Saw the movie, loved it, also loved the motifs they chose to bring back, but overall I definitely like the Fury Road score more, it’s so much bigger and nastier. But I won’t use that as a diss on this score, it’s still great
Like i said, the score is a different beast and the movie is a different beast (pure personal take, but I have more enjoyment to this than Fury Road) and works solid in the movie. Hardcore pure sound design, yes, like Fury Road, but this time is for the character, not the overall movie (Fury Road works as a big action sequence and the score emphasize the action and dynamize the action, Furiosa is a score where main emotional aspect of the character, the dubuk and dingeroo to reference her home are constantly in battle with the pure electronic pulses emulating car engines as a reference for his seek of the revenge) and works solid to that.
And is coherent to the sound of Fury Road, is the same universe, sure, but is a different story
Very disappointing. I know it is not Fury Road, but if you want storytelling and cinematic tracks, you wont find them here. If you want our classical Tom, go for Rebel Moon score. And yes, I am big Junkies fan.
Yeah he hasnt put out anything impressive since mortal engines at all, i did like Justice league but he has been awful in terms of his scoring. maybe he needs to bring back his additional writers he had for those film cause damn
Technical Score Engineers: Luca Fagagnini, Michael Staffeldt, Gevorg Chepchyan
Score Engineer: Craig Beckett
Heady Copyist: Jordan Cox
Orchestrators: Jonathan Beard, Henri Wilkenson, Edward Trybek, Tom Holkenborg
Conductor: Christopher Gordon
Score Coordinator: Elaine Beckett
Music Production Services by: Michiel Groeneveld
Music Production Assistant: Frankie Cail
ProTools Operator: Liam Moses
Assistant Engineer: Isaac Ross
Score Librarian: Carolyn Burke
Orchestra: Sydney Scoring Orchestra
Orchestra Contractor: Alex Henery, Click Track Music
Score Recorded at: The Simon Leadley Scoring Stage, Trackdown Studios, Sydney
Solo Duduk by: Pedro Eustache
Saw the movie, loved it, also loved the motifs they chose to bring back, but overall I definitely like the Fury Road score more, it’s so much bigger and nastier. But I won’t use that as a diss on this score, it’s still great
The diss, as you call, is because Fury Road is bigger (dosen’t mean is better always) and Furiosa is more personal to the movie.
Don’t get me wrong, if people like more Fury Road, no problem, but don’t use to diss (like KEM said) the other because isn’t your taste.
Watched the movie.
Like i said, the score is a different beast and the movie is a different beast (pure personal take, but I have more enjoyment to this than Fury Road) and works solid in the movie. Hardcore pure sound design, yes, like Fury Road, but this time is for the character, not the overall movie (Fury Road works as a big action sequence and the score emphasize the action and dynamize the action, Furiosa is a score where main emotional aspect of the character, the dubuk and dingeroo to reference her home are constantly in battle with the pure electronic pulses emulating car engines as a reference for his seek of the revenge) and works solid to that.
And is coherent to the sound of Fury Road, is the same universe, sure, but is a different story
Very disappointing. I know it is not Fury Road, but if you want storytelling and cinematic tracks, you wont find them here. If you want our classical Tom, go for Rebel Moon score. And yes, I am big Junkies fan.
Where in Fury Road is storytelling when the only thing the score doing is emphasize and dynamize the movie?
Man, this is bad times. Junk’s been coasting since 2015 and now he farts out this nonsense? I like Tom’s work but he has to make a bit of effort.
Yeah he hasnt put out anything impressive since mortal engines at all, i did like Justice league but he has been awful in terms of his scoring. maybe he needs to bring back his additional writers he had for those film cause damn
WTF.
Rebel Moon have additional composers, this statements haven’t sense at all.
Team Credits
Music by Tom Holkenborg
Music Editor: Jamieson Shaw
Didgeridoo Performed by William Barton
Technical Score Engineers: Luca Fagagnini, Michael Staffeldt, Gevorg Chepchyan
Score Engineer: Craig Beckett
Heady Copyist: Jordan Cox
Orchestrators: Jonathan Beard, Henri Wilkenson, Edward Trybek, Tom Holkenborg
Conductor: Christopher Gordon
Score Coordinator: Elaine Beckett
Music Production Services by: Michiel Groeneveld
Music Production Assistant: Frankie Cail
ProTools Operator: Liam Moses
Assistant Engineer: Isaac Ross
Score Librarian: Carolyn Burke
Orchestra: Sydney Scoring Orchestra
Orchestra Contractor: Alex Henery, Click Track Music
Score Recorded at: The Simon Leadley Scoring Stage, Trackdown Studios, Sydney
Solo Duduk by: Pedro Eustache