FILM CREDITS
Music Composed & Conducted by John PowellMusic Editors: John Carbonara & Bill Bernstein
Additional Score Conductor: Gavin Greenaway
Additional Music & Arrangements by Batu Sener
Orchestra Leader: Lisa Kim
Solo Vocals by Holly Sedillos
Additional Recordings by Nick Wollage & John Michael Caldwell
Digital Score Recordists: Neal Shaw
Additional Recording Engineer: Angie Teo
Score Orchestrations by John Ashton Thomas & Mark Graham
Music Preparation by JoAnn Kane Music Service
Score Coordinator: Sandra Park
Score Recorded by Alejandro Venguer
Score Recorded at Manhattan Center Studios, Inc., The DiMenna Center For Classical Music & 5 Cat Studios
Score Mixed by John Michael Caldwell
Score Mixed at 5 Cat Studios
ProTools Operator: Dennis Mellen
Score Consultant: Celeste Chada
Music Clearance: Jessica Dolinger
Music by John Powell
Additional Music & Arrangements by Batu Sener
Solo Vocals by Holly Sedillos
Score Orchestrations by John Ashton Thomas & Mark Graham
Score Recorded by Alejandro Venguer
Additional Recordings by Nick Wollage & John Michael Caldwell
Score Recorded at Manhattan Center Studios, The DiMenna Center & 5 Cat Studios
Digital Score Recordists: Neal Shaw & Angie Teo
Music Editor: Bill Bernstein
Score Mixed by John Michael Caldwell
Music Preparation by JoAnn Kane Music Service, Andrew Rowan & Bethany Brinton
Score Production Assistant: Dennis Mellen
Score Consultant: Celeste Chada
Score Album Mastered by Stephen Marsh
Score Conducted by John Powell & Gavin Greenaway
Orchestra Leader: Lisa Kim
Orchestra & Choir Contracted by Sandra Park
John Powell
02 – Breakfast Of Champignons (0:34)
John Powell
03 – Welcome To The Party (4:04)
John Powell, Batu Sener
04 – In The Bedroom (0:38)
John Powell, Batu Sener
05 – Margaret’s Flashback (0:40)
John Powell
06 – Keeping House (0:45)
John Powell
07 – Trolley To HQ (4:47)
John Powell
08 – Waking Up To An Ever-Decreasing World (1:51)
John Powell
09 – Advanced Ballet Class (2:46)
John Powell, Batu Sener
10 – Long Relaxing Bath (1:05)
John Powell
11 – A Doctor Visits (2:56)
John Powell, Batu Sener
12 – Whisky By The Hearth (1:10)
John Powell
13 – In The Ladies With Bunny (1:26)
John Powell, Batu Sener
14 – Whose World Is It? (1:50)
John Powell
15 – Sorties & Delusions (4:43)
John Powell
16 – Dinner Party Fallout (2:52)
John Powell, Batu Sener
17 – We Need To Go (2:15)
John Powell
18 – Rabbit Hole (2:27)
John Powell
19 – Everything Is Good Now (1:01)
John Powell
20 – Catechisms & Catheters (3:18)
John Powell
21 – All For You Alice (2:51)
John Powell
22 – Bunny’s Wise Words (1:59)
John Powell
23 – Victory Chase (8:18)
John Powell
24 – End Credits (Don’t Worry Darling) (1:45)
John Powell
Anyone know something about the new Still soundtrack? John Powell has done a great job again ;)
Oh christ. Sucks to see Powell associated with this mess, but I can’t imagine he didn’t do a good job.
Btw, when did John start doing live action films again, or hell, films at all? I’d basically seen/heard nothing from him since the Bourne remake and given some of his previous comments re: action films + him composing for live performances + his wife’s death I didn’t think we’d see him for a long time.
Powell is on record saying he only wants to do one score a year, and his distaste for live-action films comes from most of them (the ones he’s typically hired for) being violent spy/action/thriller stuff. (He is a self-described pacifist with a strong distaste for violence)
“I’d basically seen/heard nothing from him since the Bourne remake”
Uh, he’s done a Star Wars since then lol
Edmund – I misremembered the years. Bourne definitely felt more recent.
So Powell doesn’t write a single score for two and a half years (except for Locked Down which never got a release and barely has any music in it), and then when he finally returns he gives us…THIS?
Give us?
When a composer deliver to the fans and no the movie?, because maybe i’m missing that part about movie music. Also, not a big fan of the score, but waiting to see the movie
Yeah yeah I know how it works, it was a purposefully fanboyish comment of mine haha
I think this score would be a lot easier to stomach if Powell was not so quiet in his career lately. Like if this was the 00s and it was just one out of 3-4 scores he did this year and the others were, well, more normal lol. Then I’d be happy to praise it for being the radical stylistic departure that it is and proceed to never listen to it ever again. I really do wonder what on earth possessed Olivia Wilde to call up Powell of all people if this was the score she wanted for her movie, but hey. He’s got range, I’ll give him that.
Being the only Powell music to be released since Call of the Wild though (which was so long ago it was pre-Covid)?? And with no other scores upcoming for him? That’s tough, even worse than the two-year wait between Happy Feet Two and Rio 2, and during that whole time at least we also had HTTYD2 as the light at the end of the tunnel to look forward to.
I’m with you, Edmund Meinerts.
This score was quite the letdown for me
@Edmund: ha, ha, i get it now.
Don’t give a full opinion, because i want to see the movie with score properly and how works in the movie.
Lmao, Edmund, I wrote out my entire comment (above) before seeing yours and… yup, it’s a bit odd. Hans has done some smaller films plus his obvious romantic comedy knack but this seems… not at Powell’s level.