FILM CREDITS
Music Composed by Atli Örvarsson
Music Produced by Atli Örvarsson
Music Performed by:
The London Chamber Orchestra at Abbey Road Studios, London
Contractor: Gareth Griffiths
Arctic Cinematic Orchestra & Choir in Hof Concert Hall, Akureyri, Iceland
Contractor: Thorvaldur Bjarni Thorvaldsson (TOD)
Conducted by Atli Örvarsson
Recorded & Mixed by Steve McLaughlin
Orchestrations: Julian Kershaw
Music Editor: Stephen Gallagher
Additional Music & Arrangements: Claudio Olachea
Music Production Coordinator: Alexis Martin
Music Preparation: Jessica Dannheiser & Össur Geirsson
Soloists:
Vocals: Thórhildur Örvarsdóttir & Karl Örvarsson
Singing Solo: Bassam Labban
Percussion: Satnam Ramgotra
Ethnic Woodwinds: Filimbi Bwana
Cello: Ginger Murphy
Guitars: Kristján Edelstein
Oud: Khalid Barzanji
ALBUM ASSEMBLY
Meet Bilal : 1m1 Opening
City Of Makkah : 1m2B City Of Makkah + 1m3 Okba (Edited)
You Might Still Die : 4m2B You Might Still Die (Edited)
A Noble Man : 3m5 A Noble Man
Desert Falcon : 3m3 Desert Eagle
The Stone : 4m3 The Stone
Bilal The Horseman : 2m3 Bilal The Horseman
Hamza : 3m4 Hamza
Madina : 5m2 Madina
Slave! : 6m4 Slave!
Meet Sohaib : 3m1 Meet Sohaib
Sand Hubal : 4m1 Sand Hubal
Lord Of Merchants : 2m5 Lord Of Merchants
Makkah Burns : 5m3A Makkah Burns
Inspire Mankind : 7m4 Inspire Mankind
1m2 Waking Up (0:57)
1m2B City Of Makkah (1:13)
1m3 Okba (1:15)
1m3B Charlatan Market (1:43)
1m4 Chasing Chicken (1:01)
1m5 Safwan Bullies Ghufaira (4:29)
1m6 Slave Trade (1:41)
1m7 Whip Him (2:14)
2m1 No Chains (4:15)
2m3 Bilal The Horseman (3:42)
2m3B Apple Hunter (1:25)
2m4 Beggar Boy (2:13)
2m5 Lord Of Merchants (3:44)
2m5B Umayya’s Construction (3:11)
2m6 Bilal Fetches Safwan (1:28)
3m1 Meet Sohaib (1:54)
3m2 Distant Shadows (2:07)
3m3 Desert Eagle (1:17)
3m4 Hamza (3:30)
3m5 A Noble Man (2:41)
3m7 Equals (3:45)
4m1 Sand Hubal (2:47)
4m2 Chains Already Off (1:16)
4m2B You Might Still Die (2:13)
4m3 The Stone (4:23)
4m4 The Feather (2:01)
4m5 Pick Up Stick (1:43)
4m6 As We Practiced (0:50)
5m1 Nightmare (1:02)
5m2 Madina (4:52)
5m3A Makkah Burns (2:56)
5m3B Blood Coin (1:44)
5m4 From All Evil (1:57)
6m1 Battle Pt 1 (3:35)
6m2 Battle Pt 2 (2:09)
6m3 Battle Pt 3 (2:30)
6m4 Slave! (2:24)
7m1 After The Fight (2:03)
7m2 Hamza’s Lament (3:40)
7m3 Act Of Morality (1:38)
7m4 Inspire Mankind (2:12)
02 – City Of Makkah (2:08)
03 – You Might Still Die (2:09)
04 – A Noble Man (2:41)
05 – Desert Falcon (1:16)
06 – The Stone (4:22)
07 – Bilal The Horseman (3:41)
08 – Hamza (3:29)
09 – Madina (4:52)
10 – Slave! (2:23)
11 – Meet Sohaib (1:53)
12 – Sand Hubal (2:47)
13 – Lord Of Merchants (3:43)
14 – Makkah Burns (2:55)
15 – Inspire Mankind (2:12)
lol Edmund!
There's a difference between the fifth season of some generic cop show not getting a score release, and the score to a fairly high-profile action movie (a situation like Ghost in the Shell notwithstanding). I can't think of many Atli film scores that never got an album. Wouldn't worry about this one.
It's really great, but Atli's Scores don't get ever a release…look on all the great TV scores….also don't get releases….
Oooh! All out action score from Atli. I love it. Now that Lorne is getting more mainstream projects it's high time Atli got some too. He's got so much talent.
Hey Hybrid, soundtrack.net & IMDB list Atli as the composer for Hitman's Bodyguard, is it true?
Wunderbar wow
That's the thing – he doesn't have to reinvent himself every time, in my eyes. I wish he would sometimes just kick back and do what he does best.
Also, a lot of the "decent" stuff in the back half of Inferno is only so because it's straight reprises of DVC and A&D.
And I'll add he simply hasn't been hired to write the "memorable" music recently. You can't accuse him of losing his touch for simply doing his job as he is asked.
RE:Anonymous, he has done no such thing. Interstellar was only two years ago. And the second half of Inferno contains plenty of music which is AT LEAST decent, but it seems most people are tuning out before they get to the good stuff. Zimmer fans these days are so spoiled…twenty years ago the same score would have been considered mind-blowingly epic. How many times does the poor man have to reinvent himself before fans will be satisfied?
I was not shocked. Just disappointed to be proved again that Zimmer lost his touch to write decent, memorable music.