FILM CREDITS
Music by Lucas Vidal
Music Editors: Paul Rabjohns, Tom Carlson & Robb Boys
Conductor: Gavin Greenaway
Score Recording Engineers: Peter Cobbin & Geoff Foster
Orchestrator: Jeff Atmajian
Additional Orchestrations: Jehan Stefan, Dave Foster, Peter Bateman, Andy Pearce, Matt Dunkley & Geoff Alexander
Music Preparation: David Hage
Programming: Hybrid
Orchestral Contractor: Isobel Griffiths
Assistant Orchestral Contractor: Charlotte Matthews
Orchestra Leader: Thomas Bowes
Technical Score Advisor: Lorne Balfe
Additional Programming: Gary Dworetsky & Darren Purkiss
Scoring Assistants: Kelly Johnson & Max Aruj
Drums: Ian Matthews
Guitar: John Parricelli & Tony Clarke
Mix Engineer: Shawn Murphy
Mix ProTools: Erk Swanson
Score Editor: David Channing
Score Recorded at Abbey Road Studios & Air Studios
Score Mixed at Black Cat Studios
1m03B Birth Pangs (0:34)
1m04 Russian Devastation (1:24)
1m05 Enhanced Interrogation (1:04)
1m06 Dom Reflects (1:09)
1m07 I Need Your Team (1:48)
1m10 Hong Kong Call (0:45)
2m12 Brian, Mia & Baby Jack (1:23)
2m13 You’re Stronger Together (1:47)
2m14 The Deal (2:43)
2m15 Team VS Team (Part 1) (6:17)
2m16 Team VS Team (Part 2) (5:15)
3m17 You Don’t Turn Your Back (1:08)
3m18 Find Their Weaknesses (1:35)
3m20 Breaking It Down (1:45)
3m26A And The Pants Too (1:06)
3m26B Shaw Eavesdrops (0:38)
3m30 Pawn Shop Punchout (1:09)
4m31 Hand-To-Hand (5:55)
4m32 A Blank Page (1:37)
4m34 The Braga Connection (1:46)
4m35 Firm Grip (1:02)
4m36A Into Supermax (1:03)
4m36B Face Plant (0:38)
4m38A Brian Unleashed Pt 1 (3:13)
4m38B Brian Unleashed Pt 2 (1:51)
5m41A I’m Here For You (3:26)
5m41B Weak Spot (4:30)
5m42A There’s Always Something (3:14)
5m42B Orders From Hobbs (1:22)
5m43 For Her (0:48)
6m45A Tank Pt 1A (1:42)
6m45B Tank Pt 1B (2:14)
6m45C Tank Pt 1C (1:29)
6m46 Tank Pt 2 (2:38)
6m47 Tank Pt 3 (3:03)
6m48 You Were Never In The Game (6:42)
7m49 Antonov Pt 1 (5:27)
7m50 Antonov Pt 2 (5:54)
7m51A Antonov Pt 3A (1:00)
7m51B Antonov Pt 3B (2:19)
7m52 Antonov Pt 4 (2:47)
8m54 Feels Like Home (1:46)
8m56 Tokyo Tag (1:52)
Vidal was hired for the tax credits. But when he wasn’t up to the task Balfe and team were brought in. But he can’t be credited as a main composer simply because if they did, that would be considered tax fraud lol.
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Very interesting. Thanks for sharing.
I don't think I've ever heard of a similar situation. But I imagine that it happens more often than we think. Shame for Vidal that he wasn't hired purely because of his talent.
Bayhem,
Is this true or your speculation?
BTW, do you know credits on this?
The only official credits on this score are Brian Tyler legacy credits.
And not official?
Dworetsky, Hilton and Stornetta actually worked officially on this one. So there should be credits
Well there isn’t. Them being listed in the end credits of the movie (of which Lorne, Max and Gary were the only ones) doesn’t guarantee any of them cuesheet credit.
Oh… now I see the titles changed to their "official" counterparts. Too bad :/ but at least we got a glimpse of the true story behind this score.
Lucas Vidal…
But after quite many years, you guys should know that I'm not very interested in "official" but more in "the truth"… ;) lol
I thought the composer was Lucas Vidal, Lorne having only written additional music… Can somebody explain?
LOL
What joke ?
Every Day a new joke by Hybrid…
Lorne did Antonov Pt.4, that I know Evenstar
It seems you were right. Sounds exactly like Lorne