SERIES CREDITS
Original Music by Hans Zimmer, Adam Lukas & James Everingham for Bleeding Fingers Music Featuring Aurora
Opening Title Music by Hans Zimmer & Anze Rozman for Bleeding Fingers Music Featuring Aurora
Score Producer: Russell Emanuel
Score Supervisors: Greg Rappaport & Marsha Bowe
Music Production Services: Steven Kofsky
Mix Engineer: Tyson Lozensky
Music Editor: Jake Schaefer
BOOKLET CREDITS
Opening Titles by Hans Zimmer & Anže Rozman
Original Music by Hans Zimmer, Adam Lukas & James Everingham
Additional Music by Laurentia Editha
Score Produced by Russell Emanuel
Score Supervisors: Greg Rappaport & Marsha Bowe
Music Production Services: Steven Kofsky
Music Editor: Jake Schaefer
Score Mix Engineer: Tyson Lozensky
Technical Score Engineers: Ricky Corona & Stewart Mitchell
Technical Score Assistant: Harsha Thangirala
Additional Sample Development by Sebastian Ruiz Velasco Aguado
Orchestrations by Fine Line Music Service
Score Featuring AURORA
Score Recorded at Remote Control Productions, Los Angeles
Recorded by Seth Waldmann
Assistant Engineers: Jacob Johnston & Dylan Schollmeyer
Score Performed by Reykjavik Recording Choir
Score Recorded at Harpa Concert Hall, Reykjavik
Conducted by Viktor Orri Arnason
Recorded by Bergur Thorisson
Managed by Gabriel Olafsson & Thorkell Helgi Sigfusson
Score Performed by BBC National Orchestra of Wales
Directed by Lisa Tregale
Score Recorded at BBC Hoddinott Hall, Cardiff
Score Conducted by Ben Foster, Alastair King, Pete Harrison & Sam Thompson
Recorded by Jeremy Murphy & Andrew Smillie
Score Recorded at Synchron Stage, Vienna
Managed by Stefan Steinbauer
Technical Director: Bernd Mazagg
Conducted by Gottfried Rabl
Recorded by Martin Weismayr
Assistant Engineers: Jakog Mäsell & Tristan Liton
Coordinated by Josy Svajda
Thanks:
Elizabeth White, Mark Brownlow, Alex Lanchesteer, Rachel Scott, Jane Atkins, Orla Doherty, Kate Horvath & the BBC Frozen Planet II team
Cynthia Park, Chuck Choi, Ryan Ouchida, Jessica Gibson & the Remote Control team
Stephanie Hall, Steve Gagliano, Nick Fletcher, Anthony Smith, Benjamin Wessels, Jillian Abood & the Bleeding Fingers Music team.
Paul Thomson, Christian Henson, Stanley Gabriel, Harry Wilson, Cédric Coudyser, Gianluca Massimo, Will Evans & the Spitfire Audio team
Jake Jackson, Jedidiah Rimell & the Air Studios team
Adam Adams, Andrew Christie, Graham Wild, Glen Ames II, Raymundo Vargas, Jesse McNamara, Helga Luedy, Geir Luedy, Nick Green, Even Kjelby, Sam Mumford, George Doering, Thomas Obernosterer, Jacob Braun, Chris Coleman, Lara Somogyi, Verokika Vitazkova, Lorenzo Ferraro & Charlie Bisharat
With special thanks to Dahyun Kim, Laurentia Editha, Fiona Editha, Paul & Claire Everingham, Joseph Everingham, Ariel, Jack & Leo Schaefer, The Bowe Family, Abraham Libbos, Josef Zimmerman, Greg Jamrok and AURORA
Executive Producers for Silva Screen Records Ltd. : Reynold D'Silva & David Stoner
Album Mastering: Rick Clark
Digital Manager: James Borrer
Design Layout: Stuart Ford
All titles published by BBC Music Publishing / Bleeding Fingers Custom Music Shop (ASCAP)
01 – The Frozen Planet (4:23)
02 – Harp Seal Pup (5:13)
03 – Silent Sky (3:11)
04 – Origins Of Life (2:37)
05 – Boreal Forest (1:37)
06 – Arrival Of Spring (3:02)
07 – Beluga Escape (3:02)
08 – Fidgety Bedfellow (1:49)
09 – Giants Of The Deep (1:31)
10 – Orca Ramming (2:42)
11 – Showdown At The Shore (4:46)
12 – Aurora Borealis I (2:09)
13 – Aurora Borealis II (1:03)
14 – Full Bloom (2:09)
15 – Projectile Vomit (2:01)
16 – Losing Ice (2:26)
17 – Wrangel Island (4:23)
18 – Crisis (4:00)
02 – Journey To The Southern Ocean (5:16)
03 – Daylight Robbery (1:52)
04 – Amur Tiger (6:18)
05 – Full Flight Capacity (4:41)
06 – Tundra Awakening (2:48)
07 – Hunting Grounds (4:04)
08 – Many Winters (4:16)
09 – Frozen Peaks (1:44)
10 – Atacama Winds (5:24)
11 – Learning To Breathe (3:13)
12 – The Matriarch (3:23)
13 – Hide And Seek (3:49)
14 – Wandering Albatross (2:45)
15 – Companionship (1:51)
16 – Scars Of The Earth (2:26)
17 – Then There Will Be A Future (3:41)
Though even that version was a pleasure anyway.
I mean I have used a probably non-legal version.
Hello. Thank you for the songs in this series. Also my apologies for using them without paying.
Hello, I don’t want to cause controversy. I’m relatively new to all of this, but there are things I don’t fully understand about the dynamics of some composers’ work on additional music or how involved they are in certain projects. I guess it depends.
But I’ve seen in several projects where Zimmer appears as the main composer or at the beginning in the credits and the album until the end (like in prehistoric planet), but in the reference sheet he appears again at the beginning.
Or he’s even appeared as a lead when the sound is very much that of the other composer (like Balfe, Fleming, Mazzaro) or maybe in “The Pacific”, I’ve seen photos of Zanelli where it only looks like Zanelli on the cue sheet, but here Zimmer appears and Zanelli, I don’t know if it’s because I use Zimmer material.
I have seen that he has participated in several songs for BBC and it appears that it was arranged by other composers, I don’t know if it is a way to give him lead credit as he does with Mazzaro. Or if his participation is only organizing and supervising.
Prehistoric Planet and Frozen Planet II mention his participation, however I have not seen the 3 composers together now that they did the promotion for the awards. I’ve even seen that a lot of the stuff on Prehistoric Planet was from Talve.
I don’t know if anyone knows how it works or can guide me.
I feel like interviews can be misleading at times.
Thank you for your time and I reiterate that my intention is not to cause controversy, just to learn a little about how it works.
In the case of Zimmer, I understand that he creates the sound palette (in some cases his assistants expand it), he sets the path a bit for how the song should be, perhaps he usually makes a basic demo and then the assistant takes care of everything except when problems arise, Zimmer then approves each song. At the end of the day, Zimmer is the one who sets the tone for how it sounds, but I would say that the development work belongs to the assistant.
Did Zimmer work on all of these tracks? Or did he just make the titles or a suite like with the other nature shows?
Zimmer did a cue for a YouTube Documentary in Antarctica for MrBeast while he was in the area for Frozen Planet II.
“Antarctica or Bust”
https://www.youtube.com/watch?v=BkpV5gU0eTk
Excited for this. And excited for Zimmer to be working with Adam Lukas, who did Primates with Denise Santos. Really love that score and one of my favorite from Bleeding Fingers.