FILM CREDITS
Music by Shirley Walker
Supervising Music Editor: Thomas Milano
Music Scoring Mixer: Robert Fernandez
Orchestrations: Ian Walker, Lolita Ritmanis, Peter Tomashek, Harvey Cohen, Michael McCuistion & Larry Rench
Synthesist: Hans Zimmer
Music Composed by Shirley Walker
Reissue Executive Album Producers: MV Gerhard & Matt Verboys
Album Produced by Ford A. Thaxton
Executives in Charge of Music for Warner Bros: Gary LeMel & Doug Frank
Orchestrations: Ian Walker, Lolita Ritmanis, Peter Tomacheck, Harvey A. Cohen, Michael McCuistion & Larry Rench
Synthesist: Hans Zimmer
Scoring Mixer: Robert Fernandez
Score Mock-Ups: Richard Bronskil & Nerida Tyson-Chew
Music Editor: Thomas Milano
Auricle: Richard Grant
Music Preparation: Joel Franklin
Librarian: Joseph Maguire
Contractor: Patti Zimmitti
Digitally Edited & Mastered by James Nelson at Digital Outland
Special Thanks to: Ian Walker, Barbara Rich, Jon Burlingame, Mike Joffe, Keith Zajic, David Kapp, Michael McCuistion & Lori Blackstone
02 – The Promise (1:25)
03 – Ski Mask Vigilante (4:28)
04 – Fancy Footwork (0:40)
05 – Phantasm’s Graveyard Murder (3:52)
06 – Bad News / Set Trap / May They Rest In Peace (1:51)
07 – First Love (1:59)
08 – City Street Drive / Sal Velestra / Good Samaritan (2:16)
09 – Birth Of Batman (6:01)
10 – The Joker’s Big Entrance (3:02)
11 – The Big Chase (5:40)
12 – Nowhere To Run (2:01)
13 – A Plea For Help (1:01)
14 – A Tall Man / Arturo And His Pal / Makes You Want To Laugh / What’s So Funny? (4:04)
15 – Andrea Remembers / True Identity (3:18)
16 – Phantasm And Joker Fight (6:01)
17 – Batman’s Destiny (1:46)
18 – I Never Even Told You – Tia Carrere (4:23)
19 – Bonus – Theme From Batman: Mask Of The Phantasm (2:06)
20 – Bonus – Welcome To The Future! (1:01)
Music Composed by Shirley Walker
Executives in Charge of Music for Warner Bros: Gary LeMel & Doug Frank
Orchestrations: Ian Walker, Lolita Ritmanis, Peter Tomacheck, Harvey A. Cohen, Michael McCuistion & Larry Rench
Synthesist: Hans Zimmer
Scoring Mixer: Robert Fernandez
Score Mock-Ups: Richard Bronskil & Nerida Tyson-Chew
Music Editor: Thomas Milano
Auricle: Richard Grant
Music Preparation: Joel Franklin
Librarian: Joseph Maguire
Contractor: Patti Zimmitti
02 – The Promise (0:43)
03 – Ski Mask Vigilante (3:00)
04 – Phantasm’s Graveyard Murder (3:35)
05 – First Love (1:32)
06 – The Big Chase (5:28)
07 – A Plea For Help (1:51)
08 – The Birth Of Batman (4:15)
09 – Phantasm and The Joker Fight (4:03)
10 – Batman’s Destiny (3:42)
11 – I Never Told You – Performed by Tia Carrere (4:21)
Shirley Walker doesn't get nearly enough credit for music like this.
Shirley Walker doesn't get nearly enough credit for music like this.
Shirley Walker doesn't get nearly enough credit for music like this.
Not Zimmer-related, but I always loved how the DCAU Batman movies gave all the main collaborators from the shows a chance to focus on their sole unique voice, and narrow the music down to each composer's unique strengths
Subzero with Michael McCuistion's haunting choirs, Return of the Joker with Kristopher Carter's harsh electronica, Mystery of the Batwoman with Lolita Ritmanis's soothing pseudo-jazz, and Mask of the Phantasm with Shirley Walker's booming, brassy pizzazz.
Anyways, score's great. One of my faves. It packs that operatic punch BvS can only wish it had.
Not Zimmer-related, but I always loved how the DCAU Batman movies gave all the main collaborators from the shows a chance to focus on their sole unique voice, and narrow the music down to each composer's unique strengths
Subzero with Michael McCuistion's haunting choirs, Return of the Joker with Kristopher Carter's harsh electronica, Mystery of the Batwoman with Lolita Ritmanis's soothing pseudo-jazz, and Mask of the Phantasm with Shirley Walker's booming, brassy pizzazz.
Anyways, score's great. One of my faves. It packs that operatic punch BvS can only wish it had.
Not Zimmer-related, but I always loved how the DCAU Batman movies gave all the main collaborators from the shows a chance to focus on their sole unique voice, and narrow the music down to each composer's unique strengths
Subzero with Michael McCuistion's haunting choirs, Return of the Joker with Kristopher Carter's harsh electronica, Mystery of the Batwoman with Lolita Ritmanis's soothing pseudo-jazz, and Mask of the Phantasm with Shirley Walker's booming, brassy pizzazz.
Anyways, score's great. One of my faves. It packs that operatic punch BvS can only wish it had.
He played the synthesizer.
He played the synthesizer.