Elizabeth Finch
Orchestrator
Ladd McIntosh
Orchestrator
James McKee Smith
Additional Music
Malcolm Luker
Additional Engineering
Alan Meyerson
Music Scoring Mixer
Suzette Moriarty
Orchestrator
Bruce Fowler
Orchestrator
John Powell
Composer
Gavin Greenaway
Additional Music
Thomas Broderick
Music Production Services
Walt Fowler
Orchestrator
Kevin Globerman
Technical Score Engineer
Gregg Silk
Technical Score Engineer
FILM CREDITS
Music by John Powell
Music Supervisor: Todd Homme
Music Editor: Bunny Andrews
Temp Music Editor: Curt Sobel
Orchestra Conducted & Additional Music by Gavin Greenaway
Additional Music by James McKee Smith
Orchestrated by Bruce Fowler, Suzette Moriarty, Ladd McIntosh, Walter Fowler & Elizabeth Finch
Copyist: Julian Bratolyubov
Score Performed by The Hollywood Studio Orchestra
Recorded & Mixed by Alan Meyerson
Additional Engineering: Malcolm Luker
Orchestra Contractor: Sandy DeCrescent
Vocal Contractor: Sally Stevens
Recorded at Todd A-O Scoring Stage
Score Production Services: Media Ventures
ALBUM ASSEMBLY
The Meteor : 1m01 CHOIR Meteor (Edited)
Cells Divide : 1m06 SYNTH Cells Devide
In The Hall By The Pool : 2m10 SYNTH Sex - Wayne Copters (1st part) (Edited)
The Army Arrives : 2m10 SYNTH Sex - Wayne Copters (2nd part)
The Ira Kane? : 2m13 The IRA Kane? (Edited)
Fruit Basket For Russel Woodman : 2m14 Duchovny Moon
The Water Hazard : 3m23 Asshole Eaten
Burgled : 2m16 Burgled (Edited)
The Forest : 3m19 SYNTH The Forest (Edited)
The Cave Waltz : Cave Waltz
Blue Fly : 3m20 Mosquito (Edited)
Cutie Pie : 3m27 Cutie Pie
Animal Attack : 4m28 Jill Mason's House (Edited)
Dino Valley : 4m30 SYNTH Dino Valley (Edited)
The Mall Chase : 4m31 SYNTH Dino Chase Pt 1 + 4m33 Dino Chase Pt 2 + 4m34 Dino Chase Pt 3 + 4m36 Dino Chase Pt 4 (Edited)
Monitors Out : 5m40 SYNTH Monitors Cut (Edited) + 5m41 Blue Monkey
Room For One More : 5m42 Room For One More
Fire : 5m44 Fire (Edited)
Selenium : 5m45 Selenium
The Fire Truck : 5m46 Head & Shoulders
The Amoeba Emerges : 5m48 CHOIR The Amoeba Emerges
To Go Where No Man Has Gone Before : 6m49A CHOIR Reel Six Pt 1 (Edited)
Our Heroes : 6m49B Reel Six Pt 2
John Powell
1m01 SYNTH Meteor (1:00)
John Powell
1m05 CHOIR The Rock (1:27)
John Powell
1m05 SYNTH The Rock (1:27)
John Powell
1m06 CHOIR Cells Divide (1:26)
John Powell
1m06 SYNTH Cells Devide (1:25)
John Powell
2m07 Multi Cell Organ (0:50)
John Powell
2m07A-08 Wayne’s Test – Field Trip (1:39)
John Powell
2m08 ALT Field Trip (Alternate) (0:52)
John Powell
2m09A CHOIR Toeworms Pt 1 (1:34)
John Powell, James McKee Smith
2m09A SYNTH Toeworms Pt 1 (1:34)
John Powell, James McKee Smith
2m09B CHOIR Toeworms Pt 2 (0:50)
John Powell
2m10 CHOIR Sex… – Wayne Copters (3:49)
John Powell
2m10 SYNTH Sex… – Wayne Copters (3:50)
John Powell
2m13 The IRA Kane? (1:18)
John Powell, James McKee Smith
2m14 Duchovny Moon (0:47)
John Powell
2m16 Burgled (1:50)
John Powell
3m17-18 Break In (2:28)
John Powell, Gavin Greenaway
3m19 CHOIR The Forest (2:29)
John Powell, Gavin Greenaway
3m19 SYNTH The Forest (2:30)
John Powell, Gavin Greenaway
3m20 Mosquito (2:15)
John Powell, James McKee Smith
3m23 Asshole Eaten (0:50)
John Powell
3m26 Back To School (1:01)
John Powell
3m27 Cutie Pie (2:20)
John Powell, James McKee Smith
4m28 Jill Mason’s House (1:15)
John Powell, James McKee Smith
4m30 CHOIR Dino Valley (2:15)
John Powell, James McKee Smith
4m30 SYNTH Dino Valley (2:15)
John Powell, James McKee Smith
4m31 CHOIR Dino Chase Pt 1 (0:24)
John Powell
4m31 SYNTH Dino Chase Pt 1 (0:23)
John Powell
4m33 Dino Chase Pt 2 (1:38)
John Powell
4m34 Dino Chase Pt 3 (2:28)
John Powell
4m36 Dino Chase Pt 4 (1:15)
John Powell
4m37 Dino Chase Pt 3AB (0:09)
John Powell
4m38 We Are Extinct (0:43)
John Powell
4m39 Napalm (0:37)
John Powell, James McKee Smith
5m40 CHOIR Monitors Cut (1:44)
John Powell, James McKee Smith
5m40 SYNTH Monitors Cut (1:43)
John Powell, James McKee Smith
5m41 Blue Monkey (1:31)
John Powell
5m42 Room For One More (1:29)
John Powell
5m44 Fire! (1:30)
John Powell
5m45 Selenium (1:07)
John Powell
5m46 Head & Shoulders (2:32)
John Powell
5m46 w INS Head & Shoulders (Alternate) (2:50)
John Powell
5m47A In The Cave Pt 1 (1:00)
John Powell
5m47B CHOIR In The Cave Pt 2 (1:39)
John Powell, Gavin Greenaway
5m47B SYNTH In The Cave Pt 2 (1:41)
John Powell, Gavin Greenaway
5m47C In The Cave Pt 3 (0:42)
John Powell
5m48 CHOIR The Amoeba Emerges (2:15)
John Powell
5m48 SYNTH The Amoeba Emerges (2:15)
John Powell
6m49A CHOIR Reel Six Pt 1 (4:41)
John Powell
6m49A SYNTH Reel Six Pt 1 (4:41)
John Powell
6M49B Reel Six Pt 2 (2:25)
John Powell
Suite – The Cave Waltz (1:05)
John Powell
Music Composed by John Powell
Produced by John Powell
Additional Music by Gavin Greenaway & James McKee Smith
Executive Album Producer: Robert Townson
Music Supervisor for DreamWorks: Todd Homme
Music Editor: Bunny Andrews
Orchestra Conducted by Gavin Greenaway
Music Orchestrated by Bruce Fowler, Suzette Moriarty, Ladd McIntosh, Walter Fowler & Elizabeth Finch
Music Preparation by Julian Bratolyubov
Score Performed by The Hollywood Studio Symphony
Guitars & Saz by George Doering
Percussion by Mike Fisher
Score Recorded & Mixed by Alan Meyerson
Additional Engineering by Malcolm Luker
Orchestra Contractor: Sandy DeCrescent
Vocal Contractor: Sally Stevens
Score Recorded at Todd A-O Scoring Stage
Score Production Services: Tom Broderick, Media Ventures, Santa Monica, CA
Engineers for Media Ventures: Kevin Globerman & Gregg Silk
Music Assistant: Joel Richard
Score Album Compiled by James McKee Smith & Joel Richard
Score Album Mastered by Pat Sullivan
John Powell wishes to thank Ivan Reitman, Dan Goldberg, Joe Medjuck, Tom Pollock, Todd Homme, Sheldon Kahn, Wendy Bricmont, Laura Engel, Richard Kraft, Gretchen O'Neal, Gavin Greenaway, Bunny Andrews, Terry Delsing, Cindi Smith, Curt Sobel, James McKee Smith, Robert Townson, Lenny Wohl, att at The Montecito Picture Company, Z, & all at Media Ventures
Special thanks to Melinda & Oliver
02 – Cells Divide (1:23)
03 – In The Hall By The Pool (1:42)
04 – The Army Arrives (1:07)
05 – The Ira Kane? (1:10)
06 – Fruit Basket For Russel Woodman (0:44)
07 – The Water Hazard (0:47)
08 – Burgled (1:15)
09 – The Forest (2:10)
10 – The Cave Waltz (1:01)
11 – Blue Fly (1:26)
12 – Cutie Pie (2:17)
13 – Animal Attack (1:09)
14 – Dino Valley (2:04)
15 – The Mall Chase (4:31)
16 – Monitors Out (2:39)
17 – Room For One More (1:28)
18 – Fire (0:41)
19 – Selenium (1:08)
20 – The Fire Truck (2:27)
21 – The Amoeba Emerges (2:12)
22 – To Go Where No Man Has Gone Before (3:27)
23 – Our Heroes (2:22)
It's not one of his very best, and the second half is definitely stronger than the first, but I'm quite fond of it overall. It has an outstanding main theme, "Mall Chase" and "The Fire Truck" are great fun cues, and I always find myself surprised by "The Amoeba Emerges", which is a much more intense, dissonant and complex action cue than you would expect to find in such a silly throwaway movie.
In a way this is the first Powell score where he really showed his voice to the world, as up until that point he had either been co-composing with HGW or Hans, or else writing scores like Face/Off or Chill Factor that weren't really in his style yet.
It's not one of his very best, and the second half is definitely stronger than the first, but I'm quite fond of it overall. It has an outstanding main theme, "Mall Chase" and "The Fire Truck" are great fun cues, and I always find myself surprised by "The Amoeba Emerges", which is a much more intense, dissonant and complex action cue than you would expect to find in such a silly throwaway movie.
In a way this is the first Powell score where he really showed his voice to the world, as up until that point he had either been co-composing with HGW or Hans, or else writing scores like Face/Off or Chill Factor that weren't really in his style yet.
It's not one of his very best, and the second half is definitely stronger than the first, but I'm quite fond of it overall. It has an outstanding main theme, "Mall Chase" and "The Fire Truck" are great fun cues, and I always find myself surprised by "The Amoeba Emerges", which is a much more intense, dissonant and complex action cue than you would expect to find in such a silly throwaway movie.
In a way this is the first Powell score where he really showed his voice to the world, as up until that point he had either been co-composing with HGW or Hans, or else writing scores like Face/Off or Chill Factor that weren't really in his style yet.
Fantastic score, very much in the vein of Chicken Run and his other animated scores at that time
Fantastic score, very much in the vein of Chicken Run and his other animated scores at that time
Fantastic score, very much in the vein of Chicken Run and his other animated scores at that time
One of the few Powell scores I still haven't heard. I remember the music working well in the movie, but I really need to listen to the whole thing separately. Any opinions on it from Powell fans?
One of the few Powell scores I still haven't heard. I remember the music working well in the movie, but I really need to listen to the whole thing separately. Any opinions on it from Powell fans?
One of the few Powell scores I still haven't heard. I remember the music working well in the movie, but I really need to listen to the whole thing separately. Any opinions on it from Powell fans?
Awesome!!!!