Early Man – Project Details

2018
EARLY MAN, 2018, Directed by Nick Park

FILM CREDITS

Music by Harry Gregson-Williams & Tom Howe

Score Produced by Harry Gregson-Williams
Orchestra Conducted by Harry Gregson-Williams & Gavin Greenaway
Music Editors: Jack Dolman & Tony Lewis
Temp Music Editor: Graham Sutton
Score Recorded & Mixed by Simon Rhodes
Score Recordist: Toby Hulbert
Assistant Score Engineers: Stefano Civetta & Connor Hughes
Score Technical Support: Juan Cortes, Stephanie Economou & Jose Parody
Orchestrations by David Butterworth & David Krystal
Music Preparation: Jill Streater for Global Music Services
Music Contractor: Amy Stewart for Isobel Griffiths Ltd
Concert Master: Perry Montague-Mason
Choir: Apollo Voices
Choir Master: Chris Foster
Music Production Supervisor: Monica Zierhut
Featured Musicians:
Solo Woodwinds: Charles Adelphi
Guitar: Vivian Vilichkoff
Cello Soloists: Caroline Dale & Tim Gill
Bass: Allen Walley
Ethnic Flute: Andy Findon
Choir Lyrics Arranged by Zlatina Sandalska

Early Man

Early Man

2018 67'11 (Score: 54'38)
Release date : 01/26/2018
BOOKLET CREDITS

Music by Harry Gregson-Williams & Tom Howe

Score Produced by Harry Gregson-Williams
Orchestra Conducted by Harry Gregson-Williams & Gavin Greenaway
Supervising Music Editor: Jack Dolman
Music Editor: Tony Lewis
Additional Temp Music Editor: Graham Sutton
Score Recorded And Mixed by Simon Rhodes
Score Recorded & Mixed at Abbey Road Studios, London
Score Recordist: Toby Hulbert
Assistant Score Engineers: Stefano Civetta & Connor Hughes
Additional Engineer: Slamm Andrews
Score Technical Support: Jose Parody, Stephanie Economou & Juan Cortes
Orchestrations by David Butterworth & David Krystal
Music Preparation: Jill Streater for Global Music Services
Music Contractor: Amy Stewart for Isobel Griffiths Ltd
Concert Master: Perry Montague Mason
Choir: Apollo Voices
Choir Master: Chris Foster
Music Production Supervisor: Monica Zierhut

Featured Musicians
Solo Woodwinds: Charles Adelphi
Guitar: Vivian Vilichkoff
Cello Seloists: Caroline Dale & Tim Gill
Bass: Allen Walley
Ethnic Flute: Andy Findon
Choir Lyrics Arranged by Zlatina Sandalska

Harry & Tom would like to thank: Nick Park, Carla Shelley, Sim Evan Jones, Tom Barnes, Kelly Lappin, Jessie, Josh, Jude, Gracie, Hadley, Sophie, Oliver, Jack, Ella, all the musicians & Abbey Road Studios

01 – Good Day – New Hope Club (1:46)
02 – Hope – The Vamps (3:15)
03 – Tiger Feet – New Hope Club (3:41)
04 – I Predict A Riot – Kaiser Chiefs (3:51)
05 – Dug’s Theme (2:40)
06 – Prehistoric Prologue (3:42)
07 – In The Valley (1:27)
08 – Meet Dug (0:41)
09 – Meet The Tribe (2:12)
10 – Rabbit Ambush (1:02)
11 – Bronze Attack (2:17)
12 – City Of Bronze (1:04)
13 – Dug In Bronze Land (0:51)
14 – Stadium Chase (0:39)
15 – The Ancestral Call (1:04)
16 – The Message Bird (1:58)
17 – Giant Badlands Duck (3:10)
18 – Stealing Footballs (1:04)
19 – She Shoots, She Scores (0:45)
20 – Challenge The Champions (1:45)
21 – Harp Escape (1:59)
22 – They’re Not A Team (0:47)
23 – Message From The Queen (1:05)
24 – Foul Play (1:18)
25 – Revelations In The Mine (5:04)
26 – Royal Game Day (1:40)
27 – Forfeiture And Humiliation (2:11)
28 – Do It For The Valley (2:08)
29 – The Final Game (4:40)
30 – Chief Is Down (0:54)
31 – Hognob In Goal (3:33)
32 – Mousing Around (1:06)
33 – Trophy Presentation (1:33)

10 Comments

  1. Rafael October 21, 2018 at 1:56 am

    Year, but seriously, these genres are where Harry Gregson-Williams always succeeded (Animation and Fantasy). I have high hopes that he will do a decent job and find back to his roots from the 2000s.

  2. Anonymous October 20, 2018 at 10:08 pm

    Don't want to be a downer but, really, let's all hope things won't blow to s*** like they did with Alien: Covenant or some other annoyance.

  3. Anonymous October 20, 2018 at 6:47 pm

    Harry gregson williams will compose mulan ??!!!!! Come on this is blowing my mind. I truly hope for hans zimmer or other great composer like desplat or silvestri. I wanted hans to score a master piece like last samurai. But no offense to harry. He is good and more than good but disney live action like mulan really wanted something special that i think the right guy is hans !

  4. Michael Fields August 9, 2018 at 7:05 am

    MOVIE CREDITS:

    Music By
    HARRY GREGSON – WILLIAMS
    TOM HOWE

    Score Produced By
    HARRY GREGSON – WILLIAMS

    Score Conducted By
    HARRY GREGSON – WILLIAMS
    GAVIN GREENAWAY

    Music Editors
    JACK DOLMAN
    TONY LEWIS

    Temp Music Editor
    GRAHAM SUTTON

    Score Recorded And Mixed By
    SIMON RHODES

    Score Recorded And Mixed At
    ABBEY ROAD STUDIOS, LONDON

    Score Recordist
    TOBY HULBERT

    Assistant Score Engineers
    STEFANO CIVETTA
    CONNOR HUGHES

    Score Technical Support
    JUAN CORTES
    STEPHANIE ECONOMOU
    JOSE PARODY

    Orchestrations By
    DAVID BUTTERWORTH
    DAVID KRYSTAL

    Music Preparation
    JILL STREATER
    For
    GLOBAL MUSIC SERVICES

    Music Contractor
    AMY STEWART
    For
    ISOBEL GRIFFITHS LTD.

    Concert Master
    PERRY MONTAGUE – MASON

    Choir
    APOLLO VOICES

    Choir Master
    CHRIS FOSTER

    Music Production Supervisor
    MONICA ZIERHUT

    FEATURED MUSICIANS:

    Solo Woodwinds
    CHARLES ADELPHIA

    Guitar
    VIVIAN VILICHKOFF

    Cello
    CAROLINE DALE
    TIM GILL

    Bass
    ALLEN WHALEY

    Ethnic Flute
    ANDY FINDON

    Choir Lyrics Arranged By
    ZLATINA SANDALSKA

  5. Andreas May 25, 2018 at 10:54 am

    Also new Harry Gregson-Williams score out today! Breath.

  6. Morgan Joylighter February 5, 2018 at 5:30 pm

    Now that I cannot argue with :)

  7. Andreas January 31, 2018 at 11:58 am

    I thought it was great. The main theme is great and played throughout the score. Looking forward seeing the movie. No generic crap indeed.

  8. Morgan Joylighter January 30, 2018 at 2:31 pm

    I know, the comparison is more that they are both claymation films by the same director. It's sad that they wanted interesting fresh music 20 years ago and now they just ask for generic crap with no creativity or passion.

  9. Morgan Joylighter January 29, 2018 at 5:13 pm

    Comparing this to classics like Chicken Run makes me sad. Will we ever get scores like that again?

  10. Andreas January 24, 2018 at 8:51 am

    Wondring how much influence Tom Howe wille have on this score. Professor Marston was such a lovely score.

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