FILM CREDITS
Music by Max Aruj & Steffen Thum
Executive Music Producer: Lorne Balfe
Music Editors: Nate Hill, Nicholas FitzGerald & Mikael Sandgren
Orchestrator: Shane Rutherfoord-Jones
Score Programmer: Matt Bowlder
Cello: Peter Gregson
Score Mix Engineer: Seth Waldmann
Score Technical Assistants: Joseph Cho & Michael Bitton
Score Recording Engineer: Bernd Mazagg
Score Recorded at Synchron Stage Vienna
Music Production Coordinator: Queenie Li
Music by Max Aruj & Steffen Thum
Produced by Max Aruj & Steffen Thum
Executive Music Producer: Lorne Balfe
Music Services: 14th Street Music
Music Production Coordinator: Queenie Li
Music Editors: Nate Hill & Nicholas Fitzgerald
Orchestrator: Shane Rutherfoord-Jones
Score Programmer: Matt Bowlder
Cello: Peter Gregson
Score Mix Engineer: Seth Waldmann
Score Technical Assistants: Joseph Cho & Michael Bitton
Score Recording Engineer: Bernd Mazagg
Score Recorded at Synchron Stage Vienna
Mastered by Robert Vosgien
Executive in Charge of Music for Paramount Pictures: Randy Spendlove
Max Aruj & Steffen Thum Thank
Randy Spendlove, Alexandre Jouan, Elliot Greenberg, Sam Raimi, Craig Flores, Lorne Balfe, Queenie Li, Steve Kofsky, Shane Rutherfoord-Jones, Seth Waldmann, Nicholas Fitzgerald, Michael Murphy, Ruby Lim, Birge Thum, Peter Thum, Ruth Aruj & Robert Aruj
Paramount Pictures Thanks
Lilly Bennet, Mary Jo Braun, Dan Butler, Sheryl Carlin, Dina Durant, Adam Ehrlich, Robert Gasper, Tina Kiehl, Liz McNicoll, Alex Mosley, Vanessa Palmer, Areli Quirarte, Maddy Van Remortel, Jason Richmond, Kim Seiniger, Eric Ybanez & Clare Yezerski
02 – Reckless (1:26)
03 – Family Photos (1:03)
04 – Ghost Town (1:22)
05 – Shattered (1:02)
06 – Crawl Space (2:41)
07 – Red Eyes (3:52)
08 – Tag Team (1:44)
09 – Wounded (1:04)
10 – Gas Station Attack (1:56)
11 – Trapped (1:05)
12 – Open Water (2:48)
13 – Years Lost (2:40)
14 – Battle Plan (3:23)
15 – Gator Nest (2:52)
16 – Dive (3:22)
17 – Drowning (1:46)
18 – Survival (1:18)
19 – Washed Out (1:24)
20 – Swim For It (1:35)
21 – Higher Ground (2:01)
22 – Confessions (1:00)
23 – Death Roll (1:46)
24 – Help Arrives (1:58)
25 – Haley’s Theme (2:12)
So Balfe is now doing the new Brad Pitt movie Ad Astra?when does he sleep?
Interesting news because I thought they had Max Richter on it for ages ?
GITS 2.0? I hope not.
LOL, Lorne is co-composing "Ad Astra" with Max Richter, that guy is everywhere
This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door.
Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).
Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;
"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.
Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)
Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.
Nice strawmanning there Mikeal
Typical Edmund response!!
Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????
Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.
Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.
The movie is awesome, the score is great. Excellent work from Max and Stteffen