FILM CREDITS
Music by Alberto Iglesias
Additional Music by Harry Gregson-Williams & Federico Jusid
Orchestrated & Conducted by Nicholas Dodd
Additional Arranging & Score Programming by Vanessa Garde
Additional Orchestrations & Conducting by Alastair King
Score Preparation by Jill Streater, Global Music Services
Score Recorded by Jose Luis Crespo
Score Mixed by Geoff Foster
Additional Engineering & Mixing by Peter Cobbin & Kirsty Whalley
Assistant Engineers: Jon Alexander, John Barrett, Toby Hulbert & Lewis Jones
Score Recorded & Mixed at Abbey Road Studios, London
Orchestra Contracted by Isobel Griffiths & Jo Changer
Choir: London Voices
Choir Co-Directors: Terry Edwards & Ben Parry
Solo Boys: Leo Blair & Francis Bamford
Featured Vocals by Baaba Maal & Dhafer Youssef
Additional Vocals by Raquel Andueza
Ethnic Soloists: Dimitri Psonis, Haig Sarikouyoumdjan, Jan Hendricke, Javier Paxariño, Stuart Hall & Helen Greenwood
Solo Cello: Jonathan Williams, Javier Romero & Dragos Balan
Score Coordinator: Ana Eusa
Additional Music Production: Maria Ulled, David Cerrejon, Felipe Milano, Anele Onyekwere & Pablo Trujillo
Translations by Irit Green, Matthew Scarborough & Renee Jamieson
Music Editors: Robert Houston & Richard Whitfield
Music by Alberto Iglesias
Album Produced by Alberto Iglesias & Vanessa Garde
Additional Music by Harry Gregson-Williams & Federico Jusid
Orchestrated & Conducted by Nicholas Dodd
Additional Arranging & Score Programming by Vanessa Garde
Additional Orchestrations by Alistair King
Orchestration Assistants: Connor Hutton & Greg Hooper
Additional Conducting by Alistair King
Score Preparation by Jill Streater, Global Music Services
Score Recorded & Mixed at Abbey Road Studios, London
Score Recorded by Jose Luis Crespo
Score Mixed by Geoff Foster
Additional Engineering & Mixing by Peter Cobbin & Kirsty Whalley
Assistant Engineers: Jon Alexander, John Barrett, Toby Hulbert, Lewis Jones
Additional Assistants: George Oulton & Stephano Civetta
Album Mixed & Mastered by Jose Luis Crespo
Album Mixed & Mastered at Small Room Studios in Madrid
Assistant Engineers: Nicolas Tsabertidis, Manuel Pajaro, Santiago Quizhpe
Orchestra Contracted by Isobel Griffiths
Assistant Orchestra Contractor: Jo Changer
Orchestra Leaders: John Bradbury & Perry Montague-Mason
Choir: London Voices
Choir Co-Directors: Terry Edwards & Ben Perry
Solo Boys: Leo Blair & Francis Bamford
Featured Vocals by Baaba Maal & Dhafer Youssef
Aditional Vocals by Raquel Andueza
Ethnic Soloists: Dimitri Psonis, Javier Paxarino, Haig Sarikouyoumdjan, Stuart Hall, Jan Hendrickse & Helen Greenwood
Solo Cellos: Jonathan Williams, Dragos Balan, Javier Romero
Score & Album Coordinator: Ana Eusa
Additional Music Production: Maria Ulled & Anele Onyekwere
Assistant to Composer & Music Preparation: David Cerrejon
Additional Music Preparation: Pablo Trujillo & Felipe Milano
Translations by Irit Green, Renee Jamieson & Matthew Scarborough
Music Editors: Tony Lewis & Rob Houston
Executive in Charge of Music for Twentieth Century Fox: Danielle Diego
Music Supervised for Twentieth Century Fox: Patrick Houlihan
Business Affairs for Twentieth Century Fox: Tom Cavanaugh
Music Production Supervised for Twentieth Century Fox: Rebecca Morellato
Music Clearance for Twentieth Century Fox: Ellen Ginsburg
Alberto Iglesias would like to thank Ridley Scott
Thanks to: Steve Asbell, Colette Barber, Fred Baron, Lauren Caruso, Johnny Choi, Christophe Deghelt, Ana Eusa, Anita Greenspan, Rob Houston, Robert Kane, Teresa Kelly, Tony Lewis, Paul Massey, Cathy Merenda, Robert Messinger, Suzette Newman, Jo Ann Orgel, Brianne Porcaro, Areli Quirarte, Billy Rich, Jessie Roberts, Vicki Rossellini, Michael Schaffer & Richard Whitfield
Alberto Iglesias
02 – Leaving Memphis (2:03)
Alberto Iglesias
03 – Hittite Battle (4:16)
Harry Gregson-Williams
04 – Returning To Memphis (2:37)
Alberto Iglesias
05 – Moses In Pythom (1:50)
Alberto Iglesias
06 – Nun’s Story (2:18)
Alberto Iglesias
07 – The Coronation (2:28)
Federico Jusid
08 – Ramses Retaliates (0:53)
Federico Jusid
09 – Arm Chop (1:58)
Alberto Iglesias
10 – Goodbyes (2:41)
Alberto Iglesias
11 – Journey To The Village (2:14)
Alberto Iglesias
12 – The Vows (2:24)
Harry Gregson-Williams
13 – Alone In The Desert (1:36)
Alberto Iglesias
14 – Climbing Mount Sinai (2:17)
Alberto Iglesias
15 – I Need A General (3:22)
Alberto Iglesias
16 – Exodus (2:52)
Alberto Iglesias
17 – Ramses’ Orders (2:44)
Federico Jusid
18 – Moses & Nun (1:48)
Alberto Iglesias
19 – Moses’ Camp (2:42)
Alberto Iglesias, Federico Jusid
20 – Ramses’ Insomnia (2:58)
Alberto Iglesias
21 – Hail (2:01)
Alberto Iglesias
22 – Animal Deaths (2:39)
Alberto Iglesias
23 – Looting (1:19)
Alberto Iglesias, Federico Jusid
24 – Ramses’ Own Plague (2:05)
Alberto Iglesias
25 – Lamb’s Blood (1:39)
Federico Jusid
26 – We Cross The Mountains (2:51)
Alberto Iglesias
27 – Into The Water (4:00)
Alberto Iglesias, Federico Jusid
28 – The Chariots (1:52)
Federico Jusid
29 – The Hebrews (0:58)
Alberto Iglesias
30 – Tsunami (5:33)
Harry Gregson-Williams
31 – Sword Into Water (1:12)
Alberto Iglesias
32 – The Ten Commandments (3:37)
Alberto Iglesias
Hybrid, can you upload Project Details for this one?
No I know the cues Harry did but I don’t have enough info on the whole thing…
Can you list those cues below?
ALBERTO IGLESIAS
ANIMAL DEATHS
BOILS BRICK WITHOUT STRAW
CADET S ERROR SWORD INTO THE W
ENTRAILS SCORE
ENTRAIL SOURCE
EXILED
EXODUS DEPARTS
GOODBYES
HAIL
MOSES AND NUN
MOSES TO THE QUARRY
MOSES VISITS PITHOM
EXODUS GODS AND KINGS OPENING
PROPHECY COMES TRUE
RED WATERS
RETURNING TO MEMPHIS
RIDEOUT
SETI FANFARE
TEN COMMANDMENTS
WEDDING SOURCE
ALBERTO IGLESIAS & FEDERICO JUSID
EXODUS MOVES ON
INTO THE WATER
LOOTING
MOSES ALIVE
MOSES LEAVES
TRAINING MONTAGE
FEDERICO JUSID
LAMB S BLOOD
LOCUSTS
MOSES RETURN TO MEMPHIS SETIS
MOSES TO SEE NUN
PITHOM AT NIGHT
PRECARIOUS CHARIOTS A
PRECARIOUS CHARIOTS B
RAMSES RETALIATES
RANSACKING THE GHETTO
SETI DEATHBED SOURCE
HARRY GREGSON-WILLIAMS
CROCODILES
HITTITE BATTLE
RAMSES PURSUES EXODUS
SHADOW OF DEATH
TSUNAMI
VOWS
tHx!
I just came here to post Harry's Facebook comment, not surprised people are already talking about it though. Poor Harry…having to work with both Ridley Scott and Michael Mann in one year, the only person left from the trifecta of miserable directors for composers to work with is Paul Greengrass!
AFAIK, this is the first time a composer publicly says that the music heard in the movie is not his…sh** just got real.
Hybrid do you have any other examples??
reminds of of James Newton Howards score for Collateral
Harry said it wouldn't… I'm not in either Michael Mann's head, HGW's head or Atticus Ross' head… I take the info as it is… lol
Details & extract… :)