THE ALTO KNIGHTS, 2024, Directed by Barry Levinson
FILM CREDITS
Music by David Fleming
Music Editors: Nate Underkuffler & Curt Sobel
Music Supervisor: Gabe Hilfer
Score Supervisor: Monica Sonand
Additional Music by Jake Boring & David Naroth
Score Conducted by Pete Anthony
Score Recorded & Mixed by Scott Michael Smith
Score Editor & ProTools Operator: Larry Mah
Orchestrators: Gregory Jamrok, Abraham Libbos & Josef Zimmerman
Music Preparation by Fine Line Music Service
Music Copyists: Cara Batema, Caitlyn Chenault, Jina Choi, Vincent Fasano, Daniel Gold, Andrew Rowan & Naomi Sato
Technical Score Consultant: Matt Wood
Score Coordinator: Peter Rotter
On-Camera Song Coordinator: Sandra Park
Score Recorded & Mixed at The Village
1m3A Shooting (0:30)
David Fleming, Jake Boring
1m4 Gala (3:51)
David Fleming
1m5-6 Frank Questioned (3:50)
David Fleming
1m7A Elevator (2:53)
David Fleming
2m13 Vito (0:25)
David Fleming, Jake Boring
2m15 Vita Anna Date (2:10)
David Fleming
2m16B Blinded (2:00)
David Fleming
2m17A A Little Too Much (1:21)
David Fleming
2m18A Rooftop Murder (1:12)
David Fleming, Jake Boring
2m18B Marriage Falling Apart (0:56)
David Fleming
3m21 Anna Calls (1:39)
David Fleming
3m26A Anna In Court (4:33)
David Fleming, Jake Boring
3m27 Senator Kefauver (1:21)
David Fleming
3m28A Take The 5th (1:37)
David Fleming
3m29 Frank On Trial Part 1 (3:02)
David Fleming
3m30 Frank On Trail Part 2 (3:19)
David Fleming, Jake Boring
4m32 Waldorf Meeting (1:22)
David Fleming
4m33A Dog Walk (1:27)
David Fleming, Jake Boring
4m33B Boiardo Park Bench (1:43)
David Fleming
4m34A Boiardo Residence (1:01)
David Fleming
4m34B Anastasia Plea (2:02)
David Fleming
4m36A People Vs. Gigante (1:33)
David Fleming, Jake Boring
4m38A Go To Cuba (3:30)
David Fleming
5m38B Barber Shop (3:12)
David Fleming
5m38C Anastasia Funeral (2:37)
David Fleming
5m39 Gather The Commission (2:37)
David Fleming
5m40 Drive To Barbara’s Part 1 (3:14)
David Fleming
5m42 Drive To Barbara’s Part 2 (2:56)
David Fleming, David Naroth
5m44 Police Tracking (0:33)
David Fleming, David Naroth
6m45B Frank Gets Closer (0:14)
David Fleming, David Naroth
6m46 Bosses Run (1:48)
David Fleming, Jake Boring
6m47 Apple Picking (4:19)
David Fleming
6m48 Everybody Caught (3:42)
David Fleming
6m49A Life Goes On (2:01)
David Fleming
6m49B Main On Ends (1:37)
David Fleming
6m49C End Crawl Part 1 (2:58)
David Fleming
6m50 End Crawl Part 2 (1:43)
David Fleming
David Fleming
03 – American Made (3:57)
04 – Heat (3:18)
05 – Shards (3:11)
06 – Circus (3:04)
07 – Closed Casket (2:28)
08 – Central Park (3:13)
09 – Roses (1:46)
10 – Straight Razor (3:15)
11 – Cuba (2:31)
12 – Plead The Fifth (3:02)
13 – Corners (2:41)
14 – Party Crashers (1:48)
15 – Dominoes (4:01)
16 – The Alto Knights (3:44)
David Fleming
Yikes…..This score is trash.
David Fleming is co-composing Superman with John Murphy…
It’s sounds like 2010s RC score with Williams’ theme put in there for some reason.
As for Murphy, keeping his credit, but it was replaced totally
The approach to Superman 2025 is far better than Elfman forcing an old style onto Snyder footage. I’ll be sad forever that Hans’s Superman theme never really got the air time it deserved. But oh well. If they’re gonna use the Williams theme, the new score is how to do it.
His score dosen’t mancillated Williams’ theme to make a boring score like this.
By far, one of the worst scores of this Years.
Looks like someone on WB is really getting a ‘hard on’ when old Sup theme is playing…
I mean, it was in Black Adam, which was still in SnyderVerse, it was in Josstice League, and now this
All other superheroes got new themes
p.s. Don’t tell me about Batman theme from Elfman, that was just a fun small homage from Danny boy here )
That theme sticks out like a sore thumb in the Black Adam cameo
I was very excited about the soundtrack. While there are some good moments, overall I don’t think it made a significant impact. It feels like one of those salvage projects where David came in and did what he could. Don’t get me wrong, I love David’s music, but I don’t feel this was a good one.
Based on album credits, it looks like Fleming replaced most of Murphy’s music.