FILM CREDITS
Music by Tom Holkenborg
Music Supervisor: John Houlihan
Music Editor: Ted Caplan
Music Arranged, Recorded, Produced & Mixed by Tom Holkenborg
Additional Music: Aljoscha Christenhuß
Additional Music Programming: Gregory Reveret
Score Technical Engineer: Stephen Perone
Score Technical Consultant: Emad Borjian
Score Production Coordinator: Michiel Groeneveld
Conductor: Nick Glennie-Smith
Orchestra Contractor: Peter Rotter
Copyists: Edward Trybek, Henri Wilkinson & Jonathan Beard
Music Mixed at Computer Hell Paradise
Orchestra Recorded by Alan Meyerson
Orchestra Recorded at Newman Scoring Stage, Twentieth Century Fox Post Production Services
Stage Engineer: Denis St. Amand
Recordist: Tim Lauber
Stage Managers: Tom Steel & David Marquette
ALBUM ASSEMBLY
Maximum Effort : 1m02 DP Freeway Ambush
Small Disruption : 1m02B X-Men Take The Jet
Twelve Bullets : 1m03 12 Bullets
Man In A Red Suit : 2m05 Ajax Beat Down
Liam Neeson Nightmares : 2m07B Wade Considers & Sneaks Out
The Punch Bowl : 3m09B In Punch Bowl To Lab Collapse
Back To Life : 4m13 Back To Life
Every Time I See Her : 4m18 DP Sees Vanessa
Easy Angel : 4m19 Vanessa Missing - Gun Prep
Scrap Yard : 4m20 Ajax Takes Vanessa To Carriar
This Place Looks Sanitary : 3m09A Enter Lab To Close Punch Bowl
Watership Down : 5m21 DP & Gang Meet Ajax's Posse
Going Commando : 5m24 Ajax VS Deadpool On Carriar
Let's Try To Kill Each Other : 5m25 Carriar Craters
Stupider When You Say It : 6m26 Sifting Thru Rubble To Ajax Execution
Four Or Five Moments : 6m26B Colossus Speech
A Face I Would Sit On : 6m27 Crackhouse Excuse
Fear The T-Rex : 2m08 DP Rants At Colossus & NTW
Because I Want To : 4m16 Ajax & Angel Plot
Same Mistakes : 1m01 Meet Ajax
Tom Holkenborg
1m02 DP Freeway Ambush (2:08)
Tom Holkenborg
1m02B X-Men Take The Jet (1:13)
Tom Holkenborg, Aljoscha Christenhuß
1m02C Surrounding Car (0:46)
Tom Holkenborg
1m03 12 Bullets (2:51)
Tom Holkenborg
2m04 Cancer Diagnosis (0:47)
Tom Holkenborg
2m05 Ajax Beat Down (2:20)
Tom Holkenborg
2m06B Vanessa & Wade Sad Chat (0:29)
Tom Holkenborg
2m07 Weasel Offer (1:42)
Tom Holkenborg
2m07B Wade Considers & Sneaks Out (1:56)
Tom Holkenborg
2m08 DP Rants At Colossus & NTW (2:55)
Tom Holkenborg, Aljoscha Christenhuß
3m09A Enter Lab To Close Punch Bowl (6:50)
Tom Holkenborg
3m09B In Punch Bowl To Lab Collapse (5:56)
Tom Holkenborg
4m13 Back To Life (2:12)
Tom Holkenborg
4m14 Deadpool Naming (0:28)
Tom Holkenborg, Aljoscha Christenhuß
4m15 Finding Agent Smith (1:13)
Tom Holkenborg
4m16 Ajax & Angel Plot (1:01)
Tom Holkenborg
4m17 Ajax Enters Bar (1:36)
Tom Holkenborg
4m18 DP Sees Vanessa (0:54)
Tom Holkenborg
4m19 Vanessa Missing – Gun Prep (2:32)
Tom Holkenborg
4m20 Ajax Takes Vanessa To Carriar (1:02)
Tom Holkenborg
5m20B Waiting For Colossus (0:51)
Tom Holkenborg, Aljoscha Christenhuß
5m21 DP & Gang Meet Ajax’s Posse (4:10)
Tom Holkenborg, Aljoscha Christenhuß
5m24 Ajax VS Deadpool On Carriar (3:46)
Tom Holkenborg
5m25 Carriar Craters (1:00)
Tom Holkenborg, Aljoscha Christenhuß
6m26 Sifting Thru Rubble To Ajax Execution (2:24)
Tom Holkenborg
6m26B Colossus Speech (0:54)
Tom Holkenborg, Aljoscha Christenhuß
6m27 Crackhouse Excuse (3:08)
Tom Holkenborg
Music Arranged, Recorded, Produced & Mixed by Tom Holkenborg
Additional Music: Aljoscha Christenhuß
Additional Music Programming: Gregory Reveret
Score Technical Engineer: Stephen Perone
Score Technical Consultant: Emad Borjian
Score Production Coordinator: Michiel Groeneveld
Conductor: Nick Glennie-Smith
Concertmaster: Bruce Dukov
Orchestra Contractor: Peter Rotter
Copyist: Edward Trybek, Henri Wilkinson & Jonathan Beard
Music Mixed at Computer Hell Paradise
Orchestra Recorded by Alan Meyerson
Orchestra Recorded at Newman Scoring Stage, Twentieth Century Fox Post Production Services
Stage Engineer: Denis St. Amand
Recordist: Tim Lauber
Stage Managers: Tom Steel & David Marquette
Album Mastered by Tom Holkenborg at Computer Hell Cabin
Music Supervisor: John Houlihan
Executive in Charge of Music for Twentieth Century Fox: Danielle Diego
Music Supervised for Twentieth Century Fox: Patrick Houlihan
Music Production Supervised for Twentieth Century Fox: Rebecca Morellato
Music Managed for Twentieth Century Fox: Areli Quirarte
Business Affairs for Twentieth Century Fox: Tom Cavanaugh
Music Clearance for Twentieth Century Fox: Ellen Ginsburg
Soundtrack Coordination for Twentieth Century Fox: Joann Orgel
Milan Records Soundtrack Executive Producer & Production Manager: Pablo Manyer
Tom would like to thank: Saskia & Julian Holkenborg, Joan Bierman, Ted Caplan, Julian Clarke, Michiel Groeneveld, John Houlihan, Patrick Houlihan, Alan Meyerson, Tim Miller, Peter Rotter, Nick Glennie-Smith & everyone at Fox Music
Thanks to:
Todd Andrew, Michelle Belcher, Ron Briotman, Lauren Caruso, Matt Creem, Donna Dunbar, Bob Fukuyama, Megan Goldstein, Robert Kane, Robert Kelley, Simon Kinberg, Julia Kirkendall, Jeremy Kramer, Stan Lee, Bret Lewis, Paul Massey, Denny Mendez, Cathy Merenda, George Michael, Amos Newman, ALlison O'Donnell, Stephen Pielocik, Rhett Reese, Ryan Reynolds, Jessie Roberts, Sean Rosen, Aditya Sood, David Starke, Andy Stephens, Mason Storm, Jessica Weiner, Paul Wernick, Pat Woods & Noah Young
02 – Fear The T-Rex (2:55)
Tom Holkenborg, Aljoscha Christenhuß
03 – Because I Want To (1:00)
Tom Holkenborg
04 – Mister Sandman – The Chordettes (2:22)
05 – Same Mistakes (1:26)
Tom Holkenborg
06 – The Boys Are Back – Campfire (2:45)
07 – Maximum Effort – Remix by Night Club (3:16)
08 – Twelve Bullets – Remix by El Huervo (6:17)
09 – You’re The Inspiration – Chicago (3:50)
10 – Deadpool Rap (Brown Pants EDM Mix) – Teamheadkick (3:14)
11 – Twelve Bullets – Remix by Kreng (4:42)
12 – Deadpool Rap (Acoustic Version) – Brentwood Duo (3:55)
Music Arranged, Recorded, Produced & Mixed by Tom Holkenborg
Additional Music: Aljoscha Christenhuß
Additional Music Programming: Gregory Reveret
Score Technical Engineer: Stephen Perone
Score Technical Consultant: Emad Borjian
Score Production Coordinator: Michiel Groeneveld
Conductor: Nick Glennie-Smith
Concertmaster: Bruce Dukov
Orchestra Contractor: Peter Rotter
Copyist: Edward Trybek, Henri Wilkinson & Jonathan Beard
Music Mixed at Computer Hell Paradise
Orchestra Recorded by Alan Meyerson
Orchestra Recorded at Newman Scoring Stage, Twentieth Century Fox Post Production Services
Stage Engineer: Denis St. Amand
Recordist: Tim Lauber
Stage Managers: Tom Steel & David Marquette
Album Mastered by Tom Holkenborg at Computer Hell Cabin
Music Supervisor: John Houlihan
Executive in Charge of Music for Twentieth Century Fox: Danielle Diego
Music Supervised for Twentieth Century Fox: Patrick Houlihan
Music Production Supervised for Twentieth Century Fox: Rebecca Morellato
Music Managed for Twentieth Century Fox: Areli Quirarte
Business Affairs for Twentieth Century Fox: Tom Cavanaugh
Music Clearance for Twentieth Century Fox: Ellen Ginsburg
Soundtrack Coordination for Twentieth Century Fox: Joann Orgel
Milan Records Soundtrack Executive Producer & Production Manager: Pablo Manyer
Tom would like to thank: Saskia & Julian Holkenborg, Joan Bierman, Ted Caplan, Julian Clarke, Michiel Groeneveld, John Houlihan, Patrick Houlihan, Alan Meyerson, Tim Miller, Peter Rotter, Nick Glennie-Smith & everyone at Fox Music
Thanks to:
Todd Andrew, Michelle Belcher, Ron Briotman, Lauren Caruso, Matt Creem, Donna Dunbar, Bob Fukuyama, Megan Goldstein, Robert Kane, Robert Kelley, Simon Kinberg, Julia Kirkendall, Jeremy Kramer, Stan Lee, Bret Lewis, Paul Massey, Denny Mendez, Cathy Merenda, George Michael, Amos Newman, ALlison O'Donnell, Stephen Pielocik, Rhett Reese, Ryan Reynolds, Jessie Roberts, Sean Rosen, Aditya Sood, David Starke, Andy Stephens, Mason Storm, Jessica Weiner, Paul Wernick, Pat Woods & Noah Young
02 – Maximum Effort (2:08)
Tom Holkenborg
03 – Small Disruption (1:12)
Tom Holkenborg, Aljoscha Christenhuß
04 – Shoop – Salt-N-Peppa (4:08)
05 – Twelve Bullets (2:50)
Tom Holkenborg
06 – Man In A Red Suit (2:20)
Tom Holkenborg
07 – Liam Neeson Nightmares (1:56)
Tom Holkenborg
08 – Calendar Girl – Neil Sedaka (2:37)
09 – The Punch Bowl (5:55)
Tom Holkenborg
10 – Back To Life (2:12)
Tom Holkenborg
11 – Every Time I See Her (0:54)
Tom Holkenborg
12 – Deadpool Rap – Teamheadkick (3:25)
13 – Easy Angel (2:31)
Tom Holkenborg
14 – Scrap Yard (1:02)
Tom Holkenborg
15 – This Place Looks Sanitary (6:50)
Tom Holkenborg
16 – Watership Down (4:10)
Tom Holkenborg, Aljoscha Christenhuß
17 – X Gon’ Give It To Ya – DMX (3:37)
18 – Going Commando (3:45)
Tom Holkenborg
19 – Let’s Try To Kill Each Other (1:00)
Tom Holkenborg, Aljoscha Christenhuß
20 – Stupider When You Say It (2:24)
Tom Holkenborg
21 – Four Or Five Moments (0:54)
Tom Holkenborg, Aljoscha Christenhuß
22 – A Face I Would Sit On (3:07)
Tom Holkenborg
23 – Careless Whisper – WHAM! (5:02)
whoops left in a dummy title for one of the unreleased tracks (The Jared one)
but you get the drift
Nope, goes after
Angel Of The Morning – Juice Newton
Same Mistakes
Shoop – Salt-N-Peppa
Maximum Effort
Small Disruption
Twelve Bullets
Calendar Girl – Neil Sedaka
Man In A Red Suit
Liam Neeson Nightmares
Fear the T-rex
This Place Looks Sanitary Part 1
Mr. Sandman – The Chordettes
This Place Looks Sanitary Part 2
The Punch Bowl
Back To Life
Deadpool Rap – Teamheadkick
Nice to see you Jared
Because I Want To
Every Time I See Her
Easy Angel
Scrap Yard
X Gon' Give It To Ya – DMX
Watership Down
Going Commando
You’re The Inspiration – Chicago
Let's Try To Kill Each Other
Stupider When You Say It
Four Or Five Moments
A Face I Would Sit On
Careless Whisper – WHAM
Lol as if the initial CD wasn't boring enough.
Holkenborg should have pushed for a release of his Point Break score instead, which was more of the same but at least fun to listen at!
Have to agree with you here. The action music, for the most part, is pretty fun when Junkie lets loose with the electronics (Maximum Effort, Twelve Bullets, Watership Down). I'll even say there are some genuinely pretty moments scattered throughout (Liam Neeson Nightmares, Face I would Sit On).
Unfortunately the biggest downfall of this soundtrack is a lot of the underscore. Junkie's strength definitely lies in his themes, but utilizing them is definitely not his strong suit. I would say half of the music functions well, while the rest kinda falls flat. And the biggest problem; the drums. The 80's style synth works amazing but is overshadowed by the Mad Max drums and strings.
Imo, JXL needs to leave his comfort zone and write for dramatic films. His string writing is some of the best out there, and his action music works when he doesn't fall into the same routine drums and pounding.
Oh wow it's here already (iTunes Netherlands at least…)? I thought this would come out next week… Don't know what made me think that…
Just listened to Twelve Bullets and it is indeed absolutely insane. I'm getting this soundtrack for sure.
While I despise Deadpool and the upcoming movie, the track that was released today is bonkers. I may have to get this soundtrack anyway.
Damn… I don't like this. I wish Tom would step away from the pop music/edm genre. His work for Black Mass, Mad Max and even divergent (which has pop elements) was amazing. I shouldn't judge the score by this sample but this doesn't do it for me… Let's hope he delivers a great batman theme:)
It seems like it's the producers/directors who tend to keep asking for the same type of action drum music that he turns out.
Junkie has proven that he can write stirring string music, unfortunately his use of electronics always tends to fall short. Here's hoping that this and BvS can change that around.
Junkie has some serious talent for action scoring. Brothers in arms was easily last year's most intense track. He is besides Hans the only one who can pull sth like that off so far.