Black Widow – Project Details

2021
BLACK WIDOW, 2021, Directed by Cate Shortland

FILM CREDITS

Music by Lorne Balfe

Music Supervisor: Dave Jordan
Music Editors: Robb Boyd, Bill Abbott & Gerard McCann
Assistant Music Editor: Denis Okimoto
Original Score by / Score Produced by Lorne Balfe
Music Production Coordinator: Queenie Li
Assistant to Mr. Balfe: Ruth Titmarsh
Music Production Services: Steven Kofsky
Additional Music by Max Aruj, Steffen Thum, Steven Davis, Sven Faulconer & Dieter Hartmann
Conducted by Gavin Greenaway
Orchestrators: Shane Rutherford-Jones & Mike Ladouceur
Score Arranger: Luigi Janssen
Synth Programmers: Glenn Nicholls & Marc Jeunger
Score Coordination: Encompass Music Partners
Score Mix Engineers: Peter Cobbin & Kirsty Whalley
Score Digital Recordist: Chris Barrett
Score Assistant Engineer: Stefano Whalley
Scoring Assistant: Samuel Dinley
Score Recorded at Abbey Road Studios
Cello: Peter Gregson
Beatbox: Kimmy Lawrence
Guitar: Laura Snowden
Vocals: Diana Artashesyan
Solo Violin: Jasmine Flicker
Drums: Cherisse Ofosu-Osei
String Quartet: Bond Quartet: Tania Davis, Eos Counsell, Elspeth Hanson & Gay-Yee Westerhoff
Choir Contractor: Jenny O'Grady
Orchestra Contractors: Lucy Whalley & Peter Rotter
Technical Assistants: Alfie Godfrey, Michael Bitton, Joseph Cho & Peter Adams
Musical Preparation: Jill Streater
Music Coordination: Shannon Murphy
Music Clearance & Legal Services: Christine Bergren & Alexa Collazo

"The Avengers Theme"
Composed by Alan Silvestri

Black Widow

Black Widow

2021 79'35
Release date : 07/09/2021
BOOKLET CREDITS

Music by Lorne Balfe

Score Produced by Lorne Balfe
Music Production Coordinator: Queenie Li
Music Production Services: Steven Kofsky
Additional Music by Max Aruj, Steffen Thum, Steven Davis, Sven Faulconer & Dieter Hartmann
Music Editor: Robbie Boyd
London Music Editor: Gerard McCann
Dub Stage Music Editor: Bill Abbott

Conducted by Gavin Greenaway
Orchestrators: Shane Rutherford-Jones & Mike Ladouceur
Score Arranger: Luigi Janssen
Synth Programmers: Glenn Nicholls & Marc Jeunger
Cello: Peter Gregson
Beatbox: Kimmy Lawrence
Guitar: Laura Snowden
Vocal: Diana Artashesyan
Solo Violin: Jasmine Flicker
Drums: Cherisse Ofosu-Osei

Assistant Composer: Ruth Titmarsh
Score Mix Engineers: Peter Cobbin & Kirsty Whalley
Score Digital Recordist: Chris Barrett
Score Assistant Engineer: Stefano Whalley
Music Preparation: Jill Streater
Technical Assistants: Alfie Godfrey, Michael Bitton, Joseph Cho & Peter Adams
Scoring Assistant: Samuel Dinley
Orchestra Contractors: Lucy Whalley & Peter Rotter
Choir Contractor: Jenny O'Grady
Score Recorded at Abbey Road Studios, London, England
Mastered by Patricia Sullivan at Bernie Grundman Mastering, Hollywood, CA

Soundtrack Producer: Lorne Balfe
Executive Soundtrack Producers: Cate Shortland, Kevin Feige & Dave Jordan
Music Supervisor: Dave Jordan
Music Coordinator: Shannon Murphy
Music Business & Legal Services: Christine Bergren

Lorne Balfe would like to thank...
Kevin Feige, Cate Shortland, Dave Jordan, Leigh Folsom Boyd, Robbie Boyd, Queenie Li, Max Aruj, Steffen Thum, Alfie Godfrey, Michael Bitton, Shane Rutherfood-Jones, Mike Ladouceur, Steven David, Sven Faulconer, Dieter Hartmann, Luigi Janssen, Glenn Nicholls, Marc Jeunger, Gavin Greenaway, Peter Cobbin, Kirsty Whalley, Jill Streater, Lucy Whalley, Howard Weisberg, Nick Garfen, Fiona McGugan, Jonny Fetch, Peter Weiss, Hans Tanna, Peter Rotter, Ashkan Kartmloo, Dani Markman, Kaylin Frank, Jake Kozarec, Steve Kofsky, Ruth Titmarsh, Darrell Alexander, David & Eva Balfe, Nina, Rufus Balfe & Marnie Balfe

Special Thanks: Alexa Collazo, Alexei Krassovsky, Brad Winderbaum, Brian Chapek, Courtney Baker, David Galluzzi, Eleena Khamedoost, Fady Hadid, Heather Benners, Jasper Randall, Kyana F. Davidson, Louis D'Esposito, Lyndsie Chlowritz, Matthew Schmidt, Mitchell Bell, Michell Leib, Nancy Dolan, Nate Trinrud, Simona Paparelli, Stan Lee, Vanessa Hernandez, Victoria Alonso & the awesome teams at Marvel Studios, Walt Disney Studios Music Department, Hollywood Records & the Disney Music Group

01 – Natasha’s Lullaby (3:24)
02 – Latrodectus (2:39)
03 – Fireflies (3:12)
04 – The Pursuit (2:52)
05 – The First Bite Is The Deepest (3:05)
06 – Last Glimmer (4:19)
07 – Dreykov (3:32)
08 – You Don’t Know Me (2:01)
09 – Yelena Belova (3:35)
10 – From The Shadows (3:43)
11 – Hand In Hand (2:45)
12 – Blood Ties (2:54)
13 – Whirlwind (3:27)
14 – Arise (2:13)
15 – Natasha’s Fragments (1:54)
16 – A Sister Says Goodbye (4:13)
17 – I Can’t Save Us (1:51)
18 – Red Rising (3:57)
19 – The Betrayed (5:37)
20 – The Descent (2:04)
21 – Faces To The Sun (1:50)
22 – Natasha Soars (2:19)
23 – Last Love (1:58)
24 – Into The Past (4:54)
25 – Broken Free (3:08)
26 – A Calling (2:09)

11 Comments

  1. slayerofdarkseid August 5, 2024 at 10:18 pm

    BLB 1m00 Marvel Studios Fanfare
    BLB 1m01v6.05 Upside Down
    BLB 1m01v6.05ALT Upside Down
    BLB 1m04v2.06 Adventure Day
    BLB 1m05s American Pie
    BLB 1m06v11.00 Narrow Escape
    BLB 1m07c2.00 Russian Exchange
    BLB 1m07c2.01ALT Russian Exchange
    BLB 1m08s Smells Like Teen Spirit
    BLB 2m09-10v1.04 Nat Reflects/Bus Station
    BLB 2m11v1.04 Yelena Defects
    BLB 2m12v1.02 Supply Run
    BLB 2m15v2.01 Mason Identities
    BLB 2m16s Bond Fights Snake
    BLB 2m17s Cheap Thrills
    BLB 2m18v2.03ALT Tit for Tat
    BLB 2m19v3.00 Natasha Shortline
    BLB 3m21v1.11 Apartment Fight
    BLB 3m22v8.14 Rooftop Escape
    BLB 3m23v6.03 Budapest Bike
    BLB 3m24Av5.09 Car Chase Pt1
    BLB 3m24Bv3.09 Car Chase Pt2
    BLB 2m25-26v1.08 Flip and Slide/Sisters
    BLB 4m27s Atshan ya Zeina
    BLB 4m28v4.05 Family’s Past
    BLB 4m29v6.04 Need a Jet?
    BLB 4m30v1.03 Cookie Time
    BLB 5m31Av6.10 Gulag
    BLB 5m31Bv6.05 Gulag End
    BLB 5m32v3.00 Melina Lives
    BLB 5m34v4.03 Homecoming
    BLB 5m35v3.00 Remembering Home
    BLB 6m36v2.01 Let’s Drink
    BLB 6m38v1.00 Farmhouse Banter
    BLB 6m39v6.00 Nat’s Story
    BLB 6m41v3.06 Farmhouse Attack
    BLB 7m43v8.03 Dreykov’s Den
    BLB 7m44v3.00 This is It!
    BLB 7m45v1.02 Romanoff Reveal
    BLB 7m46v2.07 Vostokof Face-Off
    BLB 7m47v2.00 No Earpiece
    BLB 7m48v3.03 What Was Her Name?
    BLB 7m50v2.08 Control Room Search
    BLB 8m51v6.06 No More BS
    BLB 8m52v1.00 TM Alexei Battle
    BLB 8m53v4.02 Widow Fight
    BLB 8m53v4.05ALT Widow Fight
    BLB 8m54v2.00 De-Subjugated
    BLB 8m55Av8.00 Descent Pt1
    BLB 8m55Av8.03ALT Descent Pt1
    BLB 8m55Bv9.01 Descent Pt2
    BLB 9m56v1.08 Ground Below
    BLB 9m57-58v1.01 Apologies
    BLB 9m59v2.05 Widows Return
    BLB 9m60v9.05 QuinJet
    BLB 9m61v2.00 Graveyard
    BLB 9m62v3.03 Natasha’s Journey Epic
    BLB 9m63Av1.00 Sisters
    BLB 9m63Bv2.03 Assassins
    BLB 9m64v2.01 Yelena’s Theme
    BLB 9m65v1.00 Barton Tag
    BLB Action1 v5.01
    BLB Action2 v5.01
    BLB Action3 v3.00
    BLB Dreykov Theme v1.02
    BLB Natasha’s Journey (w choir) v4.00
    BLB Natasha’s Journey Varation401 v1.03
    BLB Natasha’s Journey Variation402 v2.00
    BLB Natasha Variation Light101 v1.00
    BLB Yelena’s Theme Emotional v1.02

    • theeaglesfan005 August 7, 2024 at 2:36 pm

      Where can this be downloaded? lol

    • Grinder August 7, 2024 at 3:00 pm

      Lorne´s hard drive most probably

    • An0n August 9, 2024 at 6:31 pm

      theeaglesfan005,
      You can only buy it

    • An0n August 9, 2024 at 6:32 pm

      …from shady people on internet

  2. Every one June 13, 2023 at 9:43 pm

    You guys are aware that you literally destroyed film music by 1) making it interchangeable and replicable, paving the way for AI composition (well done HANS on that…..are you proud?), and 2) undermining the role of the composer to be simply a non-existent tool in the production infrastructure (works well for a big boy like Hans, what about people from less-privileged sites?)

    • Anonymous June 14, 2023 at 7:01 am

      You shouldn’t blame that on the composers though as that’s more of an issue with producers in Hollywood & their control on the film music in the industry.

    • Ian June 14, 2023 at 3:06 pm

      Man, I feel like AI-generated music in Hans’s style will absolutely suck

    • Bill Koufo June 15, 2023 at 7:34 am

      Hans has paved the way for AI composition? Hans, whose process is more people oriented than any other and who pays more tribute (and credit) that you could ever imagine to every musician and fellow composer he works with? If something has made film music “interchangeable” and “replicable” is the movies and the studios themselves who are repetetive and ask for minor or zero originality more and more these days…

    • MR June 15, 2023 at 1:00 pm

      I actually get what he means, a lot of RCP stuff does sound similar at Times, but it has gotten way better in recent years. Also I doubt that AI will ever be able to create something like Interstellar or Dune.

    • Tom June 15, 2023 at 3:05 pm

      Hans always brings in fresh/interesting elements to his scores that no one else can replicate. You know you’re listening to Zimmer. The knockoff composers take a couple of Zimmer’s stylistic tendencies, but they sound hollow and have no personality.

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