfisch
7m74 Unmasked (1:16)
Benjamin Wallfisch
7m75 Fire Waltz (4:16)
Benjamin Wallfisch
7m76 Magnificent Isn’t It? (2:11)
Benjamin Wallfisch
7m77 Actually I’m Feeling Much Better (0:38)
Benjamin Wallfisch
7m78 Main On Ends (1:29)
Benjamin Wallfisch
7m79A End Roller Part 1 (2:02)
Benjamin Wallfisch
7m79B End Roller Part 2 (2:42)
Benjamin Wallfisch
Trailer Music – I Wanna Be Sedated (3:38)
Mirel Wagner, The Ramones, Benjamin Wallfisch
"I Wanna Be Sedated"
Written by Joey Ramone, Johnny Ramone & Dee Dee Ramone
Performed by Mirel Wagner
Produced & Arranged by Benjamin Wallfisch
Original Music by Benjamin Wallfisch
Album Produced by Gore Verbinski & Benjamin Wallfisch
Score Co-Produced by Chris Craker
Orchestrations: David Krystal & Benjamin Wallfisch
Additional Orchestrations: Matt Dunkley
Orchestra: The Chamber Orchestra of London
Orchestra Contractor: Gareth Griffiths
Score Coordinator: Darrell Alexander
Choirs: Crouch End Festival Chorus & Trinity School Boys Choir
Orchestra Conductor: Gavin Greenaway
Choir Conductors: David Temple & Ben Parry
Featured Vocals: Mary Laey
Boy Treble Solos: Sebastian Exall
Basso Profundo: Zigmars Grasis
Violin Solos: Tom Bowes
Guitars: Owen Gurry
Music Recorded by Jake Jackson
ProTools Recordist: Gordon Davidson
Assistant Engineers: Matt Jones & Connor Hughes
Music Preparation by Jill Streater, Global Music Services
Music Mixed by Alan Meyerson & Benjamin Wallfisch
Music Mix Assistant: Forest Christenson
Score Technical Assistant: Max Sandler
Music Recorded at Abbey Road Studios, London
Music Mixed at Remote Control Productions, Santa Monica
Music Clearance & Legal: Christine Bergren
Music Editors: Carlton Kaller & Ken Karman
Executive Album Producers for Milan Records: Stefan Karrer & JC Chamboredon
Production Manager: Pablo Manyer
Album Mastered by Rob Kleiner at Studio Edison, LA
Special Thanks to: Darrell Alexander, Christine Bergren, Jackie Carr, David Crockett, Morgan Des Groseillers, Rick Granville, Elissa Loparco, Robert Malina, Brian McKenna, Azizi Murray, Bennett Shuster, David Singh & Gore Verbinski
Benjamin Wallfisch
02 – Nobody Ever Leaves (1:49)
Benjamin Wallfisch
03 – Bicycle (2:00)
Benjamin Wallfisch
04 – The Rite (3:42)
Benjamin Wallfisch, Hans Zimmer
05 – Feuerwalzer (3:44)
Benjamin Wallfisch
06 – Magnificent, Isn’t It? (2:11)
Benjamin Wallfisch
07 – Actually I’m Feeling Much Better (1:59)
Benjamin Wallfisch
08 – Clearly He’s Lost His Mind (2:49)
Benjamin Wallfisch
09 – Our Thoughts Exactly (1:03)
Benjamin Wallfisch
10 – Volmer Institut (3:02)
Benjamin Wallfisch
11 – Terrible Darkness (3:18)
Benjamin Wallfisch
12 – Lipstick (4:21)
Benjamin Wallfisch
13 – Waiting (0:55)
Benjamin Wallfisch
14 – Zutritt Verboten (3:38)
Benjamin Wallfisch
15 – There’s Nothing Wrong With You People (1:25)
Benjamin Wallfisch
16 – Lockhart’s Letter (2:12)
Benjamin Wallfisch
17 – Volmer’s Lab (3:32)
Benjamin Wallfisch
18 – I Wanna Be Sedated – Mirel Wagner (3:38)
The Ramones, Benjamin Wallfisch
There is a little mistake in “Album Assembly”
A couple of cues are missing in complete score, probably because they are tracked or else…
The main theme (Opening Logos – Buildings) sounds very Hans Zimmer and not so much Wallfisch to me… almost as if it was meant to be in THE RING; like Samara’s Song… rather intentional, I imagine.
Cuz it was lifted from “The Waltz” by Hans Zimmer
Ribbons i meant
Holy sh*t, I just realized that whole score is basically one big rearrangement of Second Waltz by Shostakovich
Anything else is just noice
Wow! Updated tracklist! But I expected Hans’ credits on this since he wrote Waltz, whixh was used in waltz scene and final confrontation.
P.S. I meant that I expected MORE Hans’ credits on this
This was such a nightmare to try and break down. Much like IT, there are dozens of short cues that bleed into each other. Not 100% Complete (missing 5 or 6 cues) but for the most part in correct order…
Logos – Buildings
Dead Morris
Elevator – Boardroom
Pembroke’s Letter
Someone More Senior
Train
Laptop Battery
Mother’s Music Box
Drive To Castle – Arrival
Vent Pulse
Water Glass
Drive
Mother Flashback Pulse
Mother Crematorium
Deer Crash
Exploring The Spa
Steam Room
Hannah Hums
Waiting
Nosebleed Bend
Volmers Diagnosis
Urine Sample
Isolation Tank
Bridge Flashback
There’s Something In The Water
Caretaker Gurney
Terrible Darkness
Church Remains
Hannah Pond
Ballerina Sting
Bike To Town
Crayon Picture
Tampon
Cow Fetus
Bar Fight
Lipstick
Hannah Bedroom Nightmare
Tooth Pull
Lower Corridors
Embryonic Chamber
Constabulary
Toilet Eels
Lockhart’s Letter
Underground
Volmer’s Lab
Grotto Fight
Zombies
OS Orchestra
Blue Dress – Volmer’s Vitamins
Monk Chant
Ballroom
The Rite
Pulse
Photo Sting
Unmasked
Fire Waltz
Actually I’m Feeling Much Better
Main On Ends
End Roller Pts. 1 & 2
The rhythm and low brass both remind me a little bit of Dark Knight Rises (some parts of Bane's music).