FILM CREDITS
Music by Tom Holkenborg
Music Editor: Jakob Van Oosterhout
Orchestra: Galaxy Symphonic Orchestra
Conductor: Gavin Greenaway
Orchestral Mixing: Alan Meyerson
Orchestral Recording & Recording Supervision: Patrick Lemmens
Orchestral Recording Assistant: Andzrej Boguslawski
Orchestra & Studio Manager: Sian Bolland
Orchestra & Choir Recorded at Galaxy Studios, Belgium
Concertmaster: Lei Wang
Solo Violin: Lei Wang
Choir: "Powered by" Flemish Radio Choir
Sheet Music Preparation: Lara Frank
ProTools Engineer: Tobias Hess
Score Produced & Mixed by Tom Holkenborg
Additional Music: Aljoscha Christenhuß & Gregory Reveret
Technical Score Engineer: Stephen Perone
Score Orchestrated by Emad Borjian & Tom Holkenborg
Additional Orchestration & Copy: Jonathan Beard, Edward Trybek & Henri Wilkinson
Score Mixed at Computer Hell
Music Production Services: Michiel Groeneveld
Score Composed, Produced & Mixed by Tom Holkenborg
Additional Music by Aljoscha Christenhuss & Gregory Reveret
Technical Score Engineer: Stephen Perone
Score Orchestrated by Emad Borjian & Tom Holkenborg
Additional Orchestration & Copy: Jonathan Beard, Edward Trybek & Henri Wilkinson
Orchestra Conductor: Gavin Greenaway
Orchestral Mixing: Alan Meyerson
Orchestral Recording & Recording Supervision: Patrick Lemmens
Score Mixed by Tom Holkenborg at Computer Hell
Music Production Services: Michiel Groeneveld
Orchestra & Studio Manager: Sian Bolland
Orchestra & Choir Recorded at Galaxy Studios, Belgium
Orchestra: Galaxy Symphonic Orchestra
Concetmaster: Lei Wang
Choir: "Powered by" Flemish Radio Choir
Sheet Music Preparation: Lara Frank
ProTools Engineer: Tobias Hess
Orchestral Recording Assistant: Andzrej Boguslawski
Milan Records Executive Album Producers: JC Chamboredon & Pablo Manyer
Special Thanks to Anne Cobb, David Altschul & Esther Rubin, Amos Newman & Bradley Rainey @WME, Aviad Cohen, Hisham Dahud, Alex Hines, & Alastair Duncan
02 – The Reverend (3:37)
03 – The Birth (1:40)
04 – She Belongs In Hell (3:33)
05 – I Am Here To Punish You (2:38)
06 – Revelation (6:45)
07 – Rules Are Rules (4:09)
08 – I’m A Father (1:45)
09 – I Will Kill Frank (1:19)
10 – Exodus (7:49)
11 – For The Love Of God (5:22)
12 – Sanctus (2:01)
13 – Two Strangers (1:32)
14 – God Has Other Plans (2:22)
15 – Scold’s Bride (3:19)
16 – God Has Forgiven Me (3:21)
17 – Genesis (3:26)
18 – Abide (3:12)
19 – Fog (3:10)
20 – Ravening Wolves (3:22)
21 – Retribution (5:18)
22 – Watching Over Me (8:15)
23 – Liz (2:26)
Better late than never hahaa…
You came to this conversation two years later :P
I'm not upset (I like Junkie, but I LOVE Desplat's), but i HOPE for Desplat or Pipes
Too bad, but I hope this means Desplat is back.
Yeah, just got announced on Film Music Reporter, although the rumor was flying around long before that. Really disappointing for me, since the director Michael Dougherty usually works with Douglas Pipes who is a great, underappreciated composer.
@Hybrid: Is true Tom go to compose Godzilla: King of the Monsters?
The piano melody in the last minute of "Watching Over Me" is basically the Lois theme from Man of Steel
Yeah well that has to do with the fact that JXL changes and tampers with the orchestral recordings.
And I'm still trying to understand why all of his scores sound so synthetic. Melodically it's really beautiful score, but there's just something wrong with it…
What a great score! Good job!! :)