FILM CREDITS
Music by Ramin Djawadi
Music Supervisor: Dana Sano
Music Executive: Jennifer Hawks
Music Coordinators: Libby Umstead, Tori Fillat & Christopher Hogenson
Supervising Music Editor: Brian Richards
Additional Music Editors: Del Spiva & Philip Tallman
Orchestra Conducted by Tim Davies
Score Recorded & Mixed by Daniel Kresco
ProTools Operator: Adam Michalak
Music Preparation: Booker White
Orchestrations by Stephen Coleman
Additional Orchestrations: Tony Blondal
Technical Score Advisor: Brandon Campbell
Assistant Mix Engineer: Christian Wenger
Orchestra Contracted by Peter Rotter
Vocal Contractor: Jasper Randall
Score Stage Crew: Greg Loskorn, David Marquette & Mark Eshelman
Score Recorded at Sony Pictures, Barbra Streisand Scoring Stage
Score Mixed at Remote Control Productions
ALBUM ASSEMBLY
Welcome To Fright Night : 1m01B v5 Main Titles
There's A Lot Of Bad People Out There : 1m03 v3 Adam's Death
Jerry's Date : 3m16 v3 Looking For Doris (Edited)
A Terrible Vampire : 2m10A PT 1 v6 Ed Meets Jerry
We Could Rock This Evil Thing Together : 5m28B v2 Evil Ed Is Dead (Edited)
Is That A Stake? : 3m23 v2 Mark And Ben Die + 3m23 ALT v1 Mark And Ben Die (Edited)
400 Years Of Survival : 6m34C v4 She Makes Me Feel Young + 6m43 v1 Mythology End Credits (Edited)
How To Kill A Vampire : 5m32A v2 Gearing Up
Just Hit Me : 2m08 v2 Charley Insults Ed (Edited) + 2m09 v1 Ed Escapes Mark
No House No Invitation : 4m24A v5 Jerry Digging (Edited) + 4m24B v6 House Explodes (Edited)
That's My Mighty Big Cross : 4m24D v5 A Roadside Staking (Edited)
Let's Kill Something : 3m19 v2 Charley In Vegas (Edited) + 3m19 v5 Charley In Vegas
Go Get The Authorities : 2m15 v2 Charley Calls The Police + 4m24C v4 Undercarriage Jerry (Edited) + 4m24E v2 Rear Ended
I Can Hear You Breathe : 4m28A v2 Evil Ed (Edited) + 5m28B v2 Evil Ed Is Dead (Edited)
I'm All Out Of Beer : 2m13 v2 Beer (Edited)
A Garlicky Omelet : 6m34A v1 Jerry's Basement (Edited)
Enough With The Vampires : 6m34B PT1 v4 Fright Night For Real (Edited)
Gotta Light : 6m34B PT2 v6 Saving Peter + 6m34D v9 Fire Hugging
Don't Do Anything I Wouldn't Do : 6m40 ALT v1 Aftermath
Fright Night : 6m42 v1 Fright Night End Credits
1m03 v3 Adam’s Death (0:58)
1m05B v1 Roll Call (0:32)
1m06C v3 Jerry (0:35)
1m06D v1 Garage (0:21)
1m06D ALT v2 Garage (Alternate) (0:21)
2m07AB v2 Looking For Adam (2:20)
2m08 v2 Charley Insults Ed (1:05)
2m09 v1 Ed Escapes Mark (0:44)
2m10A PT 1 v6 Ed Meets Jerry (3:01)
2m11 v2 Ed Missing (0:30)
2m12 v2 Ed’s Room (1:41)
2m13 v2 Beer (4:07)
2m15 v2 Charley Calls The Police (2:00)
3m16 v3 Looking For Doris (9:19)
3m18 v2 Research (0:28)
3m18 v3 Research (Alternate) (0:29)
3m19 v5 Charley In Vegas (0:42)
3m19 v2 Charley In Vegas (Alternate) (0:38)
3m23 ALT v1 Mark And Ben Die (1:24)
3m23 v2 Mark And Ben Die (Alternate) (0:51)
4m24A v5 Jerry Digging (2:49)
4m24B v6 House Explodes (2:18)
4m24C v4 Undercarriage Jerry (0:55)
4m24D v5 A Roadside Staking (3:11)
4m24E v2 Rear Ended (0:18)
4m27A v1 Peter Makes Connection (0:37)
4m28A v2 Evil Ed (2:07)
5m28B v2 Evil Ed Is Dead (5:47)
5m31 v2 Hospital With Mom (0:52)
5m32A v2 Gearing Up (1:36)
5m32B v3 Amy Drops (0:44)
6m34A v1 Jerry’s Basement (2:30)
6m34B PT1 v4 Fright Night For Real (3:24)
6m34B PT2 v6 Saving Peter (0:49)
6m34C v4 She Makes Me Feel Young (2:14)
6m34D v9 Fire Hugging (2:14)
6m40 v2 Aftermath (0:31)
6m40 ALT v1 Aftermath (1:13)
6m41C v1 Promise Promise Promise (0:32)
6m43 v1 Mythology End Credits (2:32)
Music by Ramin Djawadi
Produced by Ramin Djawadi
Executive Soundtrack Album Producer: Robert Townson
DreamWorks Music Executive: Jennifer Hawks
Music Supervisor: Dana Sano
Music Editor: Brian Richards
Score Recorded & Mixed by Daniel Kresco
Orchestra Conducted by Tim Davies
Orchestrated by Stephen Coleman
Additional Orchestrations by Tony Blondal
Music Preparation: Booker White
Orchestra Contractor: Peter Rotter
Performed by The Hollywood Studio Symphony
Choir Contractor & Conductor: Jasper Randall
Score Recordist: Adam Michalak
Electric Cello: Cameron Stone
Electric Violin: Lili Haydn
Technical Score Advisor: Brandon Campbell
Assistant Engineer at Remote Control Productions: Christian Wenger
Score Recorded at Sony Pictures Studios Streisand Scoring Stage
Score Mixed at Remote Control Productions
Mastered by Patricia Sullivan Fourstar
Ramin would like to thank:
Craig Gillespie, Tatiana Riegel, Michael De Luca, Stacey Snider, Mark Sourian, Kira Goldberg, Steve Molen, Mark Graziano, Jake Rice, Tori Fillat, Chris Hogenson, Celeste Chada, Josh Bratman, Alan Meyerson, James Newton Howard, Sam Rypinski, Sam Schwartz, Michael Gorfaine, Cheryl Tiano, Maria Machado, Dana Sano, Holly Bario, Jeff Small, Shelly Strong, Christine Birch, Chip Sullivan, Chris Floyd, Phil Goore, Grant Gullickson, Larry Wasserman, Libby Umstead, Alison Rosenzweig, Michael Gaeta, Ray Angelic, Lloyd Miller, Julie Sessing, Steve Kofsky and everyone at RCP, Sandrine Pecher, Bryce Jacobs, Uli Kurtinat, The Djawadi family, Hans Zimmer & Jennifer Hawks
02 – There’s A Lot Of Bad People Out There (1:02)
03 – Jerry’s Date (5:11)
04 – A Terrible Vampire Name (2:46)
05 – We Could Rock This Evil Thing Together (3:44)
06 – Is That A Stake? (1:21)
07 – 400 Years Of Survival (3:09)
08 – How To Kill A Vampire (1:42)
09 – Just Hit Me (1:27)
10 – No House, No Invitation (3:44)
11 – That’s A Mighty Big Cross (2:48)
12 – Let’s Kill Something (1:00)
13 – Go Get the Authorities (1:58)
14 – I Can Hear You Breathe (2:56)
15 – I’m All Out Of Beer (3:49)
16 – A Garlicky Omelet (1:20)
17 – Enough With The Vampires (3:09)
18 – Gotta Light (2:48)
19 – Don’t Do Anything I Wouldn’t Do (1:12)
20 – Fright Night (4:12)
It's been a long time since I listened to the score, but I remember there not being anything other than shorter reprises of the end titles material mixed with standard horror drones and stingers.
It's been a long time since I listened to the score, but I remember there not being anything other than shorter reprises of the end titles material mixed with standard horror drones and stingers.
It's been a long time since I listened to the score, but I remember there not being anything other than shorter reprises of the end titles material mixed with standard horror drones and stingers.
The rest is a really good horror score with some great cello material, IMO.
The rest is a really good horror score with some great cello material, IMO.
The rest is a really good horror score with some great cello material, IMO.
Oh goodness, this score was repetitive enough on its original album! That end credits cue is awesome, but the rest…?
Oh goodness, this score was repetitive enough on its original album! That end credits cue is awesome, but the rest…?
Oh goodness, this score was repetitive enough on its original album! That end credits cue is awesome, but the rest…?
haha, more Ramind Complete is now here :D