Hans Zimmer
Composer
Benjamin Wallfisch
Composer
Howard Scarr
Music Designer
Tristan Schulze
Musician
Chas Smith
Musician
Ryan Rubin
Music Editor
Alan Meyerson
Music Scoring Mixer
Forest Christenson
Assistant Music Mixer
Chuck Choi
Technical Score Engineer
Taurees Habib
Samples Coordinator
Raul Vega
Samples Coordinator
Mark Wherry
Digital Instrument Design
Cynthia Park
Assistant to Hans ZIMMER
Steven Kofsky
Music Production Services
Shalini Singh
Studio Manager
FILM CREDITS
Music by Benjamin Wallfisch & Hans Zimmer
Music Supervisor: Deva Anderson
Supervising Music Editor: Clint Bennett
Music Editor: Ryan Rubin
Temp Music Editor: Del Spiva
Music Production Services: Steven Kofsky
Synth Design: Howard Scarr
Vocalist: Avi Kaplan
Exotic Instruments: Chas Smith
Cello & Vocals: Tristan Schulze
Cello: Simone Vitucci
Solo Bass: Nico Abondolo
Guitars: Owen Gurry
Synth Programming: Hans Zimmer
Technical Score Engineer: Chuck Choi
Digital Instrument Design: Mark Wherry
Sampling Team: Taurees Habib & Raul Vega
Score Technical Assistants: Max Sandler & Nate Underkuffler
Music Mastering by Alan Meyerson
Score Mastering Assistant: Forest Christenson
Score Mastered at Remote Control Productions, Santa Monica, CA
Studio Manager for Remote Control Productions: Shalini Singh
Assistant to Mr. Zimmer: Cynthia Park
Assistant to Ms. Anderson: Rachel Lautzenheiser
Music Legal & Clearance: Christine Bergren
ALBUM ASSEMBLY
2049 : 2049
Sapper's Tree : Sapper's Tree
Flight To LAPD : Flight To LAPD
Rain : Joi Theme
Wallace : Wallace (Edited) + New Model (Edited)
Memory : ALT Memory
Mesa : Trash Mesa
Orphanage : Orphanage
Furnace : Furnace
Someone Lived This : Someone Lived This (Edited)
Joi : Shesome
Pilot : Pilotfish
Hijack : Crushing Joi (Edited) + K Rescued (Edited)
That's Why We Believe : Must Protect The Child + You Imagined It Was You
Her Eyes Were Green : Her Eyes Were Green
Sea Wall : ALT Sea Wall
All The Best Memories Are Hers : All The Beast Memories Are Hers
Tears In The Rain : Tears In The Rain
Blade Runner : ALT Main On Ends + Blade Runner
Sapper’s Tree (1:37)
Flight To LAPD (1:47)
Rain (1:03)
Ossuary Pt A (0:37)
Ossuary Pt B (2:02)
Wallace (4:59)
New Model (3:59)
Bibi’s Bar (1:59)
Return To Sapper’s (2:26)
Memory (1:08)
ALT Memory (Alternate) (2:31)
DNA (2:12)
Trash Mesa (4:14)
Mesa Hijack (2:34)
Orphanage (1:14)
Furnace (3:42)
Someone Lived This (3:14)
Bomb (1:10)
Shesome (3:52)
Like A Real Girl (1:58)
Luv In Apartment (0:42)
Pilotfish (2:37)
Big Band Sting (0:14)
Crushing Joi (4:02)
K Rescued (2:22)
Must Protect The Child (2:24)
You Imagined It Was You (1:32)
Her Eyes Were Green (6:18)
Sea Wall (10:03)
ALT Sea Wall (Alternate) (9:53)
You’re Free To Meet Your Daughter (0:56)
All The Best Memories Are Hers (3:22)
Tears In The Rain (2:11)
Main On Ends (2:16)
ALT Main On Ends (Alternate) (2:06)
Suite – Joi Theme (2:26)
"Tears In The Rain"
Written by Evanghelos Papathanassiou
Original Score by Hans Zimmer & Benjamin Wallfisch
Music Editors: Clint Bennett & Ryan Rubin
Music Production Services: Steven Kofsky
Music Supervison by Deva Anderson
Synth Programming: Hans Zimmer
Synth Design: Howard Scarr
Vocalist: Avi Kaplan
Exotic Instruments: Chas Smith
Cello, Vocals: Tristan Schulze
Cello: Simone Vitucci
Guitars: Owen Gurry
Technical Score Engineer: Chuck Choi
Digital Instrument Design: Mark Wherry
Sampling Team: Taurees Habib & Raul Vega
Score Technical Assistants: Max Sandler & Nate Underkuffler
Score Mixing By Alan Meyerson
Score Mixing Assistant: Forest Christenson
Score Mixed at Remote Control Productions, Santa Monica, CA
Studio Manager for Remote Control Productions: Shalini Singh
Assistant to Hans Zimmer: Cynthia Park
Soundtrack Album Produced by Michael Hodges, Ashley Culp & Kayla Morrison
Executive Album Producers: Andrew Kosove, Broderick Johnson, Scott Parish & Ken Caillat
Soundtrack Album Mastered by Ghian Wright (Sleeping Giant Studios, Los Angeles, CA) & Eric Boulanger (The Bakery, Los Angeles, CA)
Business Affairs: Anne Jordan & Scott Edell
Creative Music Manager: Lauren Morrison
Licensing & Clearance: Christine Bergren & Ali Levy
Production Accounting: Marilyn Fulbright & Jessica Urven
Executive Assistant: Hunter Norman
Sony Music FIlm & TV A&R: Tom Mackay
Epic Business Affairs: Stephanie Yu, Shane St. Hill & Robert Faulstich
Epic Marketing: David Bell & Franz De Los Reyes
Epic Commerce: Celine Joshua & Chelsea Donnarumma
Epic Publicity: Melissa Victor-Burkhardt
Epic Digital Marketing: Lisa Kasha & Jamie Crawford-Walker
Epic Creative Director, Art Direction & Design: Anita Marisa Boriboon
02 – Sapper’s Tree (1:36)
03 – Flight To LAPD (1:47)
04 – Summer Wind – Frank Sinatra (2:54)
05 – Rain (2:26)
06 – Wallace (5:23
07 – Memory (2:32)
08 – Mesa (3:10)
09 – Orphanage (1:13)
10 – Furnace (3:41)
11 – Someone Lived This (3:13)
14 – Joi (3:51)
15 – Pilot (2:17)
16 – Suspicious Minds – Elvis Presley (4:22)
17 – Can’t Help Falling In Love – Elvis Presley (3:02)
18 – One For My Baby (And One More For The Road) – Frank Sinatra (4:24)
19 – Hijack (5:32)
20 – That’s Why We Believe (3:36)
21 – Her Eyes Were Green (6:17)
22 – Sea Wall (9:52)
23 – All The Best Memories Are Hers (3:22)
24 – Tears In The Rain (2:10)
25 – Blade Runner (10:05)
26 – Almost Human – Lauren Daigle (3:22)
If Nolan is not working with Zimmer, Ludwig Göransson would be a dream choice for me. I really think he is an up and coming composer capable of great things.
But of course, I rather Nolan stick with Zimmer.
You predicted the future
As much as I liked Julyan's work – especially his score for Insomnia, don't think it would work. I mention Lorne because he has worked with Nolan as part of Zimmer's team and his sound is very familiar to Zimmer's.
Of course, everything is kept under wraps. I personally think Zimmer doesn't want to confirm his involvement so that he doesn't get asked about it. I mean the film starts filming in three months and we only have a date. Hans usually starts very early on Nolan's films that's what surprises me the most, if he really is in the dark with this one.
To me, Nolan and Zimmer have become inseparable so I'd be really surprised if he doesn't score the film. But if not Zimmer than who? Balfe? :D – Hope I didn't open the floodgates of hell…
Anyway, super excited and happy that Zimmer is scoring Dune. It was an obvious choice just glad it was confirmed – Would've also liked a collab with Wallfisch since BR2049 is one of my favorite scores.
YES!!!!!
So happy that Villeneuve is directing and Zimmer is attached to score. While I know it’s unlikely I hope this score is more than just sound design, there is so much opportunity here to write some kickass music.
Well technically Tears In the Rain is Vangelis
nvictor, I actually think Dunkirk is better than BR2049 for a couple reasons:
1) Even though BR2049 had some interesting themes, most of the soundtrack was too quiet for me and lost my interest during parts of the album. Dunkirk on the otherhand really maintained by interest almost throughout the entire album due to the intensity of the music.
2) BR2049 soundtrack feels like an attempt to mimic Vangelis' Blade Runner score, whereas Dunkirk is original and unique (except the fact that Zimmer's work isn't completely original, which doesn't bother me at all).
what about dunkirk : ) what do you think of it?
Hi, I'm new to this site and a big fan of Zimmer. Blade Runner is definitely one of his best works (and don't forget Wallfisch). Anyways, I'm definitely anticipating Denis Villeneuve's upcoming Dune film and I wonder if he'll go to Zimmer to do the project. That would be awesome if that happened.
Just continuing this little dialogue with Max Potcats.
1. Wallfisch is a very, very fine composer but his HZ work is not his greatest by any means. Check out IT and Paperboat.
2. Hans does not give a shit anymore – agree.
3. Villeneuve and Johansson worked extremely closely on their previous projects. The decision to go with HZ was WB mandated. How do you think that impacted on a working relationship? Of course, HZ and BW are very professional but….
4. Yeah, the challenges proposed by JJ are too distinct, not to be harvested into a factory for sure.
here we go again:
Why Hans Zimmer Got The Job You Wanted (And You Didn’t)
https://behindtheaudio.com/2013/07/hans-zimmer/