FILM CREDITS
Music by Tom Holkenborg
Music Supervisor: Dave Jordan
Music Editor: Peter Myles
Score Programmed & Mixed by Tom Holkenborg
Score Conducted by Conrad Pope
Score Orchestrated by Edward Trybek, Henri Wilkinson, Jonathan Beard & Tom Holkenborg
Score Copied by Edward Trybek & Henri Wilkinson
Score Contracted by Peter Rotter
Choir Contracted by Jasper Randall
Score Recorded by Alan Meyerson & Brad Haehnel
Digital Recording by Kevin Globerman
Technical Score Engineers: Alex Ruger & Emily Rice
Additional Music by Antonio Di Iorio
Synth Programming by Jacopo Trifone, Jonas Friedman & Max Karmazyn
Score Recorded at Newman Scoring Stage, Twentieth Century Fox Post Production Services
Music Production Services by Michiel Groeneveld
Score Mixed at Computer Hell Cabin
Newman Stage Engineer: Marc Gebauer
Newman Recordist: Tim Lauber
Newman Stage Managers: Damon Tedesco & Peter Nelson
"El Rey Del Calle"
Written by Robert Rodriguez
Performed by Mark Del Castillo & Robert Rodriguez
"Voladora"
Written by Robert Rodriguez, Rick Del Castillo, Alex Ruiz & Tom Holkenborg
Performed by Rick Del Castillo, Robert Rodriguez & Alex Ruiz
"Throwing Chingasos"
Written by Robert Rodriguez, Mark Del Castillo & Tom Holkenborg
Performed by Mark Del Castillo & Robert Rodriguez
"Swan Song"
Performed by Dua Lipa
Written by Justin Tranter, Kennedi Lykken, Mattias Larsson, Robin Fredriksson, Tom Holkenborg & Dua Lipa
Produced by Mattman & Robin
ALBUM ASSEMBLY
Discovery : 1m02 v7.21 Finding Alita
I Don't Even Know My Own Name : 1m03 v8.38 I Don't Even Know My Own Name
What's Your Dream? : 2m15 v10.77 What's Your Dream?
Double Identity : 2m16A v7.21 Ido The Hunter Warrior
The Warrior Within : 2m16B PT1 ALT Alley Fight
A Dark Past : 2m16B PT3 ALT A Dark Past
In Time You'll Remember : 2m19 v7.35 Alita's Power Moves
Nova's Orders : 3m20 v11.84 Nova's Orders
Jackers Mission : 3m23 v2.12 Hugo Jacks Kinuba
Unlocking The Past : 3m24B v9.35 Alita Finds Berserker Body
Whose Body Is This? : 2m17-18 v10.50 Whose Body Is This? - Alita's Heart (Edited)
Grewishka's Revenge : 4m30 PT1 v7.54 Grewishka Fight (Edited)
Broken Doll : 4m30 PT3 v7.54 Broken Doll
With Me : 4m31 v12.112 Alita's Body Transforms - Reunited With Hugo
I'd Give You My Heart : 5m34 v14.26 I'd Give You My Heart
You Just Lost A Puppet : 6m41B v8.25 Alita's Revenge Pt 2
What Did You Do? : 6m39 ALT Hugo's Demise
In The Clouds : 6m41C v10.42 Hugo's Death
Raising The Sword : 6m42 Epilogue
Motorball : 0m02 Motorball (Album Version)
Swan Song : Swan Song
Centurion : 5m36 ALT Zapan Frames Hugo
I See Church : 5m37 v12.124 Motorball Tryout
1m03 v8.38 I Don’t Even Know My Own Name (5:44)
1m06 v8.61 Meeting Hugo (2:39)
1m07 v6.37 The Murders (1:20)
1m08 v2.03 You Were Lucky (0:40)
1m10 v6.36 Meeting Chiren (0:48)
1m11 v6.36 Alita Discovers Motorball Game (0:58)
1m13 v8.41 Trying Motorball (2:33)
1m13 v8.41 INS v1.03 Trying Motorball (Insert) (1:05)
2m14 v2.06 Trying Chocolate – Seeing Zapan (1:51)
2m15 v10.77 What’s Your Dream? (3:17)
2m15 v9.68 What’s Your Dream (Alternate) (2:55)
2m16A v7.21 Ido The Hunter Warrior (1:54)
2m16B PT1 v12.45 Alley Fight (3:34)
2m16B PT1 ALT Alley Fight (Alternate) (3:32)
2m16B PT3 v12.45 A Dark Past (2:09)
2m16B PT3 ALT A Dark Past (Alternate) (1:30)
2m17-18 v10.50 Whose Body Is This? – Alita’s Heart (4:22)
2m19 v7.35 Alita’s Power Moves (0:59)
3m20 v11.84 Nova’s Orders (2:48)
3m21 v12.67 No Bounty On Grewishka – Trip To Motorball (2:37)
3m22 v9.35 Chiren Sees Alita – Chiren’s Plan (2:26)
3m23 v2.12 Hugo Jacks Kinuba (2:37)
3m24A v4.25 The Travel (1:09)
3m24B v9.35 Alita Finds Berserker Body (3:53)
3m25 v11.54 I’m A Warrior – Signup (2:04)
4m28A v3.09 Zapan’s Instructions (2:05)
4m28B v3.09 Alita’s Plea – Fight (2:00)
4m30 PT1 v7.54 Grewishka Fight (5:19)
4m30 PT2 INS v1.04 Flashback #2 (0:40)
4m30 PT3 v7.54 Broken Doll (2:35)
4m31 v12.112 Alita’s Body Transforms – Reunited With Hugo (5:41)
4m32 v7.28 Bring Me Her Heart (1:02)
5m33 v9.34 Hugo & Vector Meet (1:11)
5m34 v14.26 I’d Give You My Heart (3:07)
5m35 v13.8 The Motorball Plan (3:01)
5m36 v3.47 Zapan Frames Hugo (3:22)
5m36 ALT Zapan Frames Hugo (Alternate) (3:21)
5m37 v12.124 Motorball Tryout (5:49)
5m38 v15.147 Alita Must Rescue Hugo (2:23)
6m39 v7.29 Hugo’s Demise (6:01)
6m39 ALT Hugo’s Demise (Alternate) (3:42)
6m41A v8.25 Alita’s Revenge Pt 1 (3:17)
6m41B v8.25 Alita’s Revenge Pt 2 (2:31)
6m41C v10.42 Hugo’s Death (3:57)
6m42 Epilogue (1:44)
6m42A ALT ENDING v12.47 Epilogue (Alternate) (1:45)
Song – Swan Song – Dua Lipa (3:02)
Song – Swan Song (Acoustic) – Dua Lipa (3:10)
Suite – 0m02 Motorball (6:58)
Suite – 0m02 Motorball (Album Version) (5:15)
Suite – 0m07 Alita Theme (2:55)
"Swan Song"
Performed by Dua Lipa
Written by Justin Tranter, Kennedi Lykken, Mattias Larsson, Robin Fredriksson, Tom Holkenborg & Dua Lipa
Produced by Mattman & Robin
Score Produced, Programmed, Mixed & Mastered by Tom Holkenborg
Score Conducted by Conrad Pope
Score Orchestrated by Edward Trybek, Henri Wilkinson, Jonathan Beard & Tom Holkenborg
Score Copied by Edward Trybek & Henri Wilkinson
Score Contracted by Peter Rotter
Choir Contracted by Jasper Randall
Score Recorded by Alan Meyerson & Brad Haehnel
Digital Recording by Kevin Globerman
Technical Score Engineers: Alex Ruger & Emily Rice
Additional Music by Antonio Di Iorio
Synth Programming by Jacopo Trifone, Jonas Friedman & Max Karmazyn
Score Recorded at Newman Scoring Stage, Twentieth Century Fox Post Production Services
Music Production Services by Michiel Groeneveld
Score Mixed at Computer Hell Cabin
Newman Stage Engineer: Marc Gebauer
Newman Recordist: Tim Lauber
Newman Stage Managers: Damon Tedesco & Peter Nelson
Music Editor: Peter Myles
Executive in Charge of Music for Twentieth Century Fox: Danielle Diego
Music Supervised for Twentieth Century Fox: Johnny Choi
Music Production Supervised for Twentieth Century Fox: Rebecca Morellato
Business Affairs for Twentieth Century Fox: Tom Cavanaugh
Music Clearance for Twentieth Century Fox: Ellen Ginsburg
Soundtrack Coordination for Twentieth Century Fox: Joann Orgel
Milan Records Executive Soundtrack Producers: JC Chamboredon & Stefan Karrer
Production Manager: Pablo Manyer
Soundtrack Album Produced by Dave Jordan
Special Thanks to: James Cameron, Jon Landau & Robert Rodriguez
Thank You: Saskia Holkenborg, Julian & Darren Holkenborg, David Altschul, Anne Cobb, Allison Dotson, Amos Newman, Hisham Dahud, Alastair Duncan, Steve Barnett, Fred Baron, Christine Bergren, Anthony Booth, Lauren Caruso, Rachel Davis, Jordan Frey, Mike Ireland, Robert Kane, Janée Lynch, Cathy Merenda, Brianne Porcaro, Tom Proper, Steve Rivkin, Jessie Roberts, Stacey Robinson & Amber Roy
02 – I Don’t Even Know My Own Name (5:44)
03 – What’s Your Dream? (3:16)
04 – Double Identity (1:54)
05 – The Warrior Within (3:31)
06 – A Dark Past (1:29)
07 – In Time You’ll Remember (0:58)
08 – Nova’s Orders (2:48)
09 – Jackers Mission (2:36)
10 – Unlocking The Past (3:52)
11 – Whose Body Is This? (2:06)
12 – Grewishka’s Revenge (4:23)
13 – Broken Doll (2:34)
14 – With Me (5:41)
15 – I’d Give You My Heart (3:07)
16 – You Just Lost A Puppet (2:30)
17 – What Did You Do? (3:41)
18 – In The Clouds (3:56)
19 – Raising The Sword (1:43)
20 – Motorball (5:14)
JAPANESE BONUS TRACKS
21 – Swan Song – Dua Lipa (3:02)
22 – Centurion (3:21)
23 – I See Church (5:48)
10 Comments
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I haven’t listened to the studio time segment but there is only one alt. ending listed on the complete score page here which I’m guessing has to be the film version.
Hi,
is the track "Raising the Sword" from the OST the "Original Ending" which he is talking about in Studio Time or the mysterious "Alternate Ending"?
Is it out??? I want this!!!
Yep, if "deserving" existed, Atli would've gotten many more movies than he currently does.
I think that Tim Miller played a greater role in case of Terminator and Sonic. And I really don't see Junkie as good choice for Avatar 2.
also was really good fantastic score IMHO his best since Mad Max.
Going by the track names, I'd say it's in chronological order but I'm not 100% sure.
This Junkie tutorial is intriguing because he literally points out that Mortal Engines was so good because Jackson managed him closely, see from 4:00 onwards https://www.youtube.com/watch?v=Bb3i6nKiG5c&feature=share
Totally hearing it here. Miller and Jackson are people with clear visions, Alita is a mess again. Junkie is literally a junkie, he gorges on ideas but can't consolidate them unless someone powerful tells him to do that in a specific way.
Slightly disappointed here but it is also great to hear those orchestral fibres come through and let the woodwinds shine. I that is a huge growth area for HZ Industries. The themes are fine, but the argument that Junkie needs to meet better musically minded directors does not make sense. Whoever made that comment probably has not heard of Robert Rodriquez the composer or the few trend changes that an unknown director called Jim Cameron instituted in his spare time. Solid score but a disappointment after Mortal Engines
My biggest problem with Brimstone are the long portions of droning in between the string performances. Outside of that though, there is about 30 minutes of excellent material. Dark Tower also has some really strong highlights, surrounded by some weak material.
As for Divergent, you have “Tris”, “Capture the Flag”, “Faction Before Blood”, “Sacrifice”, and “Everywhere and Nowhere”. Even some of the electronic stuff works pretty well.