FILM CREDITS
Music by Trevor Rabin
Music Editor: Will Kaplan
Assistant Music Editor: Olivia Patton
Music Score Produced by Trevor Rabin & Paul Linford
Music Score Recorded & Mixed by Steve Kempster
Conductor: Gordon Goodwin
Orchestrations: Gordon Goodwin, Tom Calderaro & Steve Holtman
Music Supervisor: LL Cool J
Music Consultants: Sha-Kim Compere, Ralph Roundtree & Robert Meloni
"Deepest Bluest (Shark's Fin)"
Written by James Todd Smith, Timothy Hom & Ralph Roundtree
Produced by Timothy "China Black" Hom & Ralph Roundtree
Co-Produced by Trevor Rabin
Performed by LL Cool J
ALBUM ASSEMBLY
Aftermath : 6m38 Aftermath
Susan Softens : 4m32 Susan Softens + 1m03 Aquatica (Edited)
Journey : 5m36 Journey Topside (Edited)
Main : 1m01 Main Title (Edited)
Hunting In Packs : 2m14 Hunting In Packs
Experiment : 2m17 The Experiment
Jim Returns : 3m19 Jim Returns
Shark Side : 3m20 No Way Out (Edited) + 3m25 Trouble In The Kitchen (Edited) + 4m27 Chef's Surprise (Edited)
Anarchy : 3m18 Armageddon (Edited)
Doctor's Orders : 1m08 Doctor's Orders (Edited)
A Beautiful Mind Trailer : 6m38 Aftermath
1m02 Susan’s Cause (1:03)
1m03 Aquatica (1:33)
1m04 Carter’s Swim (1:28)
1m05 Gliding Monsters (0:39)
1m07 Some Other Way (1:52)
1m08 Doctor’s Orders (1:04)
2m09 I Don’t Make Waves (1:19)
2m11 Susan’s Speech (1:27)
2m13 You Guys Hungry? (2:18)
2m14 Hunting In Packs (1:43)
2m16 Preparation (5:49)
2m17 The Experiment (4:29)
3m18 Armageddon (6:03)
3m18 OLD INTRO Armageddon (Alternate Intro) (0:37)
3m19 Jim Returns (1:22)
3m20 No Way Out (4:50)
3m20 ALT No Way Out (Alternate) (2:13)
3m23 Smart Sharks (2:43)
3m24 Preacher Pursued (1:10)
3m25 Trouble In The Kitchen (2:16)
4m27 Chef’s Surprise (1:56)
4m28 Franklin’s Tale (3:13)
4m30 I Hear You Knocking (5:46)
4m31 Exit Strategy (0:48)
4m32 Susan Softens (1:26)
4m33 Back To The Lab (1:29)
5m33A Jaws Of Death (1:37)
5m34 Getting To Knaw You (4:34)
5m35 Susan & The Shark (3:59)
5m36 Journey Topside (5:25)
6m37 Kill Big Shark (6:25)
6m38 Aftermath (2:48)
Song – Deepest Bluest (Shark’s Fin) (4:22)
Demo – Deep Blue Sea Montage (Demo) (6:13)
"Deepest Bluest (Shark's Fin)"
Performed by LL Cool J
Written by LL Cool J, Timothy Hom & Ralph Roundtree
Produced by Hom & Ralph Roundtree
Co-Produced by Trevor Rabin
Mixed by Paul Logus
Background Vocals: Amyth
Programming: Timothy "China Black"
Guitars & Additional Programming: Trevor Rabin
Recording Engineer: Eulid "Lin" Ortiz for ABC Management Corp.
Recorded at RTB Studios, NYC
Additional Recording at O'Henry Recording Studios, LA
Mixed at Chung King Studios, NYC
"Deep Blue Sea Montage"
Composed & Performed by Trevor Rabin
Produced by Trevor Rabin & Paul Linford
Music Editor: Will Kaplan
Trevor Rabin uses Korg products, Digital Performer, D-Addario Strings & M&K Speakers
Executives in Charge of Music for Warner Bros.: Gary LeMel & Doug Frank
Album Executive Producer: LL Cool J
Album Co-Executive Producers: Sha-Kim Compere, Ralph Roundtree & Robert Meloni
02 – Smokeman – Smokeman (2:39)
03 – I Found Another Man – Natice (4:11)
04 – Remote Control Soul – Bass Odyssey (4:22)
05 – Mega’s On His Own – Cormega (5:16)
06 – Come Home With Me – Amyth (3:50)
07 – Say What – LL Cool J (3:43)
08 – Burn Baby Burn – Simone Starks (3:35)
09 – Just Because – F.A.T.E. (4:16)
10 – Get Tha Money (Dollar Bill) – Hi-C (4:27)
11 – I Can See Clearly Now – Chantel Jones (5:15)
12 – El Paraiso Rico – Deetah (3:27)
13 – Good And Plenty – Divine (3:49)
14 – Deep Blue Sea Montage (6:12)
Music Composed by Trevor Rabin
Produced by Trevor Rabin, Paul Linford & Steve Kempster
Executive Album Producer: Robert Townson
Recorded & Mixed by Steve Kempster at Eastwood Scoring Stage, Todd AO & Jacaranda Room
Conducted by Gordon Goodwin
Orchestrations: Gordon Goodwin, Steve Haltzman, Trevor Rabin & Tom Calderero
Music Contractor: Sandy DeCrescent
Music Editor: Will Kaplan
Music Preparation: Jo Ann Kane Music Service
Choir: The LA Master Chorale
Chorus Master: Paul Salamunovich
Score Recorded & Mixed on M&K Speakers
Trevor Rabin uses & thanks M&G Speakers, Motu, Korg Keyboards & D'Addario Strings
Special thanks: Renny Harlin, Lorenzo DiBonaventura, Gary LeMel, Doug Frank, Lisa Margolis, Keith Zajic, Debi Streeter, Joyce Ryan, Sandy DeCrescent, Olivia Patton, Shelley & Ryan Rabin
This selection is dedicated to my father, Godfrey Rabin
02 – Susan Softens (2:26)
03 – Journey (4:48)
04 – Main (3:07)
05 – Hunting In Packs (1:42)
06 – Experiment (4:28)
07 – Jim Returns (1:21)
08 – Shark Side (4:27)
09 – Anarchy (4:23)
10 – Doctor’s Orders (0:33)
02 – Grace (2:46)
03 – Banger Sisters (3:07)
04 – Prague (2:07)
05 – A Beautiful Mind Trailer (2:46)
06 – Remembrance (1:02)
07 – Friendship (0:54)
08 – Sunrise (1:21)
09 – Gettysburg (1:20)
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yayyyy freakin' helicoppter landing track!1!1!!!! awesome
So long searching it
yayyyy freakin' helicoppter landing track!1!1!!!! awesome
So long searching it
yayyyy freakin' helicoppter landing track!1!1!!!! awesome
So long searching it
Disregard my question, I may have found the answer in a recent interview:
“ He related to me the work he performed for Renny Harlin, whom he said called him with a request to "fix" the score of his latest project. I asked Trevor which of the films currently listed on IMDb he had worked on, and he confirmed to me it was The Misfits, which is currently in post-production. When discussing the progress on his new solo album, he stated that he's still at about 60% completed but he believes he knows the essence and the overall shape of the work now, and has 3-4 pieces he's really happy with, so the direction is set and he can devote himself fully for the rest of the year. When I asked him about considerations of remote recording for guest players due to ongoing logistical limitations caused by the pandemic, he replied that such a process is "cumbersome" and one he does not willingly wish to engage in.”
Disregard my question, I may have found the answer in a recent interview:
“ He related to me the work he performed for Renny Harlin, whom he said called him with a request to "fix" the score of his latest project. I asked Trevor which of the films currently listed on IMDb he had worked on, and he confirmed to me it was The Misfits, which is currently in post-production. When discussing the progress on his new solo album, he stated that he's still at about 60% completed but he believes he knows the essence and the overall shape of the work now, and has 3-4 pieces he's really happy with, so the direction is set and he can devote himself fully for the rest of the year. When I asked him about considerations of remote recording for guest players due to ongoing logistical limitations caused by the pandemic, he replied that such a process is "cumbersome" and one he does not willingly wish to engage in.”
Disregard my question, I may have found the answer in a recent interview:
“ He related to me the work he performed for Renny Harlin, whom he said called him with a request to "fix" the score of his latest project. I asked Trevor which of the films currently listed on IMDb he had worked on, and he confirmed to me it was The Misfits, which is currently in post-production. When discussing the progress on his new solo album, he stated that he's still at about 60% completed but he believes he knows the essence and the overall shape of the work now, and has 3-4 pieces he's really happy with, so the direction is set and he can devote himself fully for the rest of the year. When I asked him about considerations of remote recording for guest players due to ongoing logistical limitations caused by the pandemic, he replied that such a process is "cumbersome" and one he does not willingly wish to engage in.”
@Scorefan
Trevor is still on tour with ARW.
@Scorefan
Trevor is still on tour with ARW.
@Scorefan
Trevor is still on tour with ARW.
Its possible Kill Big Shark/Aftermath were remixed after the movie itself was re-edited to have Susan die during that segment