Geoff Zanelli
Composer
Bruce Fowler
Orchestrator
Slamm Andrews
Music Editor
Steven Kofsky
Music Production Services
Bobby Tahouri
Additional Music
Rick Giovinazzo
Orchestrator
Czarina Russell
Studio Manager
Al Clay
Song Writer
Suzette Moriarty
Orchestrator
Walt Fowler
Orchestrator
Martin Tillman
Musician
Jeff Biggers
Music Scoring Mixer
Greg Vines
Assistant Score Engineer
Matt Ward
Assistant Score Engineer
Kevin Globerman
ProTools Engineer
FILM CREDITS
Music by Geoff Zanelli
Music Orchestrated & Conducted by Bruce Fowler
Additional Orchestrations by Walter Fowler, Rick Giovinazzo & Yvonne S. Moriarty
Orchestra Leaders: Bruce Dukov & Sid Page
Cellos: Armen Ksajikian & Martin Tillman
Clarinet: Don Markese
Drums: Josh Freese
Guitar: George Doering
Guitar/Bass: Geoff Zanelli
Synthesizer: Bobby Tahouri
Music Editor: Slamm Andrews
Orchestra Contractors: Sandy DeCrescent & Peter Rotter
Music Preparation: Booker White
Music Recorded & Mixed by Jeff Biggers
ProTools Operator: Kevin Globerman
Scoring Stage Recordists: Greg Dennen & Tim Lauber
Orchestra Recorded at Twentieth Century Fox Studios, The Newman Scoring Stage & Warner Bros. Studios, Eastwood Scoring Stage
Music Production Services: Steven Kofsky
Music Recorded & Mixed at Remote Control Productions, Inc., Santa Monica
Music Studio Manager: Czarina Russell
Assistant Engineers: Greg Vines & Matt Ward
"Don't Make Me Wait"
Written by Chris Kalgren, George Hadfield, Geoff Zanelli & Al Clay
Performed by This World Fair
Score Composed & Produced by Geoff Zanelli
Score Orchestrated & Conducted by Bruce Fowler
Additional Orchestrations by Walter Fowler, Rick Giovinazzo & Yvonne S. Moriarty
Featured Musicians
Cello: Armen Ksajikian & Martin Tillman
Clarinet: Don Markese
Drums: Josh Freese
Guitar/Acoustic Weirness: George Doering
Guitar/Bass: Geoff Zanelli
Ambient Music Design: Bobby Tahouri
Music Editor: Slamm Andrews
Orchestrator Contractors: Sandy DeCrescent & Peter Rotter
Music Preparation: Booker White
Score Recorded & Mixed by Jeff Biggers
Assistant Engineers: Greg Vines & Matt Ward
Pro Tools Operator: Kevin Globerman
Scoring Stage Recordists: Greg Dennen & Tim Lauber
Orchestra Recorded at Twentieth Century Fox Studios Newman Scoring Stage & Warner Bros. Studios Eastwood Scoring Stage
Additional Recording & Score Mixed at Remote Control Productions
Music Production Coodinator: Steven Kofsky
Remote Control Studios Coordinator: Czarina Russell
Executive Soundtrack Album Producers: Skip Williamson & Brian McNelis
A&R For Lakeshore: Eric Craig
Geoff Zanelli would like to thank
DJ Caruso, Jim Page, Joe Medjuck, Ivan Reitman, Steven Spielberg, Ken Burry, Abby Callahan, Lauren Cynkar, This World Fair, Tiffany Bordenave, Vince Filippone, David Geffen, Dan Goldwasser, Michael Gorfaine, Harry Gregson-Williams, Jennifer Hawks, Steve Jablonsky, Jeffrey Katzenberg, Maria Machado, Christina Mansky, Matt Margeson, Alan Meyerson, Melissa Muik, Julie Pearce, John Powell, Jim Schultz, Sam Schwartz, Shalini Singh, Linda Springer, Chris Strong, Jez Thierry, Chery Tiano, Krista Vitt, Lenny Wohl, The Zanelli, Schmidt & Garcia Families & Hans Zimmer
Special thanks
Ben Bromage, Christine Buckley, Lynn Hobensack, Jennifer Jardine, The entire staff at Lakeshore Records & the DreamWorks film music staff
02 – Fishing (3:52)
03 – Poofoot (1:15)
04 – Voyeurism (2:35)
05 – Every Killer Lives Next Door To Someone (3:35)
06 – I Like To Play (1:47)
07 – Stealth Ronnie (5:11)
08 – Walking Ashley Home (2:01)
09 – The Club Girl (2:47)
10 – Stalking A Killer (7:15)
11 – The Basement Graveyard (8:50)
02 – Don’t Make Me Wait – This World Fair (3:47)
03 – One Man Wrecking Machine – Guster (4:13)
04 – Whoa Now – louque (4:02)
05 – Gangsta Boogie – Love Stinks (4:06)
06 – Next To You – Buckcherry (3:25)
07 – Because I Got High – Afroman (4:23)
08 – We Love Reggae – Noiseshaper (4:07)
09 – Dream – Pricilla Ahn (3:29)
10 – The Great American Napkin” – The Summer Skinny (3:04)
11 – Lovin’ You – Minnie Riperton (3:23)
12 – You’ll Never Find Another Love Like Mine – Lou Rawls (4:25)
i agree with your theory here…. it sounds like there are some virtual orchestra strings here.
i agree with your theory here…. it sounds like there are some virtual orchestra strings here.
i agree with your theory here…. it sounds like there are some virtual orchestra strings here.
Sounds like a mix of live orchestra (strings + portion of brass) and samples.
Sounds like a mix of live orchestra (strings + portion of brass) and samples.
Sounds like a mix of live orchestra (strings + portion of brass) and samples.
Just curious: are the string parts in this score synthesized, or were the string parts live recordings in front of synthesized percussion?
(I just always wonder about those kinds of details)
Just curious: are the string parts in this score synthesized, or were the string parts live recordings in front of synthesized percussion?
(I just always wonder about those kinds of details)
Just curious: are the string parts in this score synthesized, or were the string parts live recordings in front of synthesized percussion?
(I just always wonder about those kinds of details)
Just curious: is this score recorded with a full live orchestra or are the string parts synthesized?
(I feel that the string parts are synthesized sounds)