FILM CREDITS
Music by John Powell
Music Supervisor: Julianne Jordan
Music Conducted by John Powell
Additional Music & Arrangements by Batu Sener, Anthony Willis & Paul Mounsey
Supervising Orchestrator: John Ashton Thomas
Orchestrations by Pete Anthony, Rick Giovinazzo, Randy Kerber, Andrew Kinney & Jon Kull
Music Contractors: Gina Zimmitti & Whitney Martin
Singers Contracted by Edie Lehmann Boddicker
Music Preparation by Mark Graham (JoAnn Kane Music Service)
Score Recorded & Mixed by Shawn Murphy
Additional Engineering & Mixing by John Traunwieser
Scoring Editor: David Channing
Digital Score Recordist: Erik Swanson
Stage Engineer: Denis St. Amand
Stage Recordist: Tim Lauber
Stage Managers: Damon Tedesco & Peter Nelson
Score Recorded at The Newman Scoring Stage & 5 Cat Studios
Score Mixed at 5 Cat Studios
Score Production Assistant: Soya Soo
Music Editor: Tom Carlson
Additional Music Editor: Terry Wilson
Home (Film Version)
Written by Nick Jonas, Justin Tranter & Nick Monson
Performed by Nick Jonas
Produced by John Powell & Nick Monson
Arranged by John Powell
ALBUM ASSEMBLY
Bees And Bulls : 1m01AB Opening - Fantasy
Selection Process : 1m01CD No Fight - Selection
Father And Son : 1m02A Father & Son (Edited)
Finding Home : 1m02BC Waiting - Casa Escape #1 + 1m03 Storm - Finding Home
A New Day : 1m05AB ALT New Day - You Can't Go
Flower Festival : 2m06 Flower Festival
There's Been A Mistake : 2m08AB Caught - Drive
Lupe And Ferdinand : 2m08C Hysterical Lupe + 4m22A Mission - Sneak Out (Edited)
Lipizzaners And Ferraris : 3m14A Horses + 3m14B ALT Lupe Freakout
Ferdinand And Nina : 3m17 Chopped Guapo + 3m18A Thinking Of Nina - Allergies
Bull Olympics : 3m16 Bull Olympics
Sunsets In The Training Yard : 3m18C Angus & Ferdinand
Escape From "The Spa" : 4m24A Moo (Edited) + 4m24B Chop House (Edited)
Highway Chase : 4m24C Casa Escape #2 - Highway Chase (Edited)
From Train Station To Arena : 5m27-28 Train Escape - Death March (Edited)
Madrid Finale : 5m30 Intro To Bullfight + 5m31A ALT Bullfight + 5m31B Ferdinand Returns
Home (Film Version) : 1m04S Home
1m01CD No Fight – Selection (2:02)
1m02A Father & Son (2:10)
1m02BC Waiting – Casa Escape #1 (2:24)
1m03 Storm – Finding Home (3:19)
1m04S Home (2:47)
1m05AB New Day – You Can’t Go (2:54)
1m05AB ALT New Day – You Can’t Go (Alternate) (2:54)
2m06 Flower Festival (4:46)
2m07 China Shop (1:37)
2m08AB Caught – Drive (2:26)
2m08C Hysterical Lupe (1:21)
2m09 Bulls Reunite (1:01)
2m10 New Digs – Hedgehogs (3:29)
2m10 ALT Hedgehogs (Alternate Demo) (1:42)
3m14A Horses (1:55)
3m14B Lupe Freakout (1:03)
3m14B ALT Lupe Freakout (Alternate) (1:01)
3m15 El Primero (1:17)
3m16 Bull Olympics (4:03)
3m17 Chopped Guapo (1:18)
3m18A Thinking Of Nina – Allergies (2:08)
3m18B Training – Bunny (2:06)
3m18C Angus & Ferdinand (3:13)
3m19 Dance Off (1:23)
4m20 Valiente Argues (2:07)
4m22A Mission – Sneak Out (1:48)
4m22BC Trophy Hall – Valiente Fight (4:02)
4m24A Moo (2:27)
4m24B Chop House (2:06)
4m24C Casa Escape #2 – Highway Chase (3:16)
4m25 Bull Runnin’ (0:45)
5m27-28 Train Escape – Death March (5:06)
5m30 Intro To Bullfight (0:39)
5m31A Bullfight (5:35)
5m31A ALT Bullfight (Alternate) (3:40)
5m31B Ferdinand Returns (6:24)
Music Composed & Conducted by John Powell
Additional Music by Batu Sener, Anthony Willis & Paul Mounsey
Supervising Orchestrator: John Ashton Thomas
Orchestrations by Pete Anthony, Rick Giovinazzo, Randy Kerber, Andrew Kinney & Jon Kull
Score Produced by Batu Sener
Music Contractors: Gina Zimmitti & Whitney Martin
Music Preparation: Mark Graham & Gregory Jamrok for JoAnn Kane Music Service
Music Editor: Tom Carlson
Score Recorded & Mixed by Shawn Murphy
Additional Engineering & Mixing by John Traunwieser
Scoring Editor: David Channing
Digital Score Recordist: Erik Swanson
Additional Score Recordist: Milton Gutierrez
Stage Engineer: Denis St. Amand
Stage Recordist: Tim Lauber
Stage Managers: Damon Tedesco & Peter Nelson
Score Recorded at Newman Scoring Stage & 5 Cat Studios
Score Mixed at 5 Cat Studios
Score Production Assistant: Soya Soo
Composer Max Tools: John Crooks
Performed by The Hollywood Studio Symphony
Conducted by John Powell
Soundtrack Album Produced by John Powell & Batu Sener
Album Produced for La-La Land Records by Dan Goldwasser & MV Gerhard
Executive Producer for La-La Land Records: Matt Verboys
Album Mastered by Patricia Sullivan at Bernie Grundman Mastering
Production Assistance: Frank K. DeWald & Neil S. Bulk
Executive in Charge of Music for Twentieth Century Fox: Danielle Diego
Music Supervised for Twentieth Century Fox by Patrick Houlihan & Johnny Choi
Music Production Supervised for Twentieth Century Fox by Rebecca Morellato
Business Affairs for Twentieth Century Fox by Tom Cavanaugh
Music Clearance for Twentieth Century Fox by Ellen Ginsburg
Soundtrack Coordination for Twentieth Century Fox by JoAnn Orgel
John Powell wishes to thank:
Carlos Saldanha, Bruce Anderson, Lori Forte, Stacey Snider, Vanessa Morrison, Danielle Diego, Rebecca Morellato, Galen Chu, Robert Baird, Tim Federle, Harry Hitner, Tom Carlson, Julianne Jordan, Nick Jonas, Randy Thom, Jeremy Bowker, Edie Lehmann Boddicker, Judith Hill, Luke Edgemon, Missi Hale, Stevie Mackey, Baraka May, Fletcher Sheridan, Randy Crenshaw, Antonio Fernandez, Laura Engel, Richard Kraft, Shawn Murphy, Paul Mounsey, John Ashton Thomas, Vanessa Garde, Greg Hilfman, Ozzie Sutherland, Connor Sexton, Jeff Komar, John & Helen Meyer, Sydney Harrison, Aylin Sener & all the musicians who played on the score
Dedicated to Melinda Lerner & Oliver Powell
Twentieth Century Fox & La-La Land Records wish to thank:
Natalie Anderson, Laura Baltzer, Steve Barnett, Melanie Bartlett, Brent Brooks, Ted Caplan, Jeff Carson, Lauren Caruso, Jeremy Gershman, Jerry Guerrero, Robert Kane, Chris Kuwata, Chuck Martin, Cathy Merenda, Tim Nordquist, Paul Ohrt, Brianne Porcaro, Jessie Robert, Stephanie Swengel, Karen Toliver, & Terry Wilson
It gave me great joy to write the music for Ferdinand...
Apart from the utter delight of finally working on a pacifist-themed Hollywood film, it touched so many places in my heart...
The fickle bee of fate, the madness of tradition, the flowers of love, and the acceptance of the fragility of life...
All this and fart gags for the kids, too. :)
John Powell
John Powell, Batu Sener
02 – Selection Process (2:00)
John Powell
03 – Father And Son (2:06)
John Powell, Anthony Willis
04 – Finding Home (5:32)
John Powell, Batu Sener, Anthony Willis
05 – A New Day (2:52)
John Powell
06 – Flower Festival (4:46)
John Powell
07 – There’s Been A Mistake (2:28)
John Powell
08 – Lupe And Ferdinand (2:28)
John Powell, Batu Sener
09 – Lipizzaners And Ferraris (2:50)
John Powell
10 – Ferdinand And Nina (3:24)
John Powell, Batu Sener
11 – Bull Olympics (3:42)
John Powell, Anthony Willis
12 – Sunsets In The Training Yard (3:14)
John Powell
13 – Escape From “The Spa” (3:32)
John Powell, Batu Sener, Anthony Willis
14 – Highway Chase (3:16)
John Powell, Batu Sener
15 – From Train Station To Arena (5:04)
John Powell, Anthony Willis, Paul Mounsey
16 – Madrid Finale (12:14)
John Powell
"Home (Film Version)"
Performed by Nick Jonas
Written by Nick Jonas, Justin Tranter & Nick Monson
Produced by John Powell & Nick Monson
Arranged by John Powell
02 – Lay Your Head On Me – Juanes (3:16)
03 – Watch Me – Nick Jonas (2:25)
04 – Freedom – Pitbull (2:54)
05 – Macarena – Los Del Rio (4:09)
06 – Home (Film Version) – Nick Jonas (2:47)
MOVIE CREDITS:
Music Composed And Conducted By
JOHN POWELL
Additional Music And Arrangmements By
BATU SENER
ANTHONY B. WILLIS
PAUL MOUNSEY
Supervising Orchestrator
JOHN ASHTON THOMAS
Orchestrations By
PETE ANTHONY
RICK GIOVINAZZO
RANDY KERBER
ANDREW KINNEY
JON KULL
Music Contractors
GINA ZIMMITTI
WHITNEY MARTIN
Singers Contracted By
EDIE LEHMANN BODDICKER
Music Preparation By
MARK GRAHAM (JO ANN KANE MUSIC SERVICE)
Score Recorded And Mixed By
SHAWN MURPHY
Additional Recording And Mixing By
JOHN TRAUNWIESER
Scoring Editor
DAVID CHANNING
Digital Score Recordist
ERIK SWANSON
Stage Engineer
DENIS ST. AMAND
Stage Recordist
TIM LAUBER
Stage Managers
DAMON TEDESCO
PETER NELSON
Score Recorded At
THE NEWMAN SCORING STAGE;
5 CAT STUDIOS
Score Mixed At
5 CAT STUDIOS
Score Production Assistant
SOYA SOO
Music Editor
TOM CARLSON
Additional Music Editor
TERRY WILSON
"HOME" (FILM VERSION)
Written By
NICK JONAS
JUSTIN TRANTER
NICK MONSON
Performed By
NICK JONAS
Produced By
JOHN POWELL
NICK MONSON
Arranged By
JOHN POWELL
Courtesy Of
ISLAND RECORDS
Under License From
UNIVERSAL MUSIC ENTERPRISES
"HOME"
Written By
NICK JONAS
JUSTIN TRANTER
NICK MONSON
Performed By
NICK JONAS
Produced By
NICK MONSON
Courtesy Of
ISLAND RECORDS
Under License From
UNIVERSAL MUSIC ENTERPRISES
Probably the only reason Goldsmith isn't in my top 3 is I haven't heard enough of his music. :p
So, next year we have HTTYD 3 (which will almost certainly be great work by Powell) and Hans' new Lion King (which will hopefully be noteworthy).
A shame we have to wait a year for something that will put them into "prominent score" territory again. But I hope it will be worth the wait.
Hybrid, do you have credits for this version by any chance?
/ it's me
Maybe. I'd sure be happy for you lot ;) And I'd definitely rather see Powell attached to a project than, say, RGW, Junkie or Desplat.
That Solo movie is going to be a disaster, though.
Composers do not need to worry about the attention, acceptance of the public of the same or the same intensity as pop music artists do. There's no need to do that. Occasionally some name draws attention to the public and causes many people to be in the genre, Williams and Zimmer are the main examples that I can bring the table. However it is not because Williams or Zimmer are extremely popular and perhaps worry about the material they are offering to the public who adores them that all the composers of the world need to do equal. Most of these men and women even enxeega as "celebrity". They are more like artisans or the rest of the crew of a film that occupies with the lights, effects and costumes and that will never have the same response from the public as the main actor. And they don't even expect it. So I think it's foolish to wait for Powell to occupy himself in 2,3 movies a year to please a fanbase.
I'll agree with you when it says it's deplorable to see CPR composers who talk so much about building a single voice and giving emerging talent the opportunity to use so many additional composers (many of them with a possible promise that in the future they will work with Zimmer and thus have the opportunity to show his face in Hollywood.The sense is almost always these.You start with a secondary composer, he arrives at Zimmer and gains some kind of notoriety). But Powell is not the only one who does this. So he should not be the only one criticized.
The moment an artist thinks he has "nothing more to prove", he is creatively dead.
Also, thinking that only animation and Star Wars provide a field for any kind of innovation and experimentation is just ludicrous beyond words, Ds. SW especially is the most musically restricted franchise on the planet.
^ lol. Harsh, but he’s not wrong. Although, I hate to say it, we could say the same for Zimmer in my opinion.
Based on what you'd like to calculate it? MP3, CD….?