Hans Zimmer
Composer
Nick Glennie-Smith
Additional Music
John Van Tongeren
Additional Music
Ryeland Allison
Additional Music
Alan Meyerson
Music Scoring Mixer
Pete Haycock
Musician
Bob Daspit
Musician
Jay Rifkin
Score Producer
Gregg Silk
Score Technical Assistant
Bruno Roussel
Score Technical Assistant
Marc Streitenfeld
Assistant to Hans ZIMMER
Stéphane Humez
Album Production
FILM CREDITS
Music by Hans Zimmer Music Editor: Laura PerlmanMusic Scoring Mixer: Jay Rifkin
Music Supervisor: Tim Sexton
Additional Music by Nick Glennie-Smith & John Van Tongeren
"Hyphopera"
Written & Produced by Ryeland Allison
Performed by Randelle Stainback
Hans Zimmer
1m2 Hyphopera (perf. by Randelle K. Stainback) (0:56)
Ryeland Allison
1m2 Hyphopera (Instrumental) (0:56)
Ryeland Allison
1m2FULL Hyphopera (Album Version) (perf. by Randelle K. Stainback) (2:58)
Ryeland Allison
1m3-2m4 Bring The Cats – Hi Jack (7:29)
Hans Zimmer, Nick Glennie-Smith
2m4 ALT Hi Jack (Alternate)
Hans Zimmer
2m5 Terry’s Dead (1:02)
Hans Zimmer
3m5 Florida Keys (2:05)
Hans Zimmer, Nick Glennie-Smith
4m6B Jagger (0:27)
Nick Glennie-Smith
4m7 Falling Out Of The Sky (1:33)
John Van Tongeren
4m8B Leedy Jumps (1:22)
Nick Glennie-Smith
4m8C Ty Computes (0:33)
Hans Zimmer, Nick Glennie-Smith
5m8-9 Flashback & Fries (4:24)
Nick Glennie-Smith
6m10 Miami Jump (5:17)
Hans Zimmer
7m12-13-14 Find Swoop – Ex. Chute – Fool Play (3:07)
Hans Zimmer
8m15v3 Helicopter (1:54)
Hans Zimmer, Nick Glennie-Smith
8m15v2 Helicopter (Alternate) (2:06)
Hans Zimmer, John Van Tongeren
8m15 Gift Wrap (2:16)
Hans Zimmer, Nick Glennie-Smith
9m17B Cut The Cord (1:22)
Hans Zimmer, Nick Glennie-Smith
9m18-19-20 Too Many Notes – Not Enough Rests
Hans Zimmer
11m20-21-12m22 After The Dub (13:41)
Hans Zimmer
12m23 Swoop Swoops Down On Leedy (1:13)
Hans Zimmer, Nick Glennie-Smith
Music Composed, Produced, Arranged, Orchestrated & Played by Hans Zimmer
Vocal Performance by Rose Stone
Additional Music Composed, Produced, Arranged, Orchestrated & Played by Nick Glennie-Smith & John Van Tongeren
Keyboards: Hans Zimmer, John Van Tongeren, Nicholas Glennie-Smith & Jeff Rona
Guitar: Pete Haycock & Bob Daspit
Trumpet: Walter Fowler
Recorded October 25-29 & 31, November 1-5, 7-11 & 18, 1994 at Media Ventures, Santa Monica, CA
Music Editor: Laura Perlman
Music Recorded & Mixed by Alan Meyerson at Media Ventures
Assisted by Bruno Roussel & Gregg Silk
Assistants to Hans Zimmer: Marc Streitenfeld & Antonia Bogdanovich
Equipment: Euphonix, Yamaha, Roland, Spartialize & Pro Tools
“Hyphopera”
Composed, Produced, Arranged & Played by Ryeland Allison
Published by Sony/TV Melody (BMI)
Album Produced by Dan Goldwasser
Executive Album Producer: Jose M. Benitez
Executive in Charge of Music for Paramount Pictures: Randy Spendlove
Soundtrack Album Coordinator: Michael Murphy
Mastered by Doug Schwartz at Mulholland Music
Production Assistance: Stéphane Humez
Art Direction by Nacho B. Govantes
Score Published by Sony/ATV Harmony (ASCAP) and Sony/ATV Melody (BMI)
Special Thanks: Hans Zimmer, Nick Glennie-Smith, John Van Tongeren, Ryeland Allison, Steve Kofsky, Jillian Abood, Kaya Savas
Paramount Pictures Thanks: Lilly Bennett, Mary Jo Braun, Dan Butler, Sheryl Carlin, Dina Durant, Adam Ehrlich, Robert Gasper, Tina Kiehl, Annie Killelea, Elizabeth Kirkscey, Liz McNicoll, Vanessa Palmer, Kim Seiniger, Areli Quirarte, David Sooc, Laura Thornburg, Maddy Van Remortel, Megan Walla, Jonathan Weiss & Dony West
Hans Zimmer
02 – Bring The Cats / Hi Jack (7:28)
Hans Zimmer, Nick Glennie-Smith
03 – Terry’s Dropped Out (1:01)
Hans Zimmer
04 – Florida Keys / Jagger (2:29)
Hans Zimmer, Nick Glennie-Smith
05 – Falling Out Of The Sky (1:31)
John Van Tongeren
06 – Leedy Jumps (1:20)
Nick Glennie-Smith
07 – Ty Computes (0:32)
Hans Zimmer, Nick Glennie-Smith
08 – Flashbacks & Fries (4:23)
Nick Glennie-Smith
09 – Miami Jump (5:14)
Hans Zimmer
10 – Find Swoop / Ex. Chute / Foul Play (3:07)
Hans Zimmer
11 – Helicopter (1:52)
Hans Zimmer, Nick Glennie-Smith
12 – Gift Wrap (2:16)
Hans Zimmer, Nick Glennie-Smith
13 – Cut The Cord (1:12)
Hans Zimmer, Nick Glennie-Smith
14 – Too Many Notes (Not Enough Rests) (11:09)
Hans Zimmer
15 – After The Dub (13:39)
Hans Zimmer
16 – Swoop Swoops Down On Leedy (1:20)
Hans Zimmer, Nick Glennie-Smith
17 – Bonus Track – Helicopter (Alternate) (1:57)
Hans Zimmer, John Van Tongeren
18 – Bonus Track – Hi Jack (Album Version) (4:32)
Hans Zimmer
19 – Bonus Track – Hyphopera (Instrumental) (0:55)
Ryeland Allison
Music Composed, Produced, Arranged, Orchestrated & Played by Hans Zimmer
Vocal Performance by Rose Stone
Except:
"Flashback & Fries"
Composed, Produced, Arranged, Orchestrated & Played by Nick Glennie-Smith
"Hyphopera"
Composed, Produced, Arranged & Played by Ryeland Allison
With Vocal Performance by Randelle K. Stainback
Produced by Hans Zimmer & Jay Rifkin
Executive Album Producer: Robert Townson
Album Recorded & Mixed by Alan Meyerson at Media Ventures
Assisted by Bruno Roussel & Gregg Silk
Assistants to Hans Zimmer: Marc Streitenfeld & Antonia Bogdanovich
Album Compiled by Chris Ward
Equipment: Euphonix, Yamaha, Roland, Spartializer & Pro Tools
Special Thanks to: John Badham, D.J. Caruso, Suzanne Zimmer, John Van Tongeren, Laura Perlman, Jeff Rona, Mark Levy, Randy Noble, Sam Schwartz & Mike Gorfaine, Kevin Lightner, Zoe Zimmer, Bob Townson & the Group at Avenue L & 8th Street
Extra Special Thanks to: Peter Haycock & Bob Daspit
Hans Zimmer
02 – Hyphopera (Perf. by Randelle K. Stainback) (1:41)
Ryeland Allison
03 – Hi Jack (4:35)
Hans Zimmer
04 – Terry’s Dropped Out (1:01)
Hans Zimmer
05 – Flashback & Fries (4:21)
Nick Glennie-Smith
06 – Miami Jump (5:14)
Hans Zimmer
07 – Too Many Notes, Not Enough Rests (10:39)
Hans Zimmer
08 – After The Dub (8:07)
Hans Zimmer
Just out of curiosity:
Cue “Too Many Notes, Not enough rests” is called like that because Hans was too tired (of too many notes on his desk) ?
…and cue “After the dub” is because it was after the sessions were made and it was probably for reshoots (or re-writes)?
Hans said “Too Many Notes” is titled that way as it’s written in such a way that it’s unplayable by an orchestra, iirc
Just out of curiosity:
Cue “Too Many Notes, Not enough rests” is called like that because Hans was too tired (of too many notes on his desk) ?
…and cue “After the dub” is because it was after the sessions were made and it was probably for reshoots (or re-writes)?
Hans said “Too Many Notes” is titled that way as it’s written in such a way that it’s unplayable by an orchestra, iirc
Just out of curiosity:
Cue “Too Many Notes, Not enough rests” is called like that because Hans was too tired (of too many notes on his desk) ?
…and cue “After the dub” is because it was after the sessions were made and it was probably for reshoots (or re-writes)?
Hans said “Too Many Notes” is titled that way as it’s written in such a way that it’s unplayable by an orchestra, iirc
#ReleaseThe1m02HyphoperaFullVersion