Epic Mickey (VG)
- Main Titles (2:26)
- How Mickey Ended Up In Wasteland (5:35)
- Dark Beauty Castle (4:30)
- The Gremlin Village (feat. “It’s A Small World”) (5:24)
- Oswald’s History (0:43)
- Tomorrow City (5:38)
- Mickey Meets Horace Horsecollar (0:41)
- Mickey Meets Clarabelle Cow (0:42)
- Mickey Meets Daisy Duck (0:45)
- The Pirates Of Wasteland (6:57)
- Transition Games II (6:31)
- Mickeyjunk Mountain (feat. “Mickey Mouse Club March”) (6:24)
- Arrival At Lonesome Manor (0:37)
- Lonesome Manor (4:00)
- Mickey Defeats The Mad Doctor (0:40)
- The Blot Escapes (3:00)
- The Blot Grabs Mickey (1:14)
- The Epic Finale (4:11)
- Mickey’s Theme (1:47)
- Oswald’s Theme (2:36)

12 Comments
Leave A Comment
You must be logged in to post a comment.

What a wonderful score. James Dooley's style here really is something special: variety of instruments and textures, brass reminiscent of both older Zimmer and LOTR/The Hobbit (though obviously cheaper-sounding), some Danny Elfman energy, melodic heartfelt elements, and playful innocence reminiscent of early 2000s Jablonsky.
"Oswald's Theme" in itself is a wonderful achievement of composition, with each variation implying another element of the character's backstory, and I'm not even someone who really cares about most things Disney, really. I really hope there's more music like this in Dooley's filmography, because this is one of my favorite video game scores, or even collections of music in general.
What a wonderful score. James Dooley's style here really is something special: variety of instruments and textures, brass reminiscent of both older Zimmer and LOTR/The Hobbit (though obviously cheaper-sounding), some Danny Elfman energy, melodic heartfelt elements, and playful innocence reminiscent of early 2000s Jablonsky.
"Oswald's Theme" in itself is a wonderful achievement of composition, with each variation implying another element of the character's backstory, and I'm not even someone who really cares about most things Disney, really. I really hope there's more music like this in Dooley's filmography, because this is one of my favorite video game scores, or even collections of music in general.